夏目波

This is lore accurate Rukia btw

Listeining to rumours about Elise in Shining the Holy Ark (Sega Saturn, 1996)

Ghost Sweeper Mikami (1993)

Seedance V2 It is really fun to do long videos but you need to do some editing to get the best out of the clips, I did not do any editing with this video. This is the firs Clip prompt Shoot this like a prestige streaming thriller, not a music video, not fantasy. Two women, both idols, both adults. The scene lives in breath, silence, and proximity. Set the entire moment in a dim vintage apartment hallway, or the corner of an old room that feels half-forgotten. Deep walnut wood paneling. Antique brass wall sconces. One warm amber pool of light falls over the women while everything beyond it dies into shadow. The space should feel beautiful, expensive, and airless, as if the room itself is closing around them. Character one is Han Seo-rin, early 30s, a Korean female idol with an elegant but quietly dangerous presence. She wears a black turtleneck under a long black coat, all clean lines and dark restraint. Her hair is sleek, dark, and softly layered around the face, with a slight fringe that lets her eyes appear and disappear in the low light. She is not loud. She is the kind of woman who controls a room by lowering her voice. Character two is Tachibana Rei, 25, a Japanese female idol with a pale, fragile beauty that reads delicate at first glance but emotionally intelligent on closer look. She wears an ivory V-neck knit dress that falls to the knees, soft and understated, the fabric catching the warm light. Her long dark hair is slightly disordered, as though the evening has already worn her down. She looks like someone trying very hard not to show fear. The emotional shape is simple: suspicion, pressure, fixation. No overt violence. No grabbing. No melodrama. The tension comes from how little space Seo-rin leaves Rei to breathe. Open on Rei already standing near the wall beneath the sconce, shoulders tight, breathing shallow, gaze lowered but restless. Then let Seo-rin enter behind her, close enough to dominate the frame without touching. She stops just at Rei’s back, almost still, letting the silence do the work. The camera should feel like it is slowly being pulled toward them. Seo-rin leans in toward Rei’s ear, speaking so softly that it feels more dangerous than a shout. One hand rises near Rei’s cheek, almost brushing it, but never quite landing. Keep that hesitation. That is where the charge is. Rei’s hands tense near her chest. Her fingers curl. Her jaw tightens. She looks away, then toward the doorway, then down again, realizing there is nowhere easy to go. Use close shots of the details that matter: the tremor in Rei’s fingers, the flicker in her eyes, the shadow of Seo-rin’s face falling across her neck, the black silhouette of the coat swallowing the warm light, the tiny pause before a breath, the way Rei tries to stay composed and fails by a fraction. Dialogue should feel intimate, dangerous, and controlled. Seo-rin, near Rei’s ear, almost gentle: “You can run from everyone else. Not from me.” Seo-rin, after the smallest pause: “Stay where I can see you.” Rei, voice unsteady, trying to hold herself together: “Please… just let me leave.” Seo-rin, with the faintest smile, certain of the answer before she speaks: “You already know this is where the story ends.” Performance note: Seo-rin is never frantic, never theatrical, never raising her voice. Her control is what makes her frightening. Rei is not weak, just cornered; she should feel intelligent, proud, and increasingly shaken, fighting to keep her dignity in a moment that is slipping out of her hands. Visual tone: premium psychological thriller, shallow depth of field, slow deliberate camera drift, warm practical light against surrounding darkness, realistic skin texture, subtle fabric movement, no camp, no exaggerated acting. The scene should feel like a forbidden, dangerous beat from an expensive late-night TV drama.

#Seedance2 #capcutseedance2 #capcut生成ai 女の子がクリスタルのステージを敵を倒しながら突き進む 途中道が細すぎる😂 @capcutapp @capcutapp_jp

Um jogo com esse estilo de arte seria espetacular

Yeah I'm not getting over how ridiculously fun this game is lmao

これ、元は1枚の画像っていうのが一番すごい。 Grok Imagine → Seedance 2.0でそのまま映像化。 ここまで一貫してできるの強いし、 全部Higgsfield内で完結するのもいい。

cyberpunk 2077

『オズの魔法使い』を再解釈したダークなアクションゲーム『The Ashen OZ』が開発中。不気味な手描き風ビジュアルが良い news.denfaminicogamer.jp/news/2604082d 血に染まった靴を履き、魔女の傘を持つ少女が幻想的で歪んだ童話世界を旅する。カカシやカボチャ頭、黒い犬などのキャラクターたちも登場

VFX jobs are GONE after this video.

海外の皆さん、こんにちは。 私は今、以前リリースしたモバイルゲームをリメイクしています。 モバイル版は日本よりも海外で人気で約100万人に遊ばれました。 リメイク版もきっと気に入ると思います。 デモ版もあるのでぜひチェックしてね。 store.steampowered.com/app/3274000/_D…

I don't really post my music much but this game does have music, here's one of my favorite tracks :)))

君だけの魔法少女 | anime opening sequence -THE MAGICAL GIRL JUST FOR YOU- 春ですね。 突然、魔法少女ものを作りたい衝動に駆られてseedance2.0でつくってみました。 #AIイラスト #AIart

久々にviduを触ってる ふふふ、、、AIってすごい

Golden Sun: The Lost Age (2002, Game Boy Advance)

AIは楽しい🥹 #QuickMagic を使ってみました。 かつて、15万くらい出して、簡易的なモーキャプデバイスを買った身としては、最近の1カメ動画からキャプチャーできるツールの手軽さに、感動します。 #seedance2 と組み合わせることで、最高の遊び道具になります🤣

Just added this SNES "Mode 7" styled effect to my metroidvania project. It's like an ocean of clouds moving across the background. What do you think? #screenshotsaturday #indiegame #gamemaker

Hollywood is getting cooked This action scenes looks like a movie Made with Seedance 2.0