Call me SNAKE

Which logan would you pick? Mini logan looks fun size 🍿🎬

The real Spider-Man is Tobey Maguire

This is a sign for anyone who hasn’t to go out of ur way and see The Nice Guys

Ranking Ryan Gosling’s filmography was impossible before #ProjectHailMary but he just added another feather to his cap. Gosling’s cementing his filmography as all-time great as we speak & I don’t make that statement lightly. His run the last 20 years needs to be studied.

When David Hulse stepped in and chose violence

This sketch is gold

"If my grandma had wheels, she would be a bike" 💀

'The Nice Guys' is a beloved cult classic

They said this girl was just average until she stepped on the court and turned into a straight-up menace for the Indiana Fever. Sophie Cunningham, the 6’1” shooting guard from Missouri, comes out firing — draining threes, locking down defenders, hyping the bench, and playing with that raw, competitive fire that makes the whole arena feel it. One minute she’s the “average role player” in the comments, the next she’s dropping dimes, crashing boards, and backing up her teammates like it’s personal. From her high school days kicking field goals and earning a taekwondo black belt at age 6, to Missouri stardom, to now bringing that same energy to the WNBA — she’s never been “just average.” She’s the hype woman, the lockdown wing, the one who shows up with the chip on her shoulder and the skills to match. They laughed or slept on her… until the highlights started rolling and the respect had to follow. Was it fair that they called her average? Sophie Cunningham isn’t average — she’s that girl. 🔥 #SophieCunningham #IndianaFever #WNBA #NotAverage #Basketball #WNBATok

Resident Evil (2002)

Highland cow baby is probably the cutest thing I have ever seen

DeSantis is simply brilliant, and he gets shit done. It’s that simple.

"change [in the house of flies]" by deftones (2000)

Dusty Baker and Tony LaRussa cursing each other out 🤬

DuckTales: Intro Unforgettable

Dee Wallace and special effects artist Greg Nicotero posing with an original, life-sized werewolf puppet from the 1981 horror film The Howling.

The Diablo franchise will turn 30 this year. It ranks among the most successful and highest-grossing game franchises of all time. Over 100 million copies have been sold across the four main games (including expansion sets), bringing the franchise close to US$3 billion in total revenue. Diablo IV alone generated US$666 million in global sell-through revenue in its first five days after release in June 2023, making it Blizzard's fastest-selling game ever at the time. Now, here comes the real kicker: Within one year of Diablo IV's release, revenue from microtransactions had already surpassed the combined lifetime revenue of Diablo I and Diablo II. Let that sink in - not from the original sale of the game, but purely from in-game purchases, Diablo IV is dwarfing the first two entries in the series combined. Sales figures for games still matter, but mainly as an indicator of the multiplier that can be applied to in-game microtransaction revenue; that endless stream of dollars pouring into mega-corporations, powered by quick dopamine hits from microtransactions. With younger generations growing up in an essentially cashless society, the perceived value of money has declined. If you’ve never held a $100 bill (let alone earned one), it's easy to forget what it really means. It becomes just a number on a credit card bill. When in-game transactions are small (single-digit amounts) they feel like almost nothing… but in the end, they add up to billions for those who design games that are meticulously streamlined and fine-tuned to guide players toward yet another microtransaction… and another… and another. Maybe after all those cover images on the game boxes are more fitting than we know.

Tiffany - I Think We're Alone Now