Diego Pernía

All that remains is a desert. Work. Shot on Phantom Flex. She: @EdsaRmz He: Black Jack

Back in 2003, a German film crew filming in the Gobi Desert captured an incredibly moving moment: after a tough two-day birth, a mother camel rejected her newborn. A nomadic family then performed the ancient Hoos singing ritual passed down for generations. Once the song ended, the camel shed tears and finally accepted her baby. This powerful scene became one of the most memorable parts of the Oscar-nominated documentary The Story of the Weeping Camel.

HOPE. A new film from Na Hong-Jin starring Hwang Jung-min, Zo In-sung, Hoyeon, Alicia Vikander, Michael Fassbender, Taylor Russell, and Cameron Britton. Premiering in competition at Cannes Film Festival. Coming soon to theaters.

For all the advances in filmmaking, this Citizen Kane (1941) shot still feels untouchable.

ALL OF A SUDDEN. A film by Ryusuke Hamaguchi. Official Selection | Cannes Film Festival #Cannes2026

Cannes favorite Andrey Zvyagintsev follows his prizewinning LEVIATHAN and LOVELESS with this highly-anticipated thriller. MINOTAUR arrives in Competition at #Cannes2026. A MUBI Release.

It's not just a phase 🌕 Artemis II astronauts captured these views of the Moon as the Orion spacecraft flew around the far side of the Moon on April 6, 2026.

The highest quality video of the moon was just released… this is so beautiful.

Rick Rubin: "Make what you love, not what you think people will like" "If you want to live in a creative way, which will benefit everything in your life, be a better person in your family, do a better job starting a new business, it's all the same. I don't really know anything about music. It's more a way of looking at the world and wanting it to be the best it could possibly be. And doing whatever it takes to be the best it could possibly be." Rubin shares how his career happened: "From the beginning, I never thought any of the things I'm doing were possible or realistic. I just did things out of the love of them, thinking I would have real jobs. That my passion would be my hobby, and I'd have a job to support my hobby. And it just magically turned out different than that without me knowing it was possible." On why some things connect and others don't: "The stars line up at certain times for certain things to happen. Sometimes you can make something great, and it doesn't connect for whatever reason. Sometimes you make two things you think are the two best things you've ever made. One of them connects with the world. One of them doesn't. And it might not have anything to do with what's in the art. It might be that it came out the same day as something else. Or there was a bigger story at the time. There's so much to it that we don't understand." He continues: "All we can do is make something good and put it out and hope for the best. That's all there is. We never know why things work. Even if you make a piece of art and it works, you may not know why." On talent versus work ethic: "There are a lot of talented people who never make it because they don't have the work ethic. It's not just talent, talent's a piece. And you could argue for some people, the work ethic trumps the talent." Rubin explains what real collaboration is: "Having worked with a lot of bands, I see there's often this friction where people are trying to get their idea in. That's not a collaboration. A real collaboration is when everyone who's there is working together towards whatever is the best thing for the whole. Whether it's your idea or someone else's idea, it doesn't matter. If you're invested in the collaboration, you want the best idea to win. You don't want your idea to win." On what makes art great: "What makes it great is the personal. With all of its imperfections. With all of its quirkiness. That's what makes it great. How you see the world that's different from how everyone else sees the world. That's why you're an artist. That's your purpose in sharing your work with the world." He warns against being derivative: "There are these derivative voices where they're finding what they think other people want to hear, and they start saying it because they've heard other people say similar things that are now successful. Even if they have some short-term success doing that, it's not revolutionary. It doesn't change the world. It doesn't last. The people who you first see and you might not like that you come to like because you don't understand them at first, those are the ones that change the world. Those are the ones you dedicate your fandom to for life." Rubin shares his philosophy on taste: "You can't second-guess your own taste for what someone else is going to like. We're not smart enough to know what someone else is going to like. To make something thinking, 'Well, I don't really like it, but I think this group of people will like it,' it's a bad way to play the game of music or art. You have to do what's personal to you. Take it as far as you can go. Really push the boundaries. And people will resonate with it if they're supposed to resonate with it." He describes creativity as catching waves: "We're really talking about magic. The universe conspiring on our behalf if we let it. Being in this flow of catching these waves that anyone can catch. If you're trying to catch it, you're open to it, you see it coming, you take off on every chance you get. And sometimes the ride happens. It's remarkable how it happens. It doesn't come from preconception. It's not an idea. It's through the doing." Rubin explains how ideas exist in the universe: "Have you ever had that experience where you have an idea for something, you don't do it, and then six months later you see someone else has done it? It's not because they took your idea. It's that it's time for that, and you can act on it or not. The best artists are the ones who have the best antenna for this material that's available. It's coming through. The best comedians see the best jokes. They see them coming. We all live in the same world; the way you see it, you have the best joke because you see it best." He closes with how to stay open: "If we listen to what's going on around us, you can overhear a conversation in a coffee shop, and it is the setup for an idea you're working on. You hear a phrase you don't commonly use. My experience is: when you are open and looking for these clues in the world, they're happening all the time. And they're happening often right when you need them."

@CapitanBitcoin Yo

🚨 Te voy a contar algo que te afecta MUCHO aunque creas que “no va contigo”. Solo para que luego no digas el clásico: “NO se podía saber”… Te explico: La plata subió un 900% desde la pandemia y ahora ha caído un -33% en UN SOLO DÍA. Y el oro —el refugio de toda la vida— estalló hasta los 5.600$… y después se marcó su mayor caída diaria desde la crisis de 2008. ¿Y qué? me dirás... Pues aquí va la idea importante: cuando hay volatilidad salvaje en los mercados MÁS ESTABLES, no estamos hablando de “movimientos normales”. Estamos hablando de PÁNICO. De inestabilidad. De ventas forzadas. De liquidaciones. De gente grande moviéndose. De grandes jugadores gestionando riesgo. Y cuando eso pasa, el mercado está avisándote de que llega algo serio. Y tú lo notas aunque no inviertas: — Llenas el carrito con el doble de esfuerzo — El alquiler está por las nubes — Los impuestos no paran de subir — Y encima te venden que quieren prohibir X “por la seguridad de los niños”... ¡vaya broma! ¿No ves que ALGO está pasando? ¿de verdad? Y debajo de todo, la gasolina del desastre: la deuda mundial se ha disparado hasta alcanzar una cifra sin precedentes de 359 BILLONES de dólares. Un nuevo récord en la historia (eso supone unos 3 años de toda la humanidad trabajando GRATIS). Un sistema así ya no puede solucionarse; solo parchearse… y el parche lo paga el de siempre: TÚ. ¿Y qué te enseñan en la tele? NADA. Silencio. ¿Y qué hace la gente? Hipnotizada con TikTok, con la tontería del día, mientras se cuece algo serio. Así que... te lo repito: esto no es una broma. Cuando los activos refugio se vuelven locos, deberías empezar a investigar qué ocurre. Yo no estoy aquí para discutir con gente a la que le da igual todo. Si eres de esos, esto NO es para ti. Sigue en el bucle de distracción de X. Escribo esto para los que quieren PROTEGER lo suyo, proteger a su familia y NO SALIR PERDIENDO en la mayor transferencia de riqueza que puedas imaginar. ______________________ Si quieres que te cuente lo que DE VERDAD está pasando y lo que voy para protegerme en 2026, escribe “YO” abajo en comentarios y te mando enlace al grupo privado. Que lo que viene no te pille hipnotizado con gilipolleces, sino en una comunidad que se preocupa de blindarse.

@musicandsoularg @LeonBenLarregui Que gran noticia para todas las personas que padecen esta terrible condición. Y que significativa metáfora de la vida.

La medicina está entrando en una nueva era. Investigadores lograron usar luz especializada para eliminar hasta el 99% de las células cancerosas, sin necesidad de quimioterapia, radiación o cirugías invasivas. Este método, conocido como terapia fotodinámica avanzada, activa moléculas especiales dentro del tumor que, al recibir luz, destruyen únicamente las células enfermas, preservando las sanas y evitando efectos secundarios severos. Si sigue avanzando, esta técnica podría convertirse en uno de los tratamientos contra el cáncer más seguros y efectivos jamás desarrollados, cambiando millones de vidas.

@TheCinesthetic Task, Succession and Six Feet Under.

What’s an HBO series (that’s not The Wire, The Sopranos or GOT) that y’all would recommend?

@TheCinesthetic Absolutely agree!

Edge of Tomorrow (2014) was sunk by confusing marketing and a forgettable title, yet it turned out to be one of the smartest and most entertaining sci-fi films of the last decade. Tom Cruise and Emily Blunt at their absolute best.

Aniara (2018) is one of the most devastating sci-fi films of the century. What begins as a hopeful journey to Mars becomes a existential drift through space. Based on a 1956 Swedish poem, it turns the vastness of the cosmos into a mirror for human despair.

@horrorlosers Peliculon y lo que dices es exacto.

TÁR fue una de las mejores películas de 2022, con varias nominaciones y un papel magistral de Cate Blanchett, pero se comenta poco que el falso biopic era en realidad un relato de fantasmas, con apariciones ocultas al estilo THE HAUNTING OF HILL HOUSE. twitter.com/CabanaDrives2/…

"Una relación humana se puede destrozar con una palabra incorrecta. Una sola palabra puede abrir una inmensa oscuridad. El lenguaje es el instrumento de la gracia y de la destrucción del ser humano. El diablo debe ser un gran lingüista". George Steiner 📷Murmur of The Hearts, directed by Sylvia Chang (2015)

Albert juega en su propia liga. Maestro.

@premierleague @LFC Crack de cracks. Sin la prensa de otros. Pero mucho más que todos ellos.

Listen to Mohamed Salah’s reception after @LFC’s win against Brighton 📣 🏟

"La literatura es una parte de la realidad, la parte de la realidad que mejor y más ampliamente explica el resto de la realidad". Carlos Barral 📷"Perfect days", Wim Wenders (2023)

Going back to one of my favorite places on earth, Homer, Alaska. Aerial photos took with my recovered Leica MP240.

Plunge into a dazzling dreamscape with RESURRECTION, visionary director Bi Gan’s journey to the outer limits of cinema — opening in theaters this weekend! ❤️ 🎟️ bit.ly/44i7NQU @janusfilms