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@eflsfint

New account (old got suspended) Distinguished intellectual, psychologically stable individual, ex larper. (hapa 💔)

Katılım Nisan 2026
3 Takip Edilen0 Takipçiler
eflesfintfff🐘
eflesfintfff🐘@eflsfint·
@yalltitanup @Caol_MacCormaic Pretentious dramas with a horror aesthetic made by people who are too ashamed to make actual horror movies. Basically most of A24s “horror” movies.
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kyle
kyle@Caol_MacCormaic·
low-mid budget genres to break into hollywood with: 50s: westerns 60s: monster movies 70s: gangster pictures 80s: ACTION 90s: Tarantino knockoffs 00s: Sundance dramedies 10s: found footage 20s: "elevated" horror
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eflesfintfff🐘
eflesfintfff🐘@eflsfint·
@zavierskywalker @Wiggamaine @exojeanies It varies between each painting, but I know you’re being disingenuous and aren’t so stupid that you can’t tell the difference between stylized paintings or sculptures that contains nude figures for clear artistic purposes, and just a straightforward photograph of a naked child.
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Bicklebee Dinglewinkle
Bicklebee Dinglewinkle@Washington25682·
@tropicthund0987 @GrabarPedrito Culkin has stated that he shared a bed with Jackson starting when he was 9 all the way up till he was 14 and nothing ever happened. He, being one of the children who visited Neverland believes the other children are lying for money and attention.
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Proud.Wigger
Proud.Wigger@Wiggamaine·
@eflsfint @exojeanies The FBI is about as thorough as it gets. They noted that he was a weirdo, but I think just about anybody would be if they were raised like Michael Was.
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eflesfintfff🐘
eflesfintfff🐘@eflsfint·
I heard someone on tiktok unironically refer to a movie as “one of the best international movies” 😭😭😭😭
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Film Updates
Film Updates@FilmUpdates·
‘MICHAEL’ is officially the biggest music biopic ever at the domestic box office.
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august
august@regularaugust·
They found the one Cassavetes L I can’t believe it
DepressedBergman@DannyDrinksWine

John Cassavetes on why he is against movies like Stanley Kubrick's "A Clockwork Orange" (1971): "There’s a difference between being violent and having violent emotions. There’s a difference between anger and the act of shooting somebody in the face. I’ve never known anyone in my life that ever shot anyone in the face. And I’ve seen it on the screen too many times. There’s no morality there, no feeling of anything for anyone. It’s a lie to say that people are violent. There are more good people than there are bad people. To see constant terror builds a nation, builds moviegoers that can only love constant terror. We become used to it, inured to it like doctors knowing they have to be tough. They can’t think of that person with tenderness, but must be dispassionate. There’s a lot of violence in 'Minnie and Moskowitz' (1971) but violence that I can understand. Violent feelings, but nobody ki!!s anybody or shoots anyone or knifes anybody. Without having seen 'A Clockwork Orange' (1971), I know, because I know the story. I really couldn’t go to see it, because I don’t want to see people ki!! each other. I don’t want to see any more hostility toward one another. I just don’t want to see that reflected any more. I’m tired of violence and dehumanization. I think the artist has a tremendous obligation to bring trust to people. Because the only thing we don’t have time for is ourselves. We can’t live with ourselves if we have no respect for our life and the human condition and the foibles that exist in all of us – then we have no tolerance, we’re all Nazis. We can’t survive with people being that inhuman. It’s impossible. I look at 'A Clockwork Orange' and ask, why did Stanley make it? Did he make it for anyone in particular? Why did he choose a story like that, in this day and age? For what: to incite a revolution, to stop everything? Maybe that would be OK, if he really believed that, but I don’t believe it. I don’t know why he made it. The more films are made about insanity, the more fashionable it will become. And, eventually, as we become more and more dehumanized, there will be no answers for anyone. You can’t get any pleasure out of being an animal. There should be a Kubrick who can make that film and show that life can be violent and harsh. But, on the other hand, where are the equalizing forces of happiness? Art films, in stressing the weakness of society, have lost their balance. The majority of people would rather be filled with illusion than disillusion. And we just have to find some way to reflect that. Not just to constantly say, ‘Oh, God, things are wrong and all, and I don’t know what to do about it.’" ('Cassavetes on Cassavetes', edited by Ray Carney, 2001)

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eflesfintfff🐘
eflesfintfff🐘@eflsfint·
@filmstofilms_ What a terrible list. No Amadeus or Mishima a life in four chapters despite both of them arguably being better than any of these.
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Films to Films
Films to Films@filmstofilms_·
20 Best Biopics of All Time according to COMPLEX.
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brandon*
brandon*@brndxix·
#NotGoingToSayHisName but do people genuinely think #he wasn’t a pedophiIe or do they just have to pretend so they can enjoy #his music in good conscious
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Jack Pig
Jack Pig@PigJack21323·
@johnsemley3000 Fuck that. Jeanne Dielman or Uncle Boonmee are vastly more pretentious than American Beauty or In the Valley of Elah.
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cinesthetic.
cinesthetic.@TheCinesthetic·
CHALLENGERS was released 2 years ago today. The iconic “ball POV” sequence where the camera follows the tennis ball wasn’t a single shot but 23 separate shots stitched together, with Luca Guadagnino telling the VFX team “The audience needs to be the ball.”
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