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Donald Trump, famous for his fondness of hamburgers, fried chicken and other American comfort foods -- has bought $5m in Kura Sushi USA stock. s.nikkei.com/4eRLhEu

AFXミク

岩倉玲音

公安9課爆誕

Nike is the real winner today. 🔥 🔥 🔥

Banda…

Softbank & PayPay invests 40% in Binance Japan binance.com/en/blog/adopti…

South Korea literally streaming live perps trading like esports competitions 🤯

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Save me, Dub Techno

【ディテール】 ジークアクスのガンダムのアイカメラや顎先のカメラのディテールと米軍ヘリMH-60Rのディテールの共通性 #GQuuuuuuX #ジークアクス

This is Lazarus They just stole $1.46 billion from Bybit And they didn’t break the code — they broke the people Here’s untold story of how they did it (and why no one is truly safe) 👇

every single crypto website ever

interesting

THE DARK MODE SHIFT I've written about the 'return of opulence,' but after watching the past few months unfold and reading Sean Monahan's (@8ghtb4ll) The Boom Boom Aesthetic, it feels more like a shift from 'light mode' to 'dark mode.' For the last 15 years, there’s been a cultural push to project positivity - "light mode," where the world wore a clean, hopeful facade. Like in a sci-fi movie where pristine white environments mask an insidious truth, this era was defined by pizza parties and mental health seminars trying (and failing) to hold together a crumbling social contract. Now, in this 'mask-off' era, the vibe has shifted: you’re either a supervillain ruthlessly chasing the bag, a nihilist reveling in debauchery, or ngmi. Monahan argues that we’re nostalgic for a past vision of modernity. I agree, but with one key distinction: in this postmodern world where everything is broken, we’re not longing for its virtues. Instead, we’re embracing the vices we once dismissed as anachronistic. If nothing matters, then everything - no matter how dark - is fair game. Just yesterday, Prada’s Fall/Winter 2025 runway was one half chaotic Berlin nightclub and another half 20th-century ballroom. The perfect embodiment of the parallel trends at play.

HERE'S MELANIA!

WE HAVE TO KEEP WINNING WE HAVE TO WIN MORE 🇺🇸