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里見
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里見
@33stm
七海龍水に狂いながら衣装を作る成人済コスプレイヤー カラコンは加工/167cm/関東/ff外からのDMは通知来ないかも/コスプレに非公式CP要素含みません ┇bsr🐅/dcst🐉+🏹 たまに🦏 ⚠️Don't reproduction & secondary use.
関東 انضم Ağustos 2011
543 يتبع1.6K المتابعون
里見 أُعيد تغريده
里見 أُعيد تغريده

先行上映会の際にも先んじて第27話を拝見しておりましたが、改めて視聴。
注目ポイントは挙げればキリがありませんが、個人的には石化が解けた時の龍水の表情でしょうか。
“特別な再会”…きっと色々な感情が含まれていただろう笑顔・眼差し、静寂が印象的でした
そして何より、劇伴が本当にツボです。魅力的なキャラクター造形と動きに負けない、それでいて華を添えるような音楽性と近未来感…!
台詞として“ドラゴンクエスト”を言える時が来るとは、、、
そしてSAIの、七海兄弟のこれからにもご注目ください!
#DrSTONE
アニメ『Dr.STONE』公式|最終シーズン第3クール2026年4月2日(木)22時放送!@STONE_anime_off
━━━━━━━━━━━━━━🚢 第27話 エピソードビジュアル解禁!! ✐━━━━━━━━━━━━━ 「科学の再会、動き出す兄弟の刻ー」 第27話の放送を受け、 七海龍水&SAIが背中合わせで描かれたイラスト公開!✨ 最新第27話「宇宙は数学という言語で書かれている」 各配信プラットフォームにて配信中! 🔗dr-stone.jp/onair/ #DrSTONE
日本語
里見 أُعيد تغريده
里見 أُعيد تغريده

#DrSTONE Behind Story – 001
The Beginning of Dr. STONE
In October 2016, I met an editor from Jump+.
He suggested that I create a somewhat hard-boiled, high-intensity gangster action manga like Sun-Ken Rock.
He told me, “Unlike Weekly Shonen Jump, Jump+ is more niche, so you can express things more freely.”
Looking back, it really shows how different Jump+ was at the time compared to now.
I proposed something different. I suggested that we aim for Weekly Shonen Jump together.
I said:
“Someday—maybe in about five years—Jump+ will become as powerful as Weekly Shonen Jump. The future belongs to digital platforms.
But experience with print magazines will become even more valuable in the future. It’s like an artist learning classical traditions.
Why not challenge Jump+ in five years, and for now, let's try Weekly Shonen Jump together?”
Looking back now, I think some parts of what I said were right, and some were wrong.
The editor agreed and said he would ask Inagaki-sensei.
Inagaki-sensei responded, “If art is Boichi, I’m in,” and together with his editor (who would later become the first editor of Dr. STONE), they began developing the project.
By the end of November—just a month later(!)—the concept was completed, and I was asked to design the characters and create image illustrations.
In just two and a half hours, I designed Taiju, Yuzuriha, and Senku!
In early December, I submitted character illustrations with inking, several Boichi-style storyboard, and three episodes’ worth of storyboards from Inagaki-sensei.
On December 18, the project passed the editorial meeting—and that’s how Dr. STONE began.
In other words, from some day in October to the end of November—just about a month and a half(!)—Inagaki-sensei and the first editor of Dr. STONE completed everything from the initial concept to the first storyboards.
And from “Let’s try Jump” to “Series approved,” it took just a little over two months!
Both the original creator and the first editor were truly exceptional talents.
instagram.com/p/DXQH8fzFDxo/
The First Dr. STONe Concept Illustration I Drew
instagram.com/p/DXQIe88FC2N/
Taiju appears in the story.
instagram.com/p/DXQI46ZFATo/
The very first concept image of the STONE WORLD.
As you can see the earlier concept illustration I drew, you’ll notice the remains of buildings in the background.
When Inagaki-sensei saw it, he said, “If human civilization came to a halt, would anything still remain after 3,700 years?”
At first, I thought of Dr. STONE as more of a fantasy.
I believed that dramatic scenery was more important visually, and I also thought that after 3,700 years, many remnants of human civilization would still exist.
However, I decided to follow the vision of the creator, Inagaki-sensei leading the project.
Looking at how the story eventually unfolds, his vision of Dr. STONE was clear:
A story of civilization reborn from zero in a beautiful, primeval world without humans—
and of Senku rebuilding it from nothing but stone and wood.
English
里見 أُعيد تغريده







