Anne 2 Ze Return

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Anne 2 Ze Return

Anne 2 Ze Return

@Anne2ZeReturn

I'm the former @anne76343 It's my new account the assh*le Reevemuskir hacked my account But I remain the same cinephile, seriesphile, curious reader, etc

France انضم Nisan 2026
342 يتبع151 المتابعون
Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@Neo_Manifesto I was hoping too After his time in jail, a long interview of him was published here and he expressed what he learnt from other inmates and prison industrial complex in the US I wish he could've done a prison movie inspired by the stories he talked about
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H A S S A N
H A S S A N@Neo_Manifesto·
@Anne2ZeReturn It’s madness, he’s definitely blacklisted but was hoping he could make films in other countries like France where he’s practically worshipped as a hero
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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@AMclenon @d4doome Can you believe Herbert Marshall was one-legged (his lost a leg in war) ? You couldn' have guessed thaks to movie magic
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andy mclenon
andy mclenon@AMclenon·
@d4doome I've never seen this one. I like Herbert Marshall. What a suave voice he has.
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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@Sherylynn_R2 Having Lorraine Bracco is a good choice, because she played a difficult and not really amicable character the type of female character that receives venom, even if the actress does a great job
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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@okaythenfuture The massification of education was a beautiful, pious hope, but it created the fetishization of the diploma (which can be bought & is reduced to social status it squandered the potential of millions of students who could've thrived in technical fields
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OK Then
OK Then@okaythenfuture·
I’ve written this before but we’re already in the early stages of a massive Anglo university bust(US/UK/Canada/Australia). It’ll intensify in the 2030s but thousands of colleges are going to go out of business. Terrible student demographics, far less Chinese students wanting to study abroad, not enough wealthy students from the rest of the world to replace said Chinese, and AI just completely destroying most entry level knowledge work and eventually up the ladder as well. Only truly elite universities and public universities will survive IMO. Mid tier schools like syracuse, a lot of the small private liberal arts schools, and anything that’s private and low tier are absolutely finished. Universities will go back towards being an elite privilege. The golden age of the university was fun while it lasted.
BuccoCapital Bloke@buccocapital

Syracuse announced a financial deficit this week after missing their enrollment target. They cite demographics + geopolitics, but the answer is much simpler: There are 5.7k higher ed institutions in the US, charging way too much for something that is worth less than ever

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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@ghostofchristo1 Since materialism has left their ideological compass, they have turned to magical thinking You should see their extraordinary nonchalence regarding energy issues ; it's as if they genuinely believe that electricity comes from the switch.
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Christopher Lasch's Angry Ghost
Christopher Lasch's Angry Ghost@ghostofchristo1·
I’ve come to the uneasy conclusion that elements of the left have come to crave capitalism’s outcomes shorn of the Protestant work ethic. A child’s dream of endless abundance without work or the need to listen to parental authority. Yet once work is sidelined, whence the worker?
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SimonBarreBrisebois
SimonBarreBrisebois@SBarrBrisebois·
@filmstofilms_ I would have added Jean Cocteau, Lars von Trier, Carl Theodor Dreyer, Akira Kurosawa, Francois Truffaut, Ken Russell, Ang Lee, David Lynch, Tim Burton, Woody Allen, Terry Gilliam, David Lean, Roman Polanski, and so many other names as well. That list is very reductive.
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Films to Films
Films to Films@filmstofilms_·
25 Greatest Directors of All Time according to Collider.
Films to Films tweet media
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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@pplsartofwar good description of the search for servility by these companies I also noticed how obsessed they are with process, because they think that the same work can be done by an average worker is the process in standardized
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People's Art of War
People's Art of War@pplsartofwar·
Execs recoil from those who produce and innovate. That implies a standards. Standards invites questions about their relevance. So they import staff from cultures where flattery is valued more than productivity. And corruption and grift is tolerated. Its a silent transaction. The incompetent leadership feel important and valued. While thinking they're saying money. The imported workers acquires a patron who tolerates their dysfunction. And a higher social class than they'd achieve at home. So rhe unproductive find a home, and the incompetent find a shield.
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People's Art of War
People's Art of War@pplsartofwar·
The H-1B debate keeps asking the wrong question. Its more than about saving money. There's a larger cultural rot why it happens. So broken institutions don't reform itself. Ive found it protects itself, then finds people who fit the rot. Then it writes a press release about inclusion. A corrupt system hires the most compatible. When you understand that, the foreign hiring becomes very clear very fast.
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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@beau2fuldisastr @NegansPeach It's rage/clickbait like these bot-generated posts of some female celeb with one pic when she was 20, and another when she's 60, and a tagline like "what happened to her ?" It's called aging, a natural process, idiots !
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𝕁𝕖𝕟
𝕁𝕖𝕟@beau2fuldisastr·
@NegansPeach I am gonna start reporting these people for harassment and bullying. Then block them. It needs to stop.
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Peach 💙💚💙
Peach 💙💚💙@NegansPeach·
I literally saw this gorgeous man with MY OWN TWO EYES two nights ago and I can verify he is the most handsome man I’ve ever seen and that was from two rows away. Fuck these people ✌🏻
Jeffrey Dean Morgan Brasil@PortalJeffreyBR

We have seen many comments recently about Jeffrey Dean Morgan's appearance. Unfortunately, some people still feel entitled to speculate and make assumptions about someone's body and health without knowing anything about their personal reality. When a person gains weight, they are criticized. When they lose weight, rumors immediately start about illness, drug use, or other personal issues. If they age, they are judged for it. If their appearance changes, it becomes a topic of discussion. The truth is that, for some people, nothing ever seems to be "right." This kind of behavior is not only unnecessary, but also deeply disrespectful. None of us knows what someone may be going through in their personal life, what choices they have made, what their routine is like, or what challenges they may be facing. Making assumptions about a person's health or well-being based on a few photos or public appearances is not concern. It is a lack of empathy. Jeffrey is a human being before he is a public figure. Like anyone else, he deserves to be treated with dignity and respect. We can admire his work, celebrate his career, and share moments from his journey without turning his appearance into a subject of speculation. Before commenting on someone's body, ask yourself: Is this kind? Is it necessary? Does it contribute anything positive? Let’s choose empathy over judgment, and respect over rumors. Every person deserves that, regardless of whether they are famous or not. ❤️ We are leaving some comments here that we believe best represent the kind of messages we have been receiving and are already tired of deleting on a daily basis. Our goal has always been to keep this space positive, respectful, and focused on celebrating Jeffrey's work and career. However, constantly dealing with offensive, invasive, and speculative comments has become exhausting. Honestly, we may soon have to limit comments to followers only. No community should have to tolerate this kind of behavior in order to remain a healthy and welcoming space. And, to be honest, we believe that if Jeffrey were more active on social media, he would probably make the same decision. Respect should be the bare minimum in any space, whether public or private.

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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@pplsartofwar Our societies offer young people no credible future, no grand collective projects in which they can envision themselves Those who continue to perpetuate the narrative of future rewards for effort have transformed the economy into a rent-seeking system ; they are not to be trusted
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People's Art of War
People's Art of War@pplsartofwar·
People's Art of War tweet media
Bill@BillWiIdin

Gen Z entering the corporate workforce with zero work ethic is going to collapse the economy. They expect a $90k salary, full remote flexibility, and four weeks of PTO for an entry-level job. The moment a manager gives them constructive feedback, they call it a "toxic workplace" and quit. You actually have to pay your dues and work hard before you start demanding executive-level perks. The entitlement is completely out of control and older generations are sick of dealing with it.

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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@nobodyaskedliz I just think Cohan is fed up playing sad/angry Mags s2 went too far with suicidal thoughts (she never had before) or her son wanting to physically harm her
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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@GangsterCinema That's how great characterization works, showing with images what's the character's like (not voice-over, looong flashbacks or whatever)
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Gangster Cinema Central
Gangster Cinema Central@GangsterCinema·
For the bank robbery shootout in Heat, Michael Mann spent months putting the actors through intensive tactical firearms training. But what makes the scene great is its psychological realism, each character acts in way that tells us something about who they are. Mann explains… “In my planning, I wanted to move from the dramatic to actuality. The second (Val Kilmer) he sees them, no hesitation. Bam. He opens up. The planning and everything else came from: what are situations in which everything suddenly starts to go wrong? The LAPD assets — as the clock ticks, more and more of them are going to come in. The point is to get out, and get out fast, and do it with real aggression. The police are used to overwhelming power and overwhelming force. They’re not used to being assaulted by people who know what they’re doing. And they don’t do that well when they are. If drama is conflict, that’s the basic conflict - it’s all character and it’s all story. (Tom) Sizemore’s route that he takes is like Sizemore. He picks up a child. Why does he pick up a child? That’s because he’s a sociopath. He would do anything for his kids, but he doesn’t care about your kids at all. They’re zeros. McCauley (De Niro) fires randomly because he knows Pacino will try to keep people down. It’s all driven by character and attitude. And the choreography of the scene, and where they were in the landscape, was plotted out months before we shot it. It was down to every single detail. And then all of the weapons training that the guys did was under very, very strict supervision by the range masters — L.A. County Sheriff’s range masters. I was able to build every single car and station on that shootout — this lamppost, this mailbox — with full live ammo. So in the actors’ minds, not only did they become incredibly skilled, but it was real. They used some of the film of Val Kilmer firing forward, turning, firing back, and then doing a reload. They used that in Fort Bragg. They said - “95% of you will not be able to fire as well as this actor.”
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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@GangsterCinema I'm certain that the movie is an exquisite stylization of the real-life mobsters There were also changes in Sharon's character, because the real woman was a much worse neglecting parent
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Gangster Cinema Central
Gangster Cinema Central@GangsterCinema·
Nicholas Pileggi, author of Casino, struggled to write the book because none of the mobsters involved were willing to talk to him. But that all changed when word got out that Martin Scorsese and Robert De Niro were interested in adapting it into a film. Pileggi explains… “I was working on the book, and a lot of these people were not cooperative — including the Ace Rothstein character, the real Ace Rothstein (Frank “Lefty” Rosenthal). He wasn’t cooperative - he’s a brilliant man, but what did he need with a book? He was very wealthy, very smart, and he didn’t need his ego played around with in such a way. But then word got out that Marty and I were going to be doing a Casino movie next, and Marty had mentioned Bob (De Niro) would play one of the parts. Somehow that got into Variety or some newspaper, because this guy is in Florida and I get a call from him. And he said, “Are you guys turning this into a movie?” I said, “Well, if we can get a book, we get a story.” And he said, “I hear that Robert De Niro is going to play a part in it?” I said, “Yeah, that looks like it.” “Robert De Niro,” he said, “is the greatest actor of his generation.” I said, “Well, I’m not going to argue with you.” And then he said, “Could I meet Robert De Niro?” I said, “Of course you can,” because at least this was an opening. And so I told Marty, who talked to Bob De Niro, and he got on a plane and went right down to see this guy, Ace, in Florida. And they really hit it off. And when the movie was announced, suddenly it became easier to get information for the book. People who had slammed doors in my face, hung up, had their lawyers threaten me — all of a sudden, they’re calling me up to meet Bob De Niro, Sharon Stone, Joe Pesci, or Marty Scorsese. So, you know, I’m the writer. I’m there. And all of a sudden, it all opened up.” Quote comes from the bonus features on the Casino DVD
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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@CarloDallapicc1 @kmstx78 Yes they are talented but come on, better than Tarkovsky ? Plus with all due respect to Agnès Varda, how can she be considered better than Jean-Pierre Melville ? That list breathes the absolute necessity to have a womzn, but in French cinema, Melville Carné or Clouzot were better
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Carlo Dallapiccola
Carlo Dallapiccola@CarloDallapicc1·
@kmstx78 Bigelow, Cameron, Chazelle, Spike Lee, Fincher, Woo, Tarantino, Miller and Del Toro are not remotely "greater" than any of the directors on your list. It's an absolute joke.
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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@d4doome That craftmanship is fading away Too much reliance on CGI to "correct" an image in postprod CGI should be used only for impossible takes, not cinematography or fixing bad rushes
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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@bram_kawa @CoraBuhlert @CatStaggs Haven't seen it but I heard about Masters of the Universe when I was young, and it was already considered like something outdated Problem was the potential audience, too restricted to be a success
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Abraham Kawa
Abraham Kawa@bram_kawa·
@CoraBuhlert @CatStaggs It's too expensive for the money it's going to make. If it cost $200 mil, double that to include the promo campaign, so the movie will have to make at least $600-800 mil to be considered profitable.
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Cora Buhlert
Cora Buhlert@CoraBuhlert·
I just don't get it. Almost everyone who watched Masters of the Universe enjoyed the movie. Many people went to see it several times. Word of mouth is great. So how can this still be considered a bomb?
Global Box Office@GlobalBoxOffice

MASTERS OF THE UNIVERSE dropped -71% domestically on its second weekend. With a budget of nearly $200M, it is now tracking to become one of biggest box office bombs of all time.

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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@d4doome That was Malle's great quality : making thought provoking movies but not in a complacent way Lucien Lacombe (a collabo), Murmur of the Heart (incest) or Pretty Baby (child prostitute) were done with great cleverness
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d4doome
d4doome@d4doome·
I liked DAMAGE a lot. A movie for grown-ups.
DepressedBergman@DannyDrinksWine

Roger Ebert on Louis Malle's "Damage" (1992): "Watching 'Damage' (1992) is like watching an emotional traffic accident as it unfolds. The film is based on the best seller by Josephine Hart, which had a certain undeniable power, but the right place for this material is the screen, I think, because it can show exactly how the two look at one another. This is a movie about sight; from the first moment the two meet, it is filled with what is seen and what is not seen, as Stephen [Jeremy Irons] suffers though a dinner party with his wife, his son, Anna [Juliette Binoche] and her mother – and some observe, and some do not, what has happened. (...) 'Damage' is one of those rare movies that is about s*xuality, not s*x; about the tension between people, not “relationships”; about how physical love is meaningless without a psychic engine behind it. Stephen and Anna are wrong to do what they do in 'Damage' but they cannot help themselves. We know they are careening toward disaster. We cannot look away." ("Damage", Roger Ebert, 1993)

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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@ShempMeister I stopped watching after Matt Smith's era for me he was the bes Doctor after the relaunch era, I didn't feel the need to watch the ones who came after
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Anne 2 Ze Return
Anne 2 Ze Return@Anne2ZeReturn·
@HoThinh1993 Not as over-the-top as Ringo Lam's Full contact was, but clearly unapologetic
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اكتشف

@Neo_Manifesto @AMclenon @d4doome @Sherylynn_R2 @2ndaryProtocol @okaythenfuture @ghostofchristo1 @SBarrBrisebois