
I just finished Season One of 2018’s Barry, Bill Hader & Alec Berg’s excellent dramatic comedy about an ex-Marine turned contract killer who becomes entangled with the Azerbaijanian mob in Los Angeles while stumbling into an acting class run by Henry Winkler. Thoughtful and well-written, with hilarious performances all around, Barry manages to balance the comedy by finding absurd truth in the situations. Hader & Winkler won Emmys for their performances (and Hader won a well-deserved DGA award) but Anthony Carrigan’s NoHo Hank is a revelation, and Stephen Root is brilliant as Barry’s handler. There are so many insights into humanity and personal identity, and the struggle for success in the Los Angeles dream factory, that I found myself emotionally engaged well beyond expectation. The series is something of a cousin to John Cusack’s terrific Grosse Pointe Blank, and if you like that film you’ll love Barry. The question is, does it maintain its excellence through its two year Covid-19 shutdown and subsequent culture collapse for seasons 2-4?

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