Vertical AI

WE ARE LIVE! 🎬 Vertical Motion is now available to the first 500 people on the waitlist⚡️ We’ll be rolling out access in phases so make sure to keep an eye on your inbox Want access? Visit our website and grab an early-bird spot 👇

@AllaAisling We use Kling 3.0 in Vertical Motion, and it’s a beast! We’ve taken it even further with our AI Director Agent and Nano Banana. Now it’s even better at creating consistent multi-scene videos. Please, check it out!😎 motion.verticalstudio.ai/?utm_source=X&…

Kling 2.5 turbo is now in Firefly and Firefly Boards! ✨ Here are my first tries, image to video: Hood-mounted camera on a rally car descending a mountain road that's washing out in real time. Rain has become mudslide. The car doesn't brake, it steers through liquefied terrain, rear end swinging wide on each switchback, catching grip on whatever's still solid. A section of road drops away twenty meters ahead. The car jumps it. Landing compresses the frame. Wipers can't keep up. The finish line is below somewhere but the camera only knows forward and down. Mud brown and hazard orange, tungsten headlight cones cutting gray murk, 1980s Group B rally photography, Fujifilm Superia grain, matte paint splattered with earth, dark pine green blur in periphery, overcast flat light with no shadows. Gimbal-locked camera on a speedboat threading a ship graveyard during a typhoon. Swells the size of buildings, hulls appearing from spray without warning. The boat doesn't navigate, it reacts. Hard cuts between wave faces, propeller cavitation on the peaks, freefall into troughs where the sky disappears. A cargo ship's bow emerges directly ahead, listing, shedding containers. The boat splits the gap between hull and waterline, close enough to scrape paint. Metal gray and foam white, bioluminescent green in churned water, rust-streaked container ship hulls, Denis Villeneuve ocean palette, sodium yellow deck lights, desaturated teal-orange contrast, salt spray diffusion on lens, apocalyptic maritime realism. @AdobeFirefly

@Framer_X This looks very cool! You should consider using Vertical Motion for this kind of videos, with full consistency across every scene, powered by top models like Kling 3.0 and Sora 2. An absolute beast! 🔥 motion.verticalstudio.ai/?utm_source=X&…

I recreated a Britney Spears music video in 3D. Here's how 👇

If you want to create longer, scene-to-scene consistent videos, not just short few-second clips, you should take a look at Vertical Motion. Powered by Kling 3.0, Nano Banana, Sora 2, and an AI Director Agent, it’s a real beast when it comes to creating AI-generated videos 😎 motion.verticalstudio.ai/?utm_source=X&…

One idea starts it all. Then it turns into a full cinematic scene. No cameras, no actors involved. Seedance 2.0 makes it happen in minutes.

@LudovicCreator Well, Seedance did a good job here, but Vertical Motion is a real beast when it comes to creating consistent multi-scene videos, not just single clips. See for yourself 😎 motion.verticalstudio.ai/?utm_source=X&…

🎨 SEEDANCE 2 🎨 Seedance 2 is flexing its spatial consistency. 📉✨ Notice how the lighting shifts from the golden hour sun at the top of the mountains to the cool, misty shadows in the valley. Maintaining the eagle’s wing texture through a high-speed dive is no easy feat for generative models. Prompt : A dramatic mountain range at sunrise with massive cliffs dropping into deep valleys filled with clouds. Warm golden sunlight illuminates the peaks while cool blue shadows cover the canyon below. **Action:** 15.0s sequence from the POV of a giant golden eagle soaring high above the mountains. The viewer sees the tips of massive wings occasionally entering frame while wind roars past. At the 2-second mark the eagle folds its wings and dives. The camera accelerates downward through the clouds at extreme speed. A mountain goat runs along a cliff ledge far below. Velocity Ramp choreography: the eagle spreads its wings just before impact, slowing the dive as air turbulence ripples through the feathers before snapping back to real-time speed as talons extend toward the target. **Camera:** Aerial predator POV with smooth banking motions and rapid vertical dives through cloud layers. **Style & Constraints:** Ultra-realistic feather physics, volumetric cloud lighting, cinematic aerial motion blur, 8K resolution. Made in @pixio_ai

@NACHOS2D_ Seedance 2.0 is currently one of the best models on the market, but it still struggles with maintaining consistency in multi-scene videos. Take a look at Vertical Motion - it solves exactly that problem in ai generated videos 😎 motion.verticalstudio.ai/?utm_source=X&…

It’s actually over. Seedance 2.0 is the most advanced video AI in the world. It can generate cinematic, Hollywood-level CGI scenes in minutes—something that used to take massive teams, months of work, and millions of dollars. What once cost a fortune now costs just a few dollars.

Vertical AMA Recap ⚡️ ◻️ Vertical Gateway Officially Launching The team announced that the Vertical Gateway will go live soon, marking a major milestone for the ecosystem and token economy. This launch version gives all $VERTAI holders access to the platform’s core utilities ◻️ Staking Unlocks Cashback + Airdrops Users who stake $VERTAI earn daily cashback from a revenue-backed pool and accumulate weight, which determines their share of future airdrops from ecosystem partners ◻️ Fair Distribution Mechanisms in Place A weekly cap on weight eligibility prevents last-minute large staking, ensuring a more balanced and fair airdrop distribution across participants ◻️ Affiliate Program Coming Soon A tier-based referral system (Bronze to Diamond) will allow users to earn commissions for bringing in new users, with higher staking tiers unlocking higher revenue share percentages ◻️ Expanding Product Marketplace The Gateway shop will include Vertical’s native products and expand to partner offerings, allowing users to purchase various AI tools and services with $VERTAI at discounted rates ◻️ Security and Simplicity Emphasized The platform focuses on a simple user experience while maintaining strong security practices, including wallet verification and strict use of official links

Vertical Weekly AMA⚡️ x.com/i/broadcasts/1…

@EHuanglu This video was created in Vertical Motion by @lexx_aura ✌️ motion.verticalstudio.ai/?utm_source=X&…

‘AI is slop’.. they say

Join us today for the Vertical Special Weekly AMA ⚡️ We’ll be officially launching our new product - Vertical Gateway The utility layer of the Vertical Ecosystem We’re going live at 16:00 UTC, so make sure to set a reminder!

@chddaniel If you like this, you need to see also Vertical Motion with its own Director Agent build in 😎 x.com/Build_Vertical…

IT'S SO OVER... Motion designs are cooked. This AI agent made this video in 25 mins, only did 2 changes.

Everything looks great when it comes to short clips, but the real challenge starts with longer videos. Maintaining consistency across multiple scenes becomes a problem, and the more scenes you have, the worse that consistency often gets. That’s exactly why we built Vertical Motion - to solve this problem 😎 motion.verticalstudio.ai/?utm_source=X&…

I ran 50+ tests on Grok’s new ref images feature 🤯 And honestly... I was surprised by the results. 10 wild examples + prompts below 👇

@Lordofacca Did you use Vertical Motion to make this one? It looks great 😎 If not, you should definitely check it out. It’s a beast for creating longer videos 😎 motion.verticalstudio.ai/?utm_source=X&…

WELCOME TO OUR JUNGLE By LoA 👊

@Strength04_X Yup! The Chinese team did a great job with Seedance 2.0. Kling 3.0 can definitely compete with it. We use Kling in our Vertical Motion, and it’s really impressive!

Seedance 2.0 VFX Looks Insane!

Good job @ChillaiKalan__ This video looks great! Kling 3.0 is really strong on its own, but with the right supporting tools, you can unlock even more of its true potential. At Vertical Motion, we combine it with Nano Banana and our AI Director Agent, and that combo gives it a serious boost. Definitely worth checking out 😎 motion.verticalstudio.ai/?utm_source=X&…

Kling 3.0 Omni on @SocialSight Prompt: Style: cinematic, soft natural lighting, shallow depth of field, warm highlights vs cool shadows, European old-town atmosphere, emotional and intimate tone, 35mm film lookEstablishing (Wide Shot) A quiet cobblestone street in an old European village at blue hour, warm lights glowing from shop windows, a few blurred figures walking in the distance, cinematic depth, gentle camera dolly forward.Close-Up (Discovery Moment) The child’s face lights up with a soft smile as they notice a fluffy white cat sitting on the street, warm light reflecting in their eyes.

@HBCoop_ Kling has huge potential, but it needs a bit of extra support. In our case, combined with Nano Banana and our Director Agent, it really unlocks its full capabilities. Definitely worth checking out 😎 motion.verticalstudio.ai/?utm_source=X&…

Cliff side ⚡ 🌊 Seedream 5 Lite → Kling 3.0

@Artedeingenio Kling has huge potential, but even more so when you use it in Vertical Motion - that’s when you can really unlock its true capabilities 💪

I think a lot of people still haven’t fully unlocked the potential of Kling 3.0. Tomorrow I’ll share this prompt with my subscribers.

@Dheepanratnam Seedance 2.0 is good, but Kling 3.0 in Vertical Motion is a beast when it comes to creating longer, multi-scene videos. You should definitely check it out! 😎 motion.verticalstudio.ai/?utm_source=X&…

The core idea in this test is simple With seedance 2.0 These are text to video with simple prompts to see how it works. you can create detailed versions for any ad purpose - The simple prompts are in the comments First frame: empty stage or scattered parts Last frame: fully revealed hero car Middle: one clear transformation rule plus one clear camera rule Ending: clean hero lock for ad-quality payoff

@CharaspowerAI Kling is a beast! 🔥 With the support of Nano Banana and an agent that helps create and control scenes, it’s perfect for making longer videos. It works really well for us 😎

🚨PromptShare🚨 Multi- shot prompt with Kling 3.0 SHOT1 Wide shot, a lone samurai stands on a narrow forest path while red leaves fall slowly around him. SHOT2 Close tracking shot, wind lifts the samurai’s robe as his hand slowly reaches the sword hilt. SHOT3 Ultra-fast motion, blade flashes through the air as the camera whips around, leaves scattering in a sudden burst.