dexter

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dexter

@Houses

houses / dawn golden / co-founder @fwbtweets

nowhere, fast Beigetreten Mayıs 2010
347 Folgt5.3K Follower
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dexter
dexter@Houses·
𝔡𝔯𝔲𝔤𝔰𝔱𝔬𝔯𝔢 𝔥𝔢𝔞𝔳𝔢𝔫 (708) 397-6632
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dexter
dexter@Houses·
@Grimezsz Meaning that in order to pay off 20k of album expenses I would need to generate 133k of income just to break even. My advance was $7k, I had a top ten record and made $0 off 40M+ streams. Literal insanity.
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dexter
dexter@Houses·
@Grimezsz I was signed to one of the bigger indie labels for years and the deal was: 85% label 15% to me (after recoup) BUT I recouped at 15% - so 15 cents of every dollar went to paying down my accounting, the rest was label profit until I hit green.
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𝖦𝗋𝗂𝗆𝖾𝗌 ⏳
Like every artist I've ever met was in some point in a terrible label situation. The labels economic model is based on hits. U sign to a label because of the promise that if a song is going they can throw gasoline on it. No amount of advice seems to be able to convince enough artists to stop signing to labels cuz u rly do need to learn this first hand (even I did). But at this point it's almost like lobbying and super pacs in politics - it reduces the potential and rewards algorithmically safe music. They own huge chunks of like any distribution model - most of which are also algo based and reward sameness and frankly when I hear an artist I like followed by 40 other artists that sound just like them I start to lose interest. we've basically destroyed music journalism. And the abundance has actually sort of make everything feel less special. The main music that can succeed is by theatre kids since they have higher pain tolerance and even exuberant joy about performing and therefore can thrive in environments like tik tok. And it is importsnt to keep space for this type of music But man... I used to listen to so many local bands. There used to be a way more sustained amount of smaller artists. The musical middle class, as it were. This peaked during Napster era when we prob had the most meritocratic least gatekept music industry (you could be ugly too and still succeed. I miss that lol). Now literal VC's are buying catalogues - every economic incentive in the world has lined up to actively dissuade new music and especially innovative music. The artists I currently consider the pantheon of modern innovators would have been a LOT more successful ten years ago. It's interesting to me how undissected the economics of music are and how profoundly and negatively they are impacting music rn
Pop Tingz@PopTingz

Kim Petras revealed that she has formally requested to leave her record label, Republic Records. Petras reports that her new album, "DETOUR," was finished 6 months ago, along with a music video that she financed herself, all of which is currently on hold with the label.

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st3ve.eth
st3ve.eth@steveklbnf·
always been a 70s-focused deadhead, but this week i got opened up to two '81 shows that are melting my heart. grateful dead roots run so deep
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dexter
dexter@Houses·
love you love you love you 💕
dexter tweet media
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jaime brooks
jaime brooks@elite_gz·
everyone thinks the weeknd is successful because people want to hear 80s production like we aren't in the middle of a silent collective grief spiral about cocaine as we knew it ceasing to exist that primarily manifests as attachment to songs that remind us how it felt
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dexter
dexter@Houses·
@djbroc untouchable record 💔
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Ben Roc
Ben Roc@djbroc·
You must be a masochist and I’m a modern leper on his last leg
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dexter retweetet
Dexter
Dexter@planet_nerf·
im not an artist and this isnt art i promise
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dexter
dexter@Houses·
shout out to whoever’s curating the music at the bed bath and beyond in sacramento
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