Ricardo Cardoso

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Ricardo Cardoso

Ricardo Cardoso

@Lordrayler

is my Father יהוה

Beigetreten Kasım 2011
3.4K Folgt504 Follower
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Ricardo Cardoso
Ricardo Cardoso@Lordrayler·
Só vou sair desse Twitter no dia que for arrebatado👍, estejam na segurança de Yausha que YAUH os abençoe sempre
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SHONEN WEST
SHONEN WEST@shonenwest·
⚡ OTHO E OS RATOS ⚡ Prepare-se para mergulhar em um laboratório caótico, onde ciência e loucura se misturam! 👨‍🔬🐭 Experimentos, faíscas e uma dose insana de energia, é assim que nasce uma nova criação! 📖 Leia agora “OTHO e os Ratos”: swmangas.com/oneshot-mini-s…
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Ricardo Cardoso
Ricardo Cardoso@Lordrayler·
tentei movimentar a camera 👍👏
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Ricardo Cardoso
Ricardo Cardoso@Lordrayler·
rascunho de uma animação basica do cabelo do rayler com sensação de vento
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PUNK WORKSHOP JAPAN
PUNK WORKSHOP JAPAN@punkworkshop_jp·
【開発進行中】 PUNK WORKSHOP × 『餓狼伝説 City of the Wolves』コラボ第2弾として、「西村キヌコントローラーコレクション 不知火 舞モデル(仮)」の製作が決定しました。 西村キヌ先生(@nishi_katsu)による新規描き下ろしイラストを採用した、特別仕様のコラボレーションモデルです。 現在、イラスト・製品仕様ともに監修および調整を進行しております。詳細は、あらためてご案内予定です。 さらに、EVO Japan 2026会場では、開発中の展示機を公開予定です。 続報をお楽しみに。 ▼詳細はこちら punkworkshop.jp/blogs/updates/… #餓狼伝説 #CotW #PUNKWORKSHOP #EVOJ26 #EVOJapan2026
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電ファミニコゲーマー
電ファミニコゲーマー@denfaminicogame·
『餓狼伝説 CotW』“不知火 舞”モデルのコントローラーが製作決定。西村キヌ氏の描き下ろし news.denfaminicogamer.jp/news/2604233b 不知火 舞の持つ華やかさと力強さを、西村氏ならではの躍動感あるタッチで表現したPUNK WORKSHOPとのコラボモデル。「EVO Japan 2026」会場で展示予定
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Ricardo Cardoso
Ricardo Cardoso@Lordrayler·
consegui animar o cabelo do rayler tranquilo com sensação de vento
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VIZ Media
VIZ Media@VIZMedia·
From the creator of Mob Psycho 100 and One-Punch Man! Introducing the protagonist of Bug Ego, Takehiro Kokudo 🪲 (via Bug Ego, Vol. 1)
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Boichi
Boichi@Boichi_Bo1·
#DrSTONE Behind Story 06 2/2 “Forest” Forest Pictures Used as References for Dr. STONE These are also photos of Japanese forests I used while working on Dr. STONE. The images above are from forests near Mt. Fuji, and those below are from Izu. Naturally, during serialization, there was no time to go on research trips. The Mt. Fuji photos were taken in 2008 for a work called Raqiya, and the Izu photos were part of a personal archive I had built over time, taken whenever I had the chance and carefully categorized.
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Ricardo Cardoso
Ricardo Cardoso@Lordrayler·
Vou estudar animar cabelo hoje👍👏
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Sté ステ Commission are OPEN
Um ideal seria os apps das editoras/revistas de formato acessível por assinatura. Muita gente conseguiu aderir o consumo de animes por stremming, principalmente pela facilidade pro nosso idioma. Por conta do monopólio do papel, as editoras cobram +1 diária de salário por volume.
裏那圭◾️KEI URANA@KEI_URANA

I’ve spent the past few days researching the circumstances in different countries, including financial situations. I understand that for many people, pirate sites are the only way they can read manga. I also understand that prices can be higher overseas. I’ve even seen people saying, “Don’t bring this issue up.” But if we do not speak up now, the value of Japanese manga and creative works, built through the sacrifices and relentless efforts of those who came before us, will be wasted. I’ve also seen people say, “Reading for free doesn’t hurt sales.” That is not true. “Free” lowers the value of things. Once people grow used to getting something for free, they stop looking toward legitimate versions. (I also understand that people who truly love a work will support it properly.) We pour ourselves into creating so readers can enjoy our work. Compensation matters, of course, but more than anything, I do not want to see its value diminished. To help people who cannot afford to buy it, or who do not have access to it, enjoy these works, Ando and I have been discussing this for a long time and exploring many ideas. I cannot share details yet, but we are working on it. Publishers are making efforts as well. I’m sorry it is taking time. But please stop hurling accusations like, “You are racists,” or saying misguided things like, “Piracy is free promotion for you.” We will continue doing everything we can so everyone can enjoy manga. And I ask one thing in return: please try to understand our perspective and our culture as well. ※I’m using a translation app.

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Boichi
Boichi@Boichi_Bo1·
#DrSTONE Behind Story 06 2/2 “Forest” December 24, 2025 — “The Christmas Incident” On that very day, I happened to be walking somewhere in Izu and took this photo of moss. Even though several years had passed since Dr. STONE ended, I still found myself drawn to moss—a lingering trace of the obsession I had back then. When you pour your heart into depicting something, that attachment doesn’t disappear, even years after the work is done. For example, the “father’s factory” I drew in ORIGIN— even five years after finishing the series, I still find myself unconsciously looking at similar buildings whenever I see them. I don’t think you need to force yourself to overcome this kind of attachment. Because one day, it can become an accumulated skill—something that proves useful in the future. In fact, Soyuz was exactly that kind of case.
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Jambô Editora
Jambô Editora@jamboeditora·
BOAS-VINDAS, HERÓIS, AO ATO I 🗡️ Em #ExpediçãoEscarlate, você e seu grupo escolhem se irão viver as missões em modo campanha ou individual!
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[🔴] Artix Krieger
[🔴] Artix Krieger@ArtixKrieger·
Infinity support update: 18221 of 28917 backers have completed surveys. Over 1500 messages arrived in 2 days, and our team is working through a backlog all weekend. Please be patient as we respond, and thank you for understanding. More details at aq2d.com/quick-posts/su… ~B #aqw
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Ricardo Cardoso
Ricardo Cardoso@Lordrayler·
Vai ser bem divertido chegar na parte de lutas kkkk👍👏
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Ricardo Cardoso
Ricardo Cardoso@Lordrayler·
Aprender animar personagem em lutas de espadas e lança e já posso começar animar kkkk
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