Mathis Nitschke

Last week, our core team met in Munich for a strategic workshop – something we had postponed for too long. As a fully remote team, these moments of shared physical and conceptual space are essential to align direction, priorities, and assumptions. 1/10

As artists, we know absolute originality doesn’t exist. Yet copyright still leans heavily on it. With machine learning, that tension is no longer theoretical. The text doesn’t propose answers. It clarifies why the question itself is under pressure. journal.crps.ai/originality-is…

What if music were no longer time — with a beginning, an end, and a development in between — but a space one can enter, move within, explore? A space that changes through one’s own activity. Monday, 27 Oct 2025 · Schwere Reiter, Munich · Free Entry crps.ai/live

Save the date! CORPUS.Live on 27.10.2025 at Schwere Reiter, Munich - mailchi.mp/64ccb0d9d338/c… More than a launch: an evening of music, art, and dialogue about the future of making music with machines

If you’re a musician, researcher, or work in music for games, film, or tech — this is for you. Join us. Let’s shape the future of music — together. 🔗 crps.ai @crpsai (10/10)

CORPUS is a project by my company Sofilab, backed by the EU and private investment. Next: we launch Reef, our generative AI tool built on CORPUS. (9/10)

CORPUS is here. A new project for anyone who believes the future of music should be shaped with artists — not against them. @crpsai (1/10)

📷: Helen Karam for @holophonixyz taken at Opera Comique, Paris #ArtInProcess #CreativeLabor #MusicTheatre #SoundDesign #NoShortcuts #GenerativeAI #Holophonix #RaphaëlPichon #ClausGuth #groundtruth (9/9)

Not because it’s a novel idea. But because if we don’t, we may soon have nothing left to defend. (8/9)

#groundtruth These images usually emerge at the beginning and the end of a collaboration. The process in between remains mostly invisible. (1/9)