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LOOR TV
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LOOR TV
@WatchLoor
Stop Complaining 🚫 Start Building 🛠️ Streaming Where You Decide What Movies, Series & Comedies Get Produced 🎬
United States Beigetreten Ekim 2014
446 Folgt3.6K Follower
LOOR TV retweetet
Pray v Prey is almost 75% funded over on @WatchLoor
You should support Ian and his independent horror film he's making.
😱
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Are you an AI filmaker looking to raise money to cover AI credits or subscriptions to fund your next AI short film?
Let me introduce you to LOOR, the platform that allows monthly subscribers to fund indie filmmaker's with their own subscription money. Now open to the next generation of AI film makers.
Send me a DM if you want to use LOOR to fund and stream your next project or email Support at LOOR dot TV.
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LOOR TV retweetet
@BMcGrewvy @WatchLoor Heck no!
Violence, yes. Very much yes.
Porn, no. Nudity and blasphemy aren’t allowed on the site.
That said, not every show or move needs to explicitly Christian or star Kirk Cameron or Kevin Sorbo (though Sorbo did do some narration in one episode of a show).
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LOOR TV retweetet
Six years ago, my team set out to build LOOR TV. A mixture of Netflix and Kickstarter, with a gamified twist that appeals to younger generations.
We knew that pop-culture is always created from college and younger demographics. Not 55yo women who shop at bookstores. Yet, the entire industry was addicted to this market.
No one was willing to think different. No one believed our platform would work. But a small group of seed investors did.
So we put the platform together piece by piece. Slowly. With patience. Faithfully maximizing every dollar.
The first step was building a real world test.
So we spent time developing the technology, while at the same time building out a Rolodex of insanely talented and disruptive filmmakers just looking for an opportunity to tell stories that everyone else said no to. Not because of a lack of skills, but because of a lack of courage.
We needed to prove the model.
So we tested the platform for an entire year. Proved that people spent more money than their monthly subscription. We generated 2/3rd's of our revenue from our top 25% of users. Whales and Scales.
We demonstrated the platform works, and it worked better than we guessed.
After the testing period, we brought on Shon Tomlin and asked him to be our CEO. A bona fide FOX Cable Network executive and Emmy winner with years of experience building profitable young generation brands.
He's spent the last year working behind the scenes prepping us for scale.
We brought on legal council who have worked for some of the biggest cable networks on the planet.
We did a deep dive financial analysis. Multi-year projections and created a legitimate business plan. What we built works, and the numbers back the hypothesis. Everything the most sophisticated of investors would need.
And now we are ready. It's time to disrupt the industry. It's time to scale.
This is how we do it.
- Build a platform with little to no upfront content spend.
- Maximize individual user revenue.
- Build towards self-sustaining profitability, not increased production costs.
- Reduce customer acquisition costs.
- Adopt a "SpaceX vs NASA" approach to film production. Reduce bureaucracy, build fast with low costs, crash often, get one ship to space.
- Incubate and develop new and undiscovered talent.
- Target audiences under 30yo.
We can keep complaining about the state of media. Or we can build something different. And we can do so with far less investment than any other platform out there.
If you want to know how we have done this. Reach out to me. I'll go into the details, the finances, the reports.
It's time to build something different.
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Make sure you check out our long time friends at @BrainyPixel new project Righteous Warriors by paying $5 to watch the entire episode. Support incredible artists.
youtube.com/watch?v=8mVvo8…
YouTube
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LOOR TV retweetet
So the funny thing about S2 Eps 1 is that a coworker of mine in Mexico wrote the song that plays from 6:18 on. I'm a big fan of his music and forget he's a coworker sometimes
We got into a tense meeting bc he disagreed with me on some things but on the inside I'm geeking out
LOOR TV@WatchLoor
It's a great day for an entire episode of Fleur De Lis. If you want to find and fund more undiscovered artists, including the entire second season, be sure to join us at LOOR.
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There are better ways.
LOOR TV@WatchLoor
Don't just cancel Netflix. Put your money into the next generation of filmmakers.
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What if you could take your subscription money and fund movies and TV shows from undiscovered talent instead?
That's what LOOR is about.
New York Post@nypost
Streamers are rising prices at an astonishing rate — here’s how much more you’re paying trib.al/pdBIQRs
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LOOR TV retweetet
Angel Studios raised money off of Christians and now insult them. A tale as old as time.
Peachy Keenan@KeenanPeachy
New from "conservative Christian values" movie makers Angel Studios, a stomach-churningly "cute" version of Animal Farm turned into cringe "equality" slop, starring noted transexxual activist Laverne Cox and far-left Hollywood degenerates like Seth Rogan. But it's the creative here that's the problem. Absolute mess.
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Does VidAngel filter out trans activists in Angel productions?
Peachy Keenan@KeenanPeachy
New from "conservative Christian values" movie makers Angel Studios, a stomach-churningly "cute" version of Animal Farm turned into cringe "equality" slop, starring noted transexxual activist Laverne Cox and far-left Hollywood degenerates like Seth Rogan. But it's the creative here that's the problem. Absolute mess.
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@WatchLoor (a tech company in entertainment media) has never given me notes or attempted to change my scripts for my action-comedy Bible cartoon @BearlyBiblical. In fact, Loor allows the audience to direct subscription funds to the shows and movies they want to see more of!
Beau DeMayo@BeauDemayo
God, what’s happening in Hollywood right now is just tragic. So many writers and directors friends are stuck in development hell doing endless rewrites as the tech companies — not studios — continue to turnstile new leadership and brand visions every month, changing up notes on a project according to “user data” and algorithms that can only predict what audiences responded to last year, while taking zero artistic risks as they cover their flanks to shareholders who don’t even watch the shows and films they put out. All this despite clear evidence that the industry is collapsing in on itself as audiences — who are way smarter than most people on this city give them credit for — find other forms of stimulating entertainment in games, short form contents, and YouTube content. It is literally watching the Titanic denying it’s been hit by an iceberg because all their user data makes them think they can magically hack audiences into not thinking a sinking ship is a a amazing cruise because they made sure violinists are still playing (and user data and algorithms classy LOVE string music so we’re good). I am seeing some of the best writers, talent, an amazing studio execs who want to make great shit and trust artists that I’ve worked with just completely leaving the industry because they value their quality of life and artistic integrity more. Then you have the real backbone of this industry — assistants and on-set crew teamsters who make 40-70k a year in LA which is not a livable wage — being treated like shit as studios claim they can’t pay the people busting their asses more while throwing billions around for monopolies. Meanwhile, our industry unions sit there and issue the equivalent of “thoughts and prayers” to its members while doing nothing but kow-tow to the top 1% richest big guns in the industry. You want solidarity? Every major writer and director — from Nolan to Shonda — need to walk on their deals until the industry stops exploiting workers in the name of monopolies.
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LOOR TV retweetet
Hey @timcast, I don't reach out like this often and don't know if you will see this but perhaps my meager following will help alert you.
I think the solution right now is not in political talk radio but really mobilizing entertainment and creating an actual culture shift.
I'm the founder of LOOR and my CEO is Shon Tomlin who built Fuel TV for Fox Sports.
We're doing something that no one else is and building a younger entertainment brand that's not cheesy conservative docuslop but comedy, sketches animation. We're not making entertainment for boomers. But rebellious Gen Z. No one in the conservative space has the team like we do.
I have a lot more to say but I've been tasked to reach out and make first contact.
Balls in your court.
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LOOR TV retweetet
Yep. You are the only guys I have met in this industry who are conservative that have a viable platform and could change the status quo.
The non profit aspect is so they can write of the investment as charity and the documentaries, as you said, are just pushing a political narrative and they are made mostly by people who do not know what they are doing.
We have to be in the entertainment space and be willing to just fund movies for the sake of funding great content. The left gets it and for some reason our side just cannot see how vital it is to fight back.
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