Aaron Bates

Here is my take (on guitar) of John Barry’s haunting theme to Bryan Forbes’ excellent film. #FilmTwitter aaronbates.hearnow.com/seance-on-a-we…

I had this saved for today but now has lost all meaning.

For the future of ALL #Harris_Walz2024

“Keep looking up” -Jack Horkheimer

That time in 2008 when I decided to become Daniel Plainview. #halloween2024

New Halloween Costumes Late Night/Late Show w/ David Letterman 1982-1992 🎃sound on🎃

Sergio Aragones #halloween2024 #halloween

Roland Orzabal’s outro guitar solo (isolated here) is a real favorite of mine. It’s so musical, urgent and interesting. He doesn’t get enough credit as a guitar player. #tearsforfears

@DancerOnFilm @BoldenSkip Really love the way the number dovetails to everyone in the wagon at night and the shift is all choreography and lighting. Shows how much you can do with minimal sets/props.

Nanette Fabray performing "Louisiana Hayride" in THE BAND WAGON (1953) dir. Vincente Minnelli

@MJMcKean Always and forever

I will always love Teri Garr.

She induced many a crush for people in my generation who saw her always-memorable appearances on the old Letterman show. I mean, just look at her here and how she’s purposely sitting like this. Letterman was clearly smitten as well. We all were. R.I.P. Teri Garr

Grateful we have her work (which is an impressive list) &for me personally I am glad that all of her Letterman appearances are easily available on YouTube. She was about as charming, funny & engaging as a person can possibly be. She fought a long battle w MS. May she R.I.P. now

Something for the 🎃

@ThatEricAlper I wonder if a little rum would get this up on its feet.

What’s your favorite movie quote without naming where it’s from?

This year’s costume was a $20 materials /glue gun special. I think it turned out pretty ok.

This kills me every single time. My favorite moment is when the priest calls on her and she nervously looks back over her shoulder.

@ScoreSettlers This was such a fantastic episode. Thank you 🙏. Key moments: discussion of when recorded music was pulled to give moments a grounding /the whole discussion of Vadar’s theme / The Astroid scene (especially the “secret melody” discussion) / the way the end dovetails. Great work.

Well, this one's a doozy. “I love this score.” “I know.” Jon and Andy search their feelings about John Williams’ score for the 1980 hit sci-fi fantasy sequel 𝙏𝙝𝙚 𝙀𝙢𝙥𝙞𝙧𝙚 𝙎𝙩𝙧𝙞𝙠𝙚𝙨 𝘽𝙖𝙘𝙠.

@Karaszewski @TrailersFromHel I watched this late last year after realizing it had been a blind spot. Floored me.

“LOOKING FOR MR. GOODBAR” perfectly captured the zeitgeist of the late 1970s sexual revolution… when anxiety & danger took over the party. Both the book & the movie were cultural sensations but now seem be completely forgotten. My TFH commentary is here: youtu.be/hN2u8YImTF4?si…