Angehefteter Tweet
Wishing to the panel masters our little 3D tree experiment for #koakungy bore some fruit we can use but we will save that for a little later.
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Lapiscomics
418 posts
@queeniechanhere Yea that is a major contribution to it. The hotshot artist of the late 80s into the 90s also marketed a dream of artist wonderland.
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@lapiscomics That’s because since the 90s, US comics have been targeting collectors and speculators (rather than ordinary readers) as their target market.
40 years later, it hasn’t really helped grow their market as this crowd is aging out.
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What makes a good manga? According to sine who’ve been a manga award judge:
“Story 80%, art 20%.
Everyone knows that
drawing skills improve after a year of serialization. But storytelling comes from the “accumulation of what you’ve seen and experienced,” so it doesn’t grow easily.”
So being an older mangaka isn’t a disadvantage. Younger mangaka may have more energy, but they also tend to be more generic.
The best creatives are always the ones who have had interesting life experiences and therefore interesting perspectives!
漫画家・高橋 幸慈 /『押忍‼︎空手部』作者@370119
『絵が上手いのに賞に落ちる理由、知ってる？』 漫画賞の審査員やってた側から一言。 TL見てると、 『絵を上手くなりたい』って話ばかり流れてくる。 でもね―― 👉絵が上手くても、話がつまらなければ落ちる。 👉絵が未熟でも、心を動かせば通る。 これが本質。 審査基準は体感で 物語80％、絵20％。 なぜか？ 絵は連載を1年もすれば上手くなる、 ってみんな知ってる。 でも、 物語は“見て来た物の蓄積”が出るから 簡単に伸びない。と言うのも知ってるから。 つまり―― 👉絵を描く時間の一部を、 映画や漫画の“構造分析”に回す。 それだけで一段上に行くよ。 64歳の元漫画家。 #ワイの漫画家物語 【第九話】noteにて公開中〜🙌
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@queeniechanhere Here in american comics it is a lot of variant covers for issues. Old ways but that is the market. Story is far more time consuming than most give credit to.
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Story is far harder than art.
I understand why people who love drawing get annoyed when the average reader, who cares about drawing a lot less than they do, cares about story.
That is what really upsets the art crowd. The fact that the average non-art person are there mostly for the story.
Manga publishers know that.
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@370119 Has been s time where art mattered over strong storytelling?
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@lapiscomics I understand what you mean. But in Japan, strong storytelling is what truly matters.
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Lapiscomics retweetet
『絵が上手いのに賞に落ちる理由、知ってる？』
漫画賞の審査員やってた側から一言。
TL見てると、
『絵を上手くなりたい』って話ばかり流れてくる。
でもね――
👉絵が上手くても、話がつまらなければ落ちる。
👉絵が未熟でも、心を動かせば通る。
これが本質。
審査基準は体感で
物語80％、絵20％。
なぜか？
絵は連載を1年もすれば上手くなる、
ってみんな知ってる。
でも、
物語は“見て来た物の蓄積”が出るから
簡単に伸びない。と言うのも知ってるから。
つまり――
👉絵を描く時間の一部を、
映画や漫画の“構造分析”に回す。
それだけで一段上に行くよ。
64歳の元漫画家。
#ワイの漫画家物語
【第九話】noteにて公開中〜🙌
日本語
Is it in the afternoon right now in Japan? If it is, afternoon @japan from @lapiscomics!
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Lapiscomics retweetet
🚨BREAKING: Allegedly a Group of white girls deliberately provoked this Black man by calling him the n-word on purpose to make him react.
They already had the gun loaded and ready the second he responded they opened fire trying to k*ll him.
One of them was caught on audio saying “I should pop this n*gga.”
THOUGHTS?
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Aye Japan, so you all was out there bootlegging? lol
チョウフシミン / FF46六B08@chorfsimin
🇺🇸 アメリカの友人たちへ。 日本社会の深刻な問題について、私は声を上げなければならない。 長い間日本社会はアメリカ文化の最も重要かつ倫理的な貢献の一つを無視してきた。 『モータルコンバット』シリーズは、実質的に30年近く、日本で公式に発売されていない。
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Are we going to stepping FOOT on the moon? Or just visiting fly by?
Latest in space@latestinspace
#BREAKING 🚨: Today, humanity is returning to the Moon
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What do you all think Japan thinks of the space mission to the moon?
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Lapis Updates:
No 3d in the near future of our boy. We are very sad this day had come to this. We had so much, cries in blue. We got some fun #Koakungy stuff later though.
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