Rasheeda Nalumoso

5.2K posts

Rasheeda Nalumoso

Rasheeda Nalumoso

@livetraces

Creative and Cultural Industries, Creative Economy Catalyser

Kampala/London Beigetreten Ekim 2010
1.8K Folgt885 Follower
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Goethe-Zentrum Kampala/UGCS
The programme offers up to €20,000 per team to support the creation and public presentation of collaborative visual arts work produced jointly by Sub-Saharan African and European practitioners. Deadline: 17th April 2026 More information here: goethe.de/prj/aep/en/cal…
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Oluwatimileyin✨🦋
Oluwatimileyin✨🦋@Timmysofine·
Finland is offering artists up to €3,800/month to slow down and just make work. No exhibitions required, no performances. Just you, a quiet countryside residence, and two uninterrupted months. The Saari Residence 2027 is open to artists, writers, poets, translators, composers and curators of all nationalities. Collective applications (up to 10 people) are also welcome. Deadline is 31 March 2026 and it’s free to apply. Full details on koneensaatio.fi/en/saari-resid…
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NowThis Impact
NowThis Impact@nowthisimpact·
In his deposition, DOGE employee Justin Fox said he used AI to tag DEI grants to cancel — without ever instructing the AI on what DEI is. Among the grants terminated was a $350k grant to replace an aging HVAC system at the High Point Museum in North Carolina. The AI flagged it because the grant stated, ‘Improving HVAC systems enhances preservation conditions for collections, aligning with the goal of providing greater access to diverse audiences.’
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Michael Rosen 💙💙🎓🎓 NICE 爷爷
So all the millions who've sat reading 'Dear Zoo' and 'The Gruffalo' with their pre-readers don't realise that their pre-schoolers should really be waiting till they're taught how to read before they 'appreciate' the books. Lols.
Tom Bennett OBE@tombennett71

Teaching reading for pleasure is like teaching driving for pleasure. If you can’t drive, it’s no fun at all. Function precedes appreciation, and competence precedes confidence.

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Ministry of Youth and Arts | Rwanda
In collaboration with the British Council, the Ministry of Youth and Arts (MoYA together with Inzira Creatives, participated to the Creative Economy Week 2026 in Harare, Zimbabwe, under the theme “Inclusive Growth through Collaboration.” #CEW
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Cross Cultural Foundation of Uganda
Soooo… we are 20! 🎉 Yes, 20 years🥹 We’re excited 💃 Most of all, we’re grateful to everyone who has walked the journey with us. Funders. Partners. Individuals. Friends. 20 is no small feat. We’ll share our story throughout the year. Ready to dive in, yes? Yes! #CCFUat20
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Lisa Chesney
Lisa Chesney@LisaJChesney·
Only <1% of applicants become Chevening Scholars! 🇺🇬 sends ~15 brilliant scholars to the 🇬🇧 yearly. @PrudentialUG sponsorship is boosting this - with 3 scholars thus far 🎓 Excited for more partnerships with @BritChamUg to send 🇺🇬 talent global!🇬🇧🤝🇺🇬 More chevening.org/partners
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chris evans
chris evans@notcapnamerica·
The host of Fresh Air on NPR started the interview saying “We'll be talking about what happened with BAFTA.” Delroy Lindo responded: “No, we're not.”
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Wits Centre for Journalism
JOB OPPORTUNITY: @thecontinent_ is looking for a commissioning editor to join the team from May 2026. At least seven years of journalism experience required, including four years in editing and/or commissioning. Details in image below. 🗓 Deadline: 23 March.
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British Council Arts
British Council Arts@BritishArts·
⏳ It's the last few weeks for the New Landscapes exhibition at our London HQ, closing 19 March ⏳ Don’t miss your chance to see our exhibition exploring innovations tackling fashion industry sustainability challenges. Learn more: ow.ly/YHGr50XQX4G 📷 Alys Tomlinson
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𝑨𝒔𝒊𝒂 𝑵𝒊𝒄𝒐𝒍𝒆
The creative industry will try to convince you that constant visibility equals relevance. But quality work will always find its way when you let go of needing to be liked and trust that your unique perspective is already valuable.
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Rasheeda Nalumoso@livetraces·
“This is a war imposed on us by the United States & Israel. I wish that they understand that what is going on in the region is not our fault, it is not our choice. Gulf partners shouldn’t pressurise us to stop this war.”Iran foreign minister aje.news/otm7z5 @AJEnglish
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Adjani S
Adjani S@theadjani·
Dreaming Whilst Black is a documentary.
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Masih Alinejad 🏳️
Masih Alinejad 🏳️@AlinejadMasih·
The Mullahs Are Gone from Our Grief in Iran! Yes clerics lost control of Islamic mourning! These days, across Iran, the cities and streets are overflowing with dance, music, and men and women dancing side by side. What you are witnessing is not a nationwide celebration. It is a new form of mourning. After the massacre of 40,000 people, Iranians have chosen to transform grief into defiance. They have turned mourning into a powerful protest against every imposed element of Islamic and Sharia law that has suffocated society for 47 years. For nearly five decades, we were told that mourning must look a certain way: a cleric leading the ceremony, reciting from the Quran, orchestrating grief, while people beat their chests in ritual sorrow. We were told that sorrow belonged to the mullahs. But today, the people have reclaimed it. Today cleric are disappeared from public funeral ceremonies. The message is very clear, revolutionary and symbolic: You killed our beloved ones, you don’t get to lead the funeral. This is happening in my wounded country Iran, where the regime tells us showing a woman’s hair is forbidden. Dancing is forbidden. Listening to this music is forbidden. Men and women standing together, moving together, is forbidden. This is a renaissance. A profound transformation. Revolution against Islamic regime. For the first time in our modern history, in every corner of Iran, every single day, we are witnessing a society redefining what grief, resistance, and freedom look like. #IranMassacre
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