Mark Olson

RIP an absolute legend

My Pride Variant Covers revealed! Uncanny X-Men #30 featuring Iceman X-Men United #4 Featuring Kitty Pryde Inglorious X-Force #6 Featuring Hellverine

AMAZING SPIDER-MAN #31 PRIDE VARIANT COVER BY LUCIANO VECCHIO

Ima need that

GOOOOOAAAAALLLLL! To celebrate soccer mania this summer, Marvel heroes hit the field in Marvel Soccer Variant Covers, the newest cover collection from Marvel’s Stormbreakers! Scroll to see more 🧵⬇️ Art: Netho Diaz, Juan Frigeri

@gavinguidry Outside of the political sphere, I have never once in my life celebrated someone losing a job. That being said, if Tom Brevoort got laid off, I honestly think I’d go out and drop $400 on a steak and lobster dinner with my wife to celebrate.

This kid is living the dream

If Zohran Mamdani was a waiter ik he would go up to a table of 40 year old women and be like “are we celebrating a 21st birthday tonight ladies 😉” and they would eat it tf up and leave him a 30% tip

Biggest movie villain of 2026 so far

32 years ago today, ‘Mobile Fighter G Gundam’ began airing on TV Asahi.

took my gf to see project hail mary, now every time she comes over she says “dirty dirty dirty why room so messy question” 😂

Megan Thee Stallion and Nickelback team up for a remix of How You Remind Me for Cheetos Flamin’ Hot Dill Pickle

this comment kills me😭😭

You're watching a $248 million film and not a single green or blue screen was used. The alien is a handmade puppet. The cockpit physically rotates to simulate gravity. I looked at the production tech behind this 95% score, and the engineering is wild. Phil Lord and Chris Miller, directing their first live-action movie in 12 years, built the entire Hail Mary spacecraft as a real set at Shepperton Studios in England. Not a miniature. Not a digital model. A full-size ship interior you can walk through. Production designer Charlie Wood studied the International Space Station, Russia's Mir station, and the Boeing 747 cockpit to get the look right. He deliberately made the panels mismatched, because real spacecraft are assembled from parts made by different companies. Nothing matches perfectly. That's what makes it feel real. The cockpit is only about 8 feet wide. It sits on a mechanical platform that can tilt, spin, and shake, so when the ship changes direction or enters different gravity conditions, the whole set moves. Chairs end up on walls. Ladders flip direction. Gosling was suspended inside a spinning ring so he could float and move through the ship for real, reacting to actual hardware around him. No guessing where a wall might be added later. Then there's Rocky. He's the alien co-lead, and he's not CGI. Neal Scanlan, the creature designer who built the Porgs for Star Wars, spent a full year on this character. Over 300 designs before they landed on the final look. Rocky is a thin, hollow shell, 3D-printed from a digital sculpture, then hand-painted in see-through layers so light passes through him like skin. His arms pop off and swap out depending on the scene: one set has a closed fist for walking, another has tiny motorized fingers strong enough to pick up objects. Five puppeteers (nicknamed the "Rockyteers") operated him in every scene. James Ortiz, an award-winning puppet designer from New York theater, voiced Rocky and controlled him on set. When Scanlan met him, he told Ortiz, "You're Frank Oz, and I'm making Yoda for you." Every reaction Gosling gives to the alien is to something physically in front of him. Greig Fraser, who won the Oscar for shooting Dune, filmed the space scenes in the larger IMAX format (that taller image you see in IMAX theaters) and the Earth flashbacks in regular widescreen. Then the team did something unusual: they took the digital footage and printed it onto real film strips, twice, using two different types of film stock. Then they scanned those strips back into digital. It sounds redundant, but it adds a texture and warmth that you can only get from physical film. Fraser used the same technique on Dune and The Batman. Drew Goddard spent six years writing this screenplay. His last adaptation of Andy Weir's novel, The Martian, earned him an Oscar nomination. He described the challenge this way: a screenplay gets about 5% of a novel's word count. The lead is alone for most of the runtime. When he finally gets a co-star, that co-star doesn't speak English, communicates through sounds closer to whale song, and has no face. Goddard called it a screenwriter's nightmare, then said that difficulty was the whole point. He and the directors fought studio pushback to keep Weir's original ending intact. 95% from 212 critics. 98% from over 2,500 audience ratings. And the lead isn't a superhero, a cop, or a soldier. He's just an ordinary middle school science teacher.

if you know, you know… 😮‍💨

Real niggas accidentally unlocked Super Saiyan 4 by doing shit like this.

🗣️: “Bro, anime is peak” The anime:

This like when Naruto went to Ichiraku Ramen after defeating Pain

it's been 10 years since la la land and we finally got the la la hand right 😭

now that awards season is over we can focus on what really matters (project hail mary)