Ashmolean Press Office

In cinemas next week: @artonscreen new film of @AshmoleanMuseum exhibition #PissarroOxford. Check out @filmink profile of the Director @atomictv filmink.com.au/david-bickerst…

.@worldofFAD THE TOP 5 MUSEUM EXHIBITIONS TO SEE IN JUNE includes #PissarroOxford @AshmoleanMuseum fadmagazine.com/2022/05/29/the…

In cinemas today #PissarroOxford from @AshmoleanMuseum & the outstanding team @artonscreen directed by @atomictv theguardian.com/film/2022/may/…

Exhibition on Screen Director Interview: David Bickerstaff Talks About His Latest Documentary: Pissarro: Father of Impressionism @AshmoleanMuseum - thecurb.com.au/exhibition-on-… via @thecurbau

A brilliant interview with director of Pissarro: Father of Impressionism David Bickerstaff @atomictv Watch film here: exhibitiononscreen.com/films/pissarro… In partnership with @AshmoleanMuseum @kunstmuseumbs #EOSpissarro #impressionism #Pissarro #exhibitiononscreen

Pissarro: Father of Impressionism – a fitting tribute to a quiet trailblazer @AshmoleanMuseum theweek.co.uk/arts-life/cult… via @TheWeekUK

.@londranewsblog londranews.com/importante-mos…

“This is the most engaging exhibition I’ve ever seen- and I’ve seen plenty all over the world. This is the first one which has brought me to tears.” says Lélia Pissarro, great-granddaughter of Camille

Thanks @JewishChron for lovely story on Pissarro @AshmoleanMuseum thejc.com/life-and-cultu…

Pissarro: Father of Impressionism review – the ‘old man’ who was always pushing art forward theguardian.com/artanddesign/2…

★ ★ ★ ★ "Illuminating" – The Times Pissarro: Father of Impressionism will span the life of Camille Pissarro, one of the most celebrated artists of 19th-century France and a central figure in Impressionism. Opens 18 Feb. Free for Members. Book at: ashmolean.org/pissarro

Don't miss @BBCFrontRow review of @AshmoleanMuseum #Pissarro exhibition with @RachelCJ2 bbc.co.uk/programmes/m00…

What Father of Impressionism at @AshmoleanMuseum lacks in cliché — in flushed sunsets, bright poppy fields or shimmering lily pads — it compensates for with the subtleties of closer intimacy, writes @rachelcj2 in @timesarts ★★★★☆ #Echobox=1644949287" target="_blank" rel="nofollow noopener">thetimes.co.uk/article/pissar…

Thanks to @Telegraph for reviewing @AshmoleanMuseum Pissarro exhibition, opening 18 Feb telegraph.co.uk/art/what-to-se…

.@FT @FinancialTimes @ftweekend previews @AshmoleanMuseum Pissarro exhibition, opening next week ft.com/content/fdd9f1…

OPEN TODAY @AshmoleanMuseum: new exhibition of work by @a_alikazim celebrated in gorgeous feature by @VOGUEIndia vogue.in/culture-and-li…

The exhibition featuring the work of Ali Kazim, one of Pakistan's leading artists, can be seen from 7 February to 26 June @AshmoleanMuseum Read more: bit.ly/32NAdWk Photo Credits: Detail of The Conference of Birds, 2019 by Ali Kazim, courtesy Jhaveri Contemporary

Today is #HolocaustMemorialDay, when we remember the victims and survivors of the Holocaust and the genocides which followed. Hear the story of Paul Jacobsthal, a Jewish scholar of archaeology, and how he escaped the Nazis with his Tang Dynasty camel museumsecretspodcast.buzzsprout.com/1557707/696497…

Today we launch Fingerprints, a brand new podcast in which we look at objects from across the globe and the hands they’ve passed through to reach us, from makers, looters, soldiers, curators, and many more, revealing the ways conflict and colonialism have shaped the Museum.

Every object in the Ashmolean has passed from hand to hand, with invisible fingerprints left behind by makers, looters, soldiers, curators, and more, revealing ways in which conflict and colonialism have shaped the Museum. Fingerprints starts 21 Jan 2022 🎧ashmolean.org/fingerprints