Adam retweeté
Adam
24 posts

Adam retweeté
Adam retweeté

The UK needs a solution more radical and society-altering than the Bolshevik takeover or the Nuremberg trials: one that will serve as the foundation of a new state for the next millennium and root itself so firmly in the national psyche that such a betrayal can never occur again.
Rupert Lowe MP@RupertLowe10
The Rape Gang Inquiry Report. bit.ly/4uE5odw
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@RevealedByFire Was wondering what happened to you. I threw on “To Belong” the other day.
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“Aristocrat of the soul” doesn’t make sense, because the concept of the soul arises when instincts that are not discharged outwardly are turned inward. This is something aristocrats were, for the most part, able to avoid. To them, a soul would likely be seen as something only a broken human being would believe in.
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Adam retweeté

Asses have a mystique about them, you never get tired of them. Celine writes about this.

Quality Learing Center@qualitylearnc
Elle Fanning's butt is next level Sheesh
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Adam retweeté

"How about 'billions'? How about 'die'? How about TND?"

Rupert Lowe MP@RupertLowe10
Millions must go.
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Adam retweeté
Adam retweeté


@SlyKlye It’s from Counsels and Maxims, the free online version is on here gutenberg.org/cache/epub/107…
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@RevealedByFire May I ask where this passage is from? I'm reading the Paralipomena currently
x.com/i/status/20310…
sly klye@SlyKlye
Diving in
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Schopenhauer on ceremonies, festivals, gatherings, and similar occasions as the outward display of joy—or, as he puts it, “hieroglyphics of joy”—where true joy is to be found elsewhere, and only by chance. This outward display, and its hieroglyphic character, is present throughout such events, which attempt to convey only the empty shell of the emotion or theme associated with a particular occasion.


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@space_homer I forgot what book it’s from but it made me laugh when he said dark skin and hair was designed for manual labour as they absorb sweat better
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Adam retweeté

Nietzsche has a similar, more cut throat view.

Adam@RevealedByFire
Schopenhauer on ceremonies, festivals, gatherings, and similar occasions as the outward display of joy—or, as he puts it, “hieroglyphics of joy”—where true joy is to be found elsewhere, and only by chance. This outward display, and its hieroglyphic character, is present throughout such events, which attempt to convey only the empty shell of the emotion or theme associated with a particular occasion.
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