Bryant Frazer

3.6K posts

Bryant Frazer

@deep_focus

Read me at StudioDaily (defunct), Film Freak Central, https://t.co/4cu3mKhbly, HoloWire, etc. He/Him.

Broomfield, CO Inscrit le Temmuz 2008

531 Abonnements618 Abonnés

Bryant Frazer@deep_focus·20 Kas

I just wanted to remind folks that Bryant loved music too. Some of you might have received one of his mixes as a gift. His Spotify profile is still up and there are lots of his mixes to enjoy. He worked hard on them so try them without shuffling. -Karen

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Bryant Frazer@deep_focus·1 Kas

blog.frame.io/2021/11/01/in-…

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Bryant Frazer@deep_focus·25 Eki

I’m Bryant’s wife Karen. If you need to reach me I’m @holycrow

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Bryant Frazer@deep_focus·18 Eki

@capybaroness When I saw it first-run, opening night, as the little grandparents came under the bedroom door near the very end, the film stopped in the gate and MELTED. Prints of that film are fuckin’ haunted.

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largest rodent@capybaroness·18 Eki

dude in the middle of the club silencio scene in mulholland drive the movie just straight up stopped and the lights came up lmfao. immersive cinematic experience

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Bryant Frazer retweeté

BEAUTY PILL@beautypill·10 Eki

Laurie Anderson has invited Beauty Pill to play a show. Next week. Saturday 10/16/21. The final night of her Public Theater residency. I know I swore we would not play any shows in 2021. But… umm… it’s Laurie Anderson. We could not say no.

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Bryant Frazer@deep_focus·8 Eki

Jeremy Irons in DEAD RINGERS, Elsa Lanchester in BRIDE OF FRANKENSTEIN, Ken Foree in DAWN OF THE DEAD, and oh let’s say William Marshall in BLACULA.

Tanner Tafelski@TTafelski

Favorite performances in horror cinema🤔

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Bryant Frazer@deep_focus·6 Eki

Holiday viewing guide incoming!

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Bryant Frazer retweeté

Daily Grindhouse@DailyGrindhouse·18 Eki

Ever wonder what it was like to see the original #HalloweenMovie during its original run? YouTube user Kyle J. Wood recorded audio during a screening at a Hollywood Boulevard theater in 1979, one year after the film opened and synced up with remastered video!

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Bryant Frazer@deep_focus·26 Eyl

Good LP. A next-level cover of Neil Young’s “Helpless” closes side A.

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Bryant Frazer@deep_focus·24 Eyl

@tpherndon And there’s also this: arrowfilms.com/product-detail…

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Bryant Frazer@deep_focus·24 Eyl

@tpherndon Indispensable! Karen and I saw PART II at a midnight screening at a suburban Denver multiplex back in the early 1990s. Went in totally blind; didn’t know the series, didn’t know Tsui Hark, don’t think we even knew who Jet Li was. Changed my life.

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Bryant Frazer@deep_focus·24 Eyl

👀

KL Studio Classics / Kino Cult@KLStudioClassic

Coming December 7th! The Long Goodbye (1973) • Brand New Master – 4K Scan of the Inter-positive • NEW Audio Commentary by Film Historian Tim Lucas • And much, much more! Check our Facebook Page for More Details: facebook.com/KinoLorberStud…

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Bryant Frazer@deep_focus·22 Eyl

@mangiotto @NatSocFilmCrix @alisonwillmore @JustinCChang You’ve been killing it and the NSFC is lucky to have you. Congratulations!

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Bryant Frazer@deep_focus·20 Eyl

Most startling moment of the Emmys last night was when I realized the phenomenal SMALL AXE got only one nomination (for cinematography).

GIF

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Bryant Frazer@deep_focus·19 Eyl

How utterly bad-ass is this Sienkiewicz-original concept art for THE UNFORGIVEN? The key art is fine, but they should have stuck with this painting.

Bill Sienkiewicz@sinKEVitch

NOT a recreation, but an original concept painting I did (1of 7) based on Eastwood & ad agency’s hiring me to visualize ideas. Art director then reworked photos/colors to emulate the painting. Unforgiven is a brilliant film. Best part was Clint’s name for me:“That Polish Guy”

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Bryant Frazer retweeté

The Mountain Goats@mountain_goats·16 Eyl

when people tell you "stick to the music" just picture PPP here in your mind in all his righteous glory

Anton Jäger@AntonJaegermm

Pier Paolo Pasolini punches a young fascist in front of the cinema Quattro Fontane in Rome, 1962

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Bryant Frazer retweeté

Sean O'Neal@seanoneal·14 Eyl

I think about these two and a half pages from Norm Macdonald’s book constantly. When I reviewed it, I wrote that they would “make for a fine eulogy”—and I swear I didn’t mean anything by it. But they do.