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10.2K posts

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wrote about irene villamor’s midnight girls for esquire philippines! esquiremag.ph/culture/movies…
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this 7 eleven sa pasig omg

dek@botikabituka
probinsya franchise establishments are so... extra
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After Lingua Franca, I wanted to make something very different: reimagine 1940s noir & melodrama as my kind of SENSUAL CINEMA, shot in the humid summer nights of Manila.
MOONGLOW
New York Premiere — Closing Night, First Look, May 3

Museum of the Moving Image@MovingImageNYC
With MOONGLOW, @Isabelvsandoval has sculpted her most accomplished film yet, a delicately crafted, film noir–tinged historical fable with an identity and rhythm all its own. See the U.S. premiere on MAY 3 for Closing Night of the First Look Festival. 🎟️: movingimage.org/event/moonglow/
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from thesis to full length such a crazy work
ً@xeenini
"i remember you loved flower making, so i tried to grow some." malila: the farewell flower มะลิลา, 2017.
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Isabel Sandoval (@Isabelvsandoval) returns with “Moonglow,” an audacious neonoir that is poised to disregard genre conventions and follow its own yearning heart, much like Sandoval herself.
Read more from the print excerpt here.
#RollingStonePH
#RSPH
rollingstonephilippines.com/editors-picks/…
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TRAMPS, TROUBLEMAKERS, AND TRAILBLAZERS: TRANS FILMMAKERS 📽️ Coming to the Criterion Channel in April! bit.ly/4sT3sNR

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A critical take on Jun Lana’s SISA, which finds its strength in its women but ultimately sweats under ideological dissonance. For @EsquirePH
esquiremag.ph/culture/movies…
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wrote about contradictions in the time of war in jun robles lana's sisa as it operates under a disrupted temporal continuity.
made possible with great conversations with friends. and also always thankful to cha and tammy ho for giving me space!
chajournal.com/2026/03/08/sis…
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still the most tender, vulnerable, and intimate personal documentary i watched last september 2025 at women ways of seeing of tingin southeast asian film festival! (screened alongside other great shorts too and polen’s until the orchid blooms)
Film Indo Source@FilmIndoSource
Monica Vanesa Tedja’s ‘MY THERAPIST SAID, I AM FULL OF SADNESS’ will make its streaming debut on Netflix starting February 26. Winner of Best Documentary Short at the 2024 Festival Film Indonesia (FFI).
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