Takeshi Ebisawa

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Takeshi Ebisawa

Takeshi Ebisawa

@wef_intern

criminally insane, no i will not stop hustlin’

शामिल हुए Haziran 2021
69 फ़ॉलोइंग183 फ़ॉलोवर्स
Takeshi Ebisawa रीट्वीट किया
Klara
Klara@klara_sjo·
The godless beast enjoys its wretched meal
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Jon
Jon@Jonalius·
@Barchart gonna drop lower in the next 6 months as oil goes back to $50
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Barchart
Barchart@Barchart·
Inflation expectations over the next 12 months plunge from over 5% to under 3.5% according to the Bond Market
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Colossus
Colossus@colossusmag·
This is the story of Hyperliquid, the most profitable startup per employee on earth, told from a guarded office in Singapore. Last year, its team of 11 generated $900 million in profit. It's 3 years old, has never taken a dollar of venture capital, and is beginning to change how century-old markets work. Its founder, Jeffrey Yan (@chameleon_jeff), had never taken a physics class when he picked up a textbook at 16. Two years later, he won gold at the International Physics Olympiad. In 2019, he started trading with $10,000 from a living room in Puerto Rico—working off a television because he didn't own a monitor. Within 3 years, he was running one of the largest anonymous crypto trading firms. Then he shut it down. Yan was rich and free, but he had spent years inside crypto, watching it betray itself. Bitcoin's central premise was decentralization. Yet the biggest exchanges were centralized. Crypto kept reintroducing the dependence on trust it was built to eliminate. He set out to create what should have existed. Hyperliquid is a blockchain with a trading exchange on top, and anyone can build on it. Yan's vision is to house all of finance. In 3 years, it has done over $4 trillion in volume. And in the past few months, it has begun to outgrow crypto. Markets for oil, silver, and the S&P 500 now trade on Hyperliquid around the clock, weekends included, and are growing roughly 40% week on week. When the US and Israel bombed Iran on a Saturday in February, Hyperliquid was the venue traders turned to. Hyperliquid's success has cost Yan his freedom. He works out of a secret office in Singapore and cannot travel without two bodyguards. Even the team's housekeeper doesn't know what they do. In January, @domcooke spent a week at their office. Read his profile on Yan and @HyperliquidX below.
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Takeshi Ebisawa
Takeshi Ebisawa@wef_intern·
@EffMktHype Funny thing is, banks created cdos foe this garbage while gating the funds!
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First Squawk
First Squawk@FirstSquawk·
US TREASURY REPORTS NO SYSTEMIC RISK IN PRIVATE CREDIT.
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Roger
Roger@rdd147·
$UBER hints it’s dumping Ai and Anthropic after blowing its entire Ai budget in 3 months on exorbitantly high costs. The prices charged by Anthropic are enough to destroy corporations budgets in 3 months, but still far below what they need to charge to reach profitability. Things are great. $NVDA
Anissa Gardizy@anissagardizy8

Uber's CTO told @LauraBratton5 that AI coding tools—particularly Anthropic’s Claude Code—has already maxed out its 2026 AI budget 📈 “I'm back to the drawing board, because the budget I thought I would need is blown away already,” Neppalli Naga said. theinformation.com/newsletters/ap…

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detty
detty@0ddette·
*whispering* sir, they’re trying to cancel you for living the nearly perfect life
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JH
JH@CRUDEOIL231·
Honestly, the way NYP and Axios are clickbaiting with their headlines is so annoying. Look the US demanded a 20-year freeze on uranium enrichment and for Iran to ship their stockpiles out, but Iran said no—that’s why the deal fell through. But the tickers make it look like the Iranians actually signed off on it. I don’t know if they’re doing it on purpose or if ppl just can’t read more than a single line these days, but it’s honestly disgusting. #oott #iran
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Takeshi Ebisawa
Takeshi Ebisawa@wef_intern·
room temp take
Javed Hassan@javedhassan

So, a couple of the boys have been texting me: “Why the hell would Trump drop the Hormuz blockade bomb on a Sunday? It’ll send oil screaming past $120, maybe $130 if the algos really panic. Makes zero sense if you actually want cheaper barrels.” But it makes perfect sense. Beautiful, even. See, Tokyo and Hong Kong are already humming by the time the East Coast is still nursing its coffee. Those futures pits—Dow, S&P, the whole equity complex, plus Brent and WTI on the screens—never really sleep. You’ve got fourteen, fifteen hours of runway before the New York bell. Plenty of time for the right hands to lean in: long the indices in Hong Kong, short the crude in Tokyo, riding the fear wave as the blockade tweet lights up every terminal from Singapore to Sydney. Then, right on cue, before the U.S. opens, comes the pivot. Something about “there’s regime change in Tehran,” “we can do business,” “Talks were Good,” the usual art-of-the-deal baloney. Markets whip around like they’ve been Tasered. Oil gives back the spike, stocks rip higher. The boys in Asia unwind clean, pocket the spread. A few hundred million, maybe more, conjured out of thin air on the back of one perfectly timed Sunday morning post. Not bad for a morning’s work. The Street’s been running these kinds of games for decades: information, timing, leverage. Just never quite so… presidential!!

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Takeshi Ebisawa
Takeshi Ebisawa@wef_intern·
@TRDXBT Curious how Trump blockading oil going to China will play out though
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Takeshi Ebisawa
Takeshi Ebisawa@wef_intern·
@TRDXBT Europe will just bend over and take it, China will be happy since they are so ahead with their electric roll out. The American population will suffer the decline of their empire while some lizards get even richer. The more things change the more they stay the same I guess...
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Takeshi Ebisawa रीट्वीट किया
Mike David
Mike David@mikemoviez·
"THE SWIMMER [1968] is a surreal, unsettling, and highly stylized masterpiece, featuring an unforgettable performance by Burt Lancaster, and directed by Frank Perry. It is based on the 1964 short story of the same title by author John Cheever. It follows a man’s delusional journey across suburban pools, which serves as a profound allegory for the decline of the American Dream, personal failure, and the loss of youth. A "suburban odyssey" that blends a dreamy, sunny aesthetic with dark, psychological undercurrents, it acts as a blistering satire of upper-middle class affluence, vanity and denial. The film is known for its dream-like, sometimes disjointed narrative, with some viewers seeing it as an interpretation of the descent into Hell."
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Maxim Leyzerovich
Maxim Leyzerovich@round·
when the gang’s high-context
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