QC

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I make it pick ‘em…

Let us reject the logic of violence and war, and embrace peace founded on love and justice—an unarmed peace, not based on fear, threats or weapons. This peace is disarming, because it is capable of resolving conflicts, opening hearts, and generating trust, empathy, and hope. I strongly reiterate: The world thirsts for #Peace! Enough of war and all the pain it causes through death, destruction, and exile! #ApostolicJourney #Cameroon

@robmiech @EdWithSports @TheSchurThing This franchise is unbelievable. Over 25 years and virtually no playoff history—none, zero, zip, zilch—save one 1RD upset of the ⚡️.

As Saint John Paul II said: “You do not come down from the Cross” I stand firmly with Pope Leo XIV ✝️✨ Whatever it takes

Now that’s a track. The 1985 Ohio HS D1 🏈 champions make their annual pilgrimage to the cathedral 4/24.

@AlexTran677026 This ranks right there with Travolta and Uma and a few others as best dance 🕺 💃🏾 scene 🎬 in movie 🎥 history…

Best comedy every made; one of the best films ever made😍

Fake news…

William Andrews breaking through the dust haze and heading for daylight. Love the uniform matchup.

Cannes Film Festival 2026 Lineup variety.com/2026/film/fest…

Iran will play under the franchise tag in 2026.

“Open the Strait of Hormuz or I’m closing the Strait of Hormuz”

@fashion_nfl Sounds like a bad beat for everyone on the giant of Gaul.

In 349 BC, Roman COMMANDER Marcus Valerius accepted a single-combat challenge from a giant Gaul. As the two circled each other, a RAVEN landed on Valerius' helm, flew at the Gaul's face, and distracted him allowing Valerius to slay his enemy and carry the day for Rome. Thereafter, he was known as Marcus Valerius Corvus (Latin for Raven). HAPPY COMMANDERS-RAVENS REDESIGN WEEK TO ALL WHO CELEBRATE.

Everybody ❤️ a great cover…

@midwestern_ope I saw “Shucked” 🌽 last night @OhioTheatre in Columbus and it felt like I was watching “Midwest vs. The Rest: The Musical.”

Having a caddie who looked like he'd get whacked in Goodfellas was worth two strokes per round for Jack Nicklaus.

“Hollywood Steps Out” (1941). “Hollywood Steps Out” is a 1941 Warner Bros. Merrie Melodies cartoon short directed by Tex Avery and produced by Leon Schlesinger. The cartoon features caricatures of over forty contemporary Hollywood celebrities (along with guest appearances). PLOT A group of “caricatured” Hollywood stars is having an expensive dinner at Ciro's nightclub in West Hollywood. The first stars seen are Claudette Colbert, Don Ameche, Adolphe Menjou and Norma Shearer. Greta Garbo, working as a cigarette girl, sells a pack to Cary Grant, then lights his cigarette by striking a match on her very large foot. Edward G. Robinson asks Ann Sheridan “How's the Oomph girl tonight?”. Sheridan responds by uttering the word “oomph” several times. Warner Bros. staffers Henry Binder and Leon Schlesinger are shown. A seat is reserved for Bette Davis, as is an extra-wide sofa for Kate Smith. More seats are reserved for the characters of the Blondie films, including a fire hydrant for Daisy the dog. In the cloakroom, Johnny Weissmuller checks a coat with Paulette Goddard that reveals his Tarzan outfit. Sally Rand leaves her trademark feather fans behind and is presumably naked. James Cagney prepares Humphrey Bogart and George Raft for a risky task: pitching pennies. Harpo Marx gives Garbo a hot foot, who reacts with a weary “Ouch”. Clark Gable turns his head around 180 degrees to observe a blonde girl, whom he follows offscreen. Bing Crosby introduces the evening's entertainment, interrupted frequently by a racehorse with an apparently unconscious jockey. Crosby presents conductor Leopold Stokowski, who wears a snood before performing “Ahí, viene la conga” (also known as “Here comes the conga” in English). The conga inspires Dorothy Lamour to invite James Stewart to dance with her, who stutters, stammers, and runs away scared. Gable dances by, following the girl he saw earlier. Tyrone Power dances with Sonja Henie. Frankenstein's monster dances stiffly and woodenly. The Three Stooges abuse each other in rhythm to the beat. Oliver Hardy's dance partner is revealed to be twin blonde women initially hidden by his obese frame. Cesar Romero dances clumsily with Rita Hayworth. Mickey Rooney, sitting with Judy Garland, is presented with an expensive bill, who turns to ask his Andy Hardy movie father (Lewis Stone) for a heart-to-heart talk. In the next scene, they are seen washing dishes. Gable is still pursuing the girl. Crosby then introduces Sally Rand (identified as “Sally Strand”), performing a bubble dance to “I'm Forever Blowing Bubbles”, as the camera cuts between the men's reactions and her dancing. Spectators at various tables include: Kay Kyser, William Powell, Spencer Tracy, Ronald Colman, Errol Flynn, Wallace Beery, and C. Aubrey Smith, who wolf-whistle in unison (by saying “Baby!”), Peter Lorre, Henry Fonda, whose “mother” pulls him away by his ear (in its reference to The Aldrich Family), J. Edgar Hoover, Boris Karloff, Arthur Treacher, Buster Keaton, and Mischa Auer, asked by Ned Sparks if they are having a good time, and Jerry Colonna, who reveals an invisible character next to him called “Yehudi”. Now that Strand is standing still on the stage, this allows Harpo Marx an opportunity to shoot her bubble with a slingshot. The bubble explodes on impact, and she reacts with shock, as it reveals she is wearing a barrel, held up by suspenders. Meanwhile, Gable has finally caught up to the girl he was chasing and insists she kiss him. The girl turns out to be Groucho Marx in drag. CAST Kent Rogers as James Cagney, Cary Grant, Edward G. Robinson, Clark Gable, Ned Sparks, Peter Lorre, Groucho Marx, Mickey Rooney, James Stewart, J. Edgar Hoover, Henry Fonda, Bing Crosby, Kay Kyser, Lewis Stone, Mel Blanc as Jerry Colonna, Sara Berner as Greta Garbo, Ann Sheridan, Paulette Goddard, Dorothy Lamour, and Henry Fonda's mother. Directed by Supervision: Fred Avery Story by: Dave Monahan Produced by: Leon Schlesinger Starring Sara Berner, Mel Blanc and Kent Rogers Edited by: Treg Brown Music by: Carl W. Stalling Animation by: Rod Scribner Color Process: Technicolor Production Company: Leon Schlesinger Productions Distributed by: Warner Bros. Pictures Release Dates: May 24, 1941 (original); October 2, 1948 (Blue Ribbon reissue).

Fun fact: My younger brother is nicknamed Muttley after this calendar. It’s super fun to see him on holidays and say, “Hey Muttley, how’s it going?”

Brilliant…

Indeed. Great 📺 show…

@mikewilkening You and the Mrs will probably have a talented 3YO in 2029.