SamYang

17.5K posts

SamYang

SamYang

@SamYangAus

Bergabung Aralık 2014
7 Mengikuti302 Pengikut
SamYang
SamYang@SamYangAus·
现在人们喜欢把房产市场的罪过推给国家的土地财政制度。可是要知道,土地财政思路出台伊始可就是打算吃富户、让先富带动后富。别人开骂有情可原,左左们骂土地财政这个立场就出问题了。
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SamYang
SamYang@SamYangAus·
那时候富裕户是很积极地传帮带的,不像现在以自珍自爱为荣。丛飞、大衣哥身上的素质跟那个时代很接近,很有忘我无私的意思。本来你富裕也是大家伙儿抬举起来的嘛。那时候都是勤劳致富,投机倒把还算犯罪呢。 但存在很严重的摊派现象。吃富户成了理所当然——理论上是不通的。
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SamYang
SamYang@SamYangAus·
我最近在来回地看八九十年代的春晚。 我发现包括我自己都已经忘了那个年代人们是怎么想的,发生过什么事。 之前说过打麻将输三百块就一惊一乍这事儿。这两天又被一个小品触动了,是琢磨来琢磨去琢磨出来的味道。 1987年,就是冬天里的一把火的那一年,有一个小品,讲农村富裕户被村里摊派的事。
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SamYang
SamYang@SamYangAus·
@SkykidLan 对人的要求太高了,实现难度会陡增。在做到我们期望的水平之前,如何面对现实,如何摆平争议,这实际上是一个长期问题。
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Skykid🍁
Skykid🍁@SkykidLan·
@SamYangAus 认同,平台层面的问题。但更基础的还是人的表达要基于事实,概念不清、就把讨论带偏了。
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欧阳京
欧阳京@JingOuyang6·
儿子居然想辞去澳洲一流创新公司的职位,全心研究AI算法以应付Jane Street的面试。 说什么现在的工作太简单、无聊。 我依稀看到自己当年的影子。 不过现在孩子不一样了,几十万澳币年薪的工作瞧不上了,连骑驴找马的心态都不屑。 我该如何劝他?
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SamYang
SamYang@SamYangAus·
@wg2015709 毁人不倦的传统艺能就是把人推上神坛。反正他是神,把所有责任黑锅都甩给他就对了。要注意那个背后推手,那才是该对付的人。别人树个偶像就去砸偶像,这是中了疑兵之计。
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屠夫吳淦
屠夫吳淦@wg2015709·
赞同,本来他装他的B,我装我的B,更没想恶心他,是他在野夫和艾未未事件中恶心到我,我总要把恶心的到胃的东西吐出来让自己舒坦点,再说造神这么多年了,也该祛魅一下。
牛师傅1984@masterniu1984

@wg2015709 流行语说,浦律只不过犯了男人都会犯的错误。多看优点,少看缺点,这样比较快乐。批评者的话影响自己的心智,而很难影响到被批评者。我的一点经验。

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SamYang
SamYang@SamYangAus·
@123456mdsj 你能问出这个问题,就圆满地证明了你的论断。
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桂云才
桂云才@123456mdsj·
我个人认为中国人不能称为真正意义上的人,因为中国人没有言论和思想上的自由,你认为我说的对吗?
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雲鳩
雲鳩@Cldeop·
雲鳩 tweet media
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SamYang
SamYang@SamYangAus·
@gg4meda @WillyundAya 我又不是说服力的代言人,也不是说服力的奴隶,我甚至不姓说^_^
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Toser
Toser@gg4meda·
@SamYangAus @WillyundAya 那確實 作為一個槓精 怎麼會在乎自己被排除於有理性、具價值的對話之外呢 你在以身作則這方面而言 算是說服力的翹楚
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Willy想做活动家
Willy想做活动家@WillyundAya·
买了旺旺集团零食 本来欣喜于百分百台湾制造 经台湾的朋友提醒 原来旺旺集团纯亲共卖台派 从今往后 我必然不会再购买任何旺旺零食 感谢台湾朋友提醒 民主社会可以政治和生活分开 但是我在共产党的笼罩下 就必须要为我的立场买单
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SamYang
SamYang@SamYangAus·
@gavinnizeq 哈哈,其实台湾那边的山地人原住民表演也是很多演的成分在里面。这方面,好像两岸是共识,就是把客人不常见而主人又会的东西拿出来表演。至于我们不想让你们看见的那一部分所谓文化的东西,那是不会拿出来表演的。
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pepe爱因斯坦🇵🇸
跳这个舞的应该都是汉人。 西藏人不会在做酥油茶的时候跳舞的😅神经病啊 这就不是西藏人的传统。 感觉中国官方在少数民族的宣传上一直喜欢说他们爱跳舞,好像他们的生活就是迪士尼音乐剧一样的。很多少民旅游景点也搞得像迪士尼乐园。一堆莫名其妙的表演。然后说哇这是他们的文化。其实狗屁不通。
Archaeo - Histories@archeohistories

Tibetan Butter Churning Dance, a traditional folk performance that honors the daily, labor-intensive process of making yak butter, a crucial element of Tibetan life. Originating from daily household chores, the dance mimics rhythmic churning motions, symbolizing prosperity, unity, and communal joy, often performed during festivities like Losar... The dance stems from the traditional method of making yak butter using a long wooden churn, a task requiring thousands of strokes. Yak butter is not only food but also used for fuel and in butter lamps at monasteries to symbolize wisdom. Dancers in colorful attire, often in a circle, use choreographed, energetic movements to simulate the pushing and pulling of the plunger in a butter churn. It is widely performed during the Tibetan New Year (Losar) and other celebrations, representing gratitude and the preservation of culture. It represents the blending of daily survival with art, focusing on community spirit and harmony. Yak butter is essential for making traditional Tibetan Butter Tea, made from tea leaves, yak butter, water, tsampa (roasted barley flour) and salt. The history of tea in Tibet dates back to 7th Century CE, during Tang dynasty. However, butter tea did not become popular in Tibet until about 13th Century, time of the Phagmodrupa dynasty. According to legend, a Chinese princess married a king of Tibet which later helped establish trade routes between China and Tibet. These trade routes brought tea into Tibet from China. Later, butter was added to the tea that was brought from China as butter is and was a staple in Tibetan cuisine. By the 8th Century, it was common to drink tea in Tibet. In 13th Century, tea was then used in Tibetan religious ceremonies. Today, butter tea is still prevalent in Tibet, and Tibetans can drink up to 60 small cups of the tea every day. Today, this ceremonial dance based off of Tibetan tea culture. It also may speak to the lesser known Butter Tea Ceremony. While the ceremony is rarely practiced anymore it still takes place in a handful of monasteries, including one in Gomar Gompa in eastern Amdo (“Butter Tea Ceremony”). While the ceremony is not widely spread, it is still an important ritual for some Tibetans. During the ceremony, Tibetans gather in the courtyard while the tea is being prepared. Local boys often stand on the edge of roofs surrounding the courtyard and throw down bags of candy and treats, although this is not necessarily part of the ritual. Once the tea is ready, wooden buckets of butter tea are carried into the courtyard by back, each bucket holding nearly 30 liters of tea. Once the buckets are placed on the ground, individuals use ladles to distribute the butter tea to members of the community. This particular dance is so interesting because it seamlessly integrates these three practices in a modern context. The act of dancing is in itself a ritualized and sacred practice. Thus, creating a dance based on the preparation and uses of Butter Tea—a quintessential element of Tibetan culture—only further heightens the significance of tea customs by ritualizing the practice by means of dance. Drinking butter tea is a regular part of Tibetan life. Before work, a Tibetan will typically enjoy several bowlfuls of this beverage, and it is always served to guests.[citation needed] Since butter is the main ingredient, butter tea provides plenty of caloric energy and is particularly suited to high altitudes. The butter may also help prevent chapped lips. According to the Tibetan custom, butter tea is drunk in separate sips, and after each sip, the host refills the bowl to the brim. Thus, the guest never drains his bowl; it is constantly topped up. If the visitor does not wish to drink, the best thing to do is leave the tea untouched until the time comes to leave and then drain the bowl. In this way, etiquette is observed and the host will not be offended. © Discover Tibet #archaeohistories

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SamYang
SamYang@SamYangAus·
@gg4meda @WillyundAya 有谁规定过猜着说话的时候要讲多少逻辑的才算达到门槛的么?
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Toser
Toser@gg4meda·
@SamYangAus @WillyundAya 你連承認自己邏輯有問題都做不到 你離參與這個世界的門檻還蠻遠的
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SamYang
SamYang@SamYangAus·
@gg4meda @WillyundAya 你肯从一个猜测的结果里寻找逻辑,你对这个世界的好奇心还挺强的。
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Toser
Toser@gg4meda·
@SamYangAus @WillyundAya 一個「美國商人」要怎麼賣台? 說你邏輯不行跟你怎麼猜有關係嗎🤡
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SamYang
SamYang@SamYangAus·
@Hakonootoko 嗯,读余华的《许三观卖血记》也是差不多感觉,过去各种版本的序言全照附一遍,十几页除去了。合着这本书也不算长,他要凑厚度我倒也理解。
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流亡公主•金與正•김여정(尊習討金)
每次读一些中文版的社科类书籍我都想笑。 200多页的著作里面有40多页是前言序言等原作者以外的人狗尾续貂的内容。 就不谈学术价值了,光是遣词造句就比原作者差了不止一星半点。 😅中国学术圈和出版界的这群废物就从没想过自己算个什么东西吗?
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渡边君
渡边君@JiaweiShen2568·
给年轻人的忠告 买一台iPhone 17 ProMax 它会改变你一生的!
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SamYang
SamYang@SamYangAus·
@Rennord9407 以前我也不赞成未成年人进台球厅麻将馆啊~
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SamYang
SamYang@SamYangAus·
@noname2095_ 吸血鬼还有忌口呢。别得谁都咬,对身体不好。
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noname
noname@noname2095_·
我一直瞧不起类似淡政/不键政的标签,因为这在我看来就是在声明自己支持各种主流的歧视与陋习,并且会看不起一切反对主流价值观的人,因为反对主流价值观的行为一定会被评价为键政
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