Sony | Professional AP

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NUCLeUS offers a scalable, future-proof and vendor-neutral clinical platform that streamlines the management and distribution of video content - plus still images and patient data - across an entire network. Read on to see the different applications. bit.ly/35cxOoS

The FX9 Version 3 firmware update adds an additional Super 16mm film sized, 2K scan mode. Learn more about this mode and how it can be used to shoot at high frame rates or as the equivalent to a digital extender. #SonyPro bit.ly/34YU9q9

DoP Marcus Kanter, AAC, BVK, discusses how the features of VENICE made it the perfect camera to shoot the candlelit and nighttime scenes in his latest project, “Schneller als die Angst”. #SonyVENICE #SonyPro bit.ly/3JJQFqa

Mathieu Le Lay was one of the first filmmakers to test the FX9 V3. Discover how the new real-time tracking featured helped him capture fast-moving bearded vultures, and how the S16 crop mode allowed him to zoom in more whilst keeping great image quality. bit.ly/3h1UZoB

Award-winning filmmaker Curt Morgan tested the VENICE 2 camera in an aerial shoot and on a campaign to capture legendary golf club maker Bob Vokey, a legendary name on the golf circuit. #SonyVENICE2 #SonyPro bit.ly/3gZvRyK

Award-winning filmmaker Rob Scribner details the features that resonate with him about the FX9, including dual base ISO, S-Cinetone color, reliable autofocus and a pleasing highlight rolloff, and how these attributes allow him to make better films, easier. bit.ly/3LNB2jx

We offer solutions that support a wide range of imaging workflows across hospitals - bringing greater efficiency and subsequently strengthening standards of patient care. #SonyPro bit.ly/3LREFFk

In this interview at Camerimage 2021, José Luis Alcaine talks about his upbringing in Tangier, his work with iconic directors such as Brian De Palma and Pedro Almodóvar, plus why he chose VENICE for some of most recent movies. #SonyVENICE #SonyPro bit.ly/3p51LOG

Alister Chapman’s “I-Spy” was created to provide example footage for our FX9 V3 tutorial videos. Every shot, in every scene, uses one or more of the new, version 3 features. Can you spot them all? #SonyPro bit.ly/3LYGaS6

The crew at B&H Photo Video spent a few days with the Sony VENICE 2 and produced this deep dive into the new Sony VENICE 2 with interviews and test footage that shows just how well the new camera handles skin tones. #SonyVENICE2 #SonyPro bit.ly/3BztrQS

Alister Chapman introduces FX9’s Version 3 firmware features, including Real-time Tracking, RCP remote control, S16 mode and more. He also demonstrates these features in action with new “I-Spy” short movie. #SonyPro bit.ly/3hj619j

DP Tristan Sheridan and director Romain Le Cam shoot the new Dior Forever Sisterhood Campaign for Dior Skin with actor Natalie Portman and model Yara Shahidi. Shot on VENICE with Leica R lenses rehoused by TLS. Color by Robin Risser. #SonyVENICE #SonyPro bit.ly/34NMgnH

Our healthcare webinars provide key insights into the very latest healthcare technologies. Learn directly from our specialists about the latest features of our products and solutions. #SonyPro bit.ly/35f2V31

Go behind the scenes with documentary filmmaker, director, and cinematographer Danny Schmidt as he discusses the process behind his filmmaking. He explains how the gear he uses, like Sony FX9 matters when it comes to creating beautiful, cinematic images. bit.ly/3HdFuWg

DoP Simone D'Arcangelo delves into the making of “Re Granchio (The Tale of King Crab)”, including how he used VENICE to produce the feeling of shooting in film. #SonyVENICE #SonyPro bit.ly/3fZ0cgm

From TV studios and sports stadiums to houses of worship - our dependable, easy to use PTZ remote cameras capture and stream broadcast-quality video footage in detail-packed 4K or Full HD. #SonyPro bit.ly/3g2Xvuo

After building a solid foundation providing rental of production and broadcast equipment for TV commercials, a Bangkok-based firm, Brand Link, aims high with the Sony VENICE. #SonyVENICE #SonyPro bit.ly/3H9eYfA

High Dynamic Range (HDR) imaging helps surgeons see a wider range of brightness levels, revealing subtle tonal variations and a wider colour palette that’s closer to the capabilities of the human eye. #SonyPro bit.ly/3opRCMz

This is the first commercial shot on VENICE 2 8K. Created for Chevrolet, DP Claudio Miranda commented that what stood out to him was the VENICE 2’s “beautiful skin tones, incredible dynamic range and 3200 ASA [high base] option that is unbelievably clean.” bit.ly/3AyhPx6