crypp

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crypp

@cryptid_papi

• Cryptid truther • Nice Fella with Strong Arms • Marin County Loverboy • High IQ Retard •

NorCal Bergabung Nisan 2021
384 Mengikuti278 Pengikut
crypp
crypp@cryptid_papi·
I love that this gay lil meme format gets goofy and fucked up in quote tweets because that's the only time I ever see them and they *deserve* to be illegible
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i cant think of a good name anymore
i cant think of a good name anymore@fmtovvns·
Leftists ruined and entirely took over the cultural landscape in the 2010s just for people who work on a ferry to be funnier than any of them because they locked out anybody even halfway normal to accessing the entertainment industry
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yimmy "paulie flash" facciolo
yimmy "paulie flash" facciolo@yimmybastard·
This is retconning Minions lore. In the Minions movie it was revealed that between Napoleon's invasion of Russia in 1812 and 1968 the entire population of Minions were in a Siberian cave. This was a workaround so they didn't help Hitler, which is now back on the table
Film Updates@FilmUpdates

‘MINIONS & MONSTERS’ is set in the 1920s and is described as a “celebration of the birth of cinema.”

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laulukaskas
laulukaskas@clockstiqqun·
this isn't true, because that stuff does get made. the Malazans books are obscure and Brandon Sanderson is a household name because the empty, childish escapism is the selling point. kidults don't want mature storytelling. they don't even want good childrens' books
leo of arakko says 🔺RESIST🔺@arakkosuperstar

the key to getting adults to stop watching and raging and discoursing over media meant for children is to make more fantasy media for adults i believe

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Carlos That Notices Things
Carlos That Notices Things@QuetzalPhoenix·
I genuinely stopped being a left winger because I never received an actual answer on why this is necessary. And according to every left winger on earth, it is not only necessary, but the entire purpose of the post world order.
Angloid@angloid0

London has gone from 98% White British to 36% White British in a 60 year time period. This is the biggest demographic shift Britain if not the world has ever seen.

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Joseph Kahn
Joseph Kahn@JosephKahn·
The studios decided they are tech companies. They chased after Netflix or more importantly, Netflix's stock valuation. They purposely blew up the theatrical window to promote their streaming apps. They knew they were sacrificing theatrical profit for streaming position and they had to do it very fast. Since covid, they have trained the audience to believe the thing they are selling, portions of time, should be a close to free experience. They tried to hook the audience on their streaming apps by pushing their biggest movies at unreasonably low subscription cost, which was just a drug dealer trying to hook a customer. It was at the expense of the artists who make these movies, who depend on distribution revenue. The product is only as valuable as the rarity of it. The studios are traditionally in the "distribution" business, controlling the windows of rarity and setting the value of access. What has happened is distribution is not the primary business now, subscription is. The studios are in the app business. They are no longer selling movies, they are selling apps. The movies are there to advertise the apps. The audience loves movies. They do value theatrical experience. It's a fundamental part of humans to share stories in a communal space. You're not killing concerts, or churches, sporting events, political rallies, bars, clubs, or movie theaters. But you can train an audience to devalue any of these things if you make them believe sitting alone at home is the best way to experience anything. That is what studios are telling everybody by cutting the theatrical window short as possible to get the app in your phone. If the studios reanalyze what they are, realizing the distribution is as important as the app, they would widen the windows. I think it's already happening by the way. They need a Hail Mary.
Joseph Kahn@JosephKahn

The solution to the theatrical problem is very simple. Extend the time before it goes to streaming. Make it 180 days. 6 months. If you don't watch it in theaters you won't get to see it for a long time. Studios have devalued their product by letting the consumer know there's no urgency. They're going to see it for "free" later. They've cheapened the business into a buffet and violated basic supply and demand.

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Joseph Kahn
Joseph Kahn@JosephKahn·
It's really hard for me to book a commercial in Los Angeles. Everyone wants to shoot overseas to escape SAG. If you book 20 extras and one of them think you showed too much of their face, it becomes a grievance for hundreds of thousands of dollars. Companies are sick of it.
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bumbadum
bumbadum@bumbadum14·
Democrats in my state are trying to pass a bill that will ban independent journalism from the state because Nick exposed too much fraud. Democrats in Virginia are about to decriminalize manslaughter, rape, and possession of child pronography. The last federal democrat administration put posters in jail and refused to provide FEMA assistance to Trump supporters. Politicans don't suffer when they lose, the influencer class doesn't suffer when they lose, normal every day people fucking suffer.
Charging…@RedPillSayian

Dave Smith says it’s best for Democrats to win the midterms and that Republicans must be punished 😳 “There has to be a message: if you do this, there is a cost.”

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RPGPundit❌
RPGPundit❌@KasimirUrbanski·
Most supposedly gay TV shows are actually made for young women, not for gay men. And that's what Starfleet academy was. It was Star Trek turned into a teen drama soap opera for young girls. The problem is young girls don't really like Star Trek, and no one else likes teen dramas for young girls.
Daniel Friedman@DanFriedman81

The thing is, having a gay Klingon didn’t help “Star Trek: Starfleet Academy” to expand; it caused the entire franchise to contract and collapse in on itself. There are audiences who like gay content. You can make gay shows for gay audiences. You can even sometimes get a breakout hit from a “Heated Rivalry.” But people who don’t want gay content will not consume it. You cannot trick them into consuming it by cramming it into popular franchises or genres. Writers think the audience for “Star Trek” or “Dragon Age” is locked in and will tolerate whatever themes they put into it, but the audience is absolutely prepared to drop these franchises and walk away if they don’t like what they are given. Franchise creatives need to be more respectful of their core audiences.

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Coddled Affluent Professional
Coddled Affluent Professional@feelsdesperate·
Grocery stores have been ‘solved.’ They’ve been solved. Anything with a 2% profit margin is solved. Maybe you could wring some more efficiency on an industry level with improved logistics but that’s going to an incredibly complex technical endeavor above the pay grade of municipal government. That’s why the ‘public grocery stores’ are such a good example of Dem Soc silliness. They’re a political set piece with ~0% chance of any net public benefit and an extremely high likelihood of wasted resources and opportunity costs.
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Jelajahi

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