Bryant Frazer
3.6K posts

Bryant Frazer
@deep_focus
Read me at StudioDaily (defunct), Film Freak Central, https://t.co/4cu3mKhbly, HoloWire, etc. He/Him.
Broomfield, CO Bergabung Temmuz 2008
531 Mengikuti618 Pengikut

I’m Bryant’s wife Karen. If you need to reach me I’m @holycrow
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@capybaroness When I saw it first-run, opening night, as the little grandparents came under the bedroom door near the very end, the film stopped in the gate and MELTED. Prints of that film are fuckin’ haunted.
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Jeremy Irons in DEAD RINGERS, Elsa Lanchester in BRIDE OF FRANKENSTEIN, Ken Foree in DAWN OF THE DEAD, and oh let’s say William Marshall in BLACULA.
Tanner Tafelski@TTafelski
Favorite performances in horror cinema🤔
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Ever wonder what it was like to see the original #HalloweenMovie during its original run? YouTube user Kyle J. Wood recorded audio during a screening at a Hollywood Boulevard theater in 1979, one year after the film opened and synced up with remastered video!
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@tpherndon And there’s also this: arrowfilms.com/product-detail…
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@tpherndon Indispensable! Karen and I saw PART II at a midnight screening at a suburban Denver multiplex back in the early 1990s. Went in totally blind; didn’t know the series, didn’t know Tsui Hark, don’t think we even knew who Jet Li was. Changed my life.
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@mangiotto @NatSocFilmCrix @alisonwillmore @JustinCChang You’ve been killing it and the NSFC is lucky to have you. Congratulations!
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How utterly bad-ass is this Sienkiewicz-original concept art for THE UNFORGIVEN? The key art is fine, but they should have stuck with this painting.
Bill Sienkiewicz@sinKEVitch
NOT a recreation, but an original concept painting I did (1of 7) based on Eastwood & ad agency’s hiring me to visualize ideas. Art director then reworked photos/colors to emulate the painting. Unforgiven is a brilliant film. Best part was Clint’s name for me:“That Polish Guy”
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when people tell you "stick to the music" just picture PPP here in your mind in all his righteous glory
Anton Jäger@AntonJaegermm
Pier Paolo Pasolini punches a young fascist in front of the cinema Quattro Fontane in Rome, 1962
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