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I'm honored to contribute my illustration of Shiori to this banner project. Please check out all the amazing works! #ShiorinSketch

Blomstedt was my first Brahms Requiem, and while I've grown accustomed to parts of other interpretations, returning to it is still charming, the bigness of it, some warm sense of reverb too (even though I also like the stark & immediate Gardiner 2012) open.spotify.com/album/270p0S53…

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@MinModulation @naranciagaming I really associate it with the late '90s/early 2000s, yes. I think it was particularly common in British breaks/big beat electronic music. This might be the most explicitly cinematic example actually youtu.be/bgSJafoisoM

@denparalysis @naranciagaming It slipped my tongue but I was also about to say like hey wait that's like the Matrix score genre... and also the first song was apparently used in the PS2 game Kinetica which I played quite a bit of... very 2000s...

you ever notice how orchestral-techno only ever shows up as news music

sadako

@MinModulation @naranciagaming Actually the most famous example might be the Elgar sampling song used in the Matrix youtu.be/pFS4zYWxzNA

@MinModulation @naranciagaming This example is breaks rather than techno but I feel orchestral samples in electronic music were pretty common during its '90s commercial heyday, especially if it was going for a cinematic sound. Whole album was like this IIRC youtu.be/WbOW2H9sBnk

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You can cut all the flowers but you cannot keep Spring from coming.

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森　夕暮れ　闇　茂み　幼少期セネリオ…

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