Film at Lincoln Center

🇮🇹 Immerse yourself in cinema italiano... 🎟️: filmlinc.org/italian Scroll through the screening schedule below for History: Italian Style (June 4-25), FLC and Cinecittà's sweeping series that examines the evolution of modern Italy—from its unification through the rise of Mussolini and World War II—through the lens of Italian cinema! Presented in beautiful 4K restorations and imported prints!

Our screening of Elaine May’s ISHTAR (1987) on Saturday, June 27 at 6pm will now be introduced by the one and only Carol Kane! See you there! 🎟️: filmljnc.org/elaine

Alright, I guess we gotta do it...

@ZuzuOnFire A chance to see a 70mm-blow-up print from 1986 is special in its own way! (but we love Newt's parents too)

@FilmLinc Wait boooo it's not the Director's Cut. Oh come ON. Who shows ANYTHING but Aliens' Director's Cut in 2026?? @FilmLinc 😠

BOUGHT

As only a few 🎟️ remain to our July 3 screening of James Cameron's ALIENS (1986) on 70mm 🎞️ (don't delay in obtaining your tickets: filmlinc.org/70), we're resharing this early test footage of the film's third act star: the Alien Queen herself! According to the Stan Winston School of Character Arts, "for a Stan Winston Studio proof-of-concept test, stunt performers puppeteered ski-pole arm extensions from inside a crane-suspended ‘garbage bag queen’ in the studio parking lot, a simple foam mockup covered in black trash bags. 'Just to see if this concept worked,' Winston said, 'and it did. Once we knew that the concept worked, all we had to do was figure out how we were going to build it for real.'

“Who determines what the cause and the consequence is?” @FilmComment Editor @devikagirgayi spoke with Lucrecia Martel at the 2025 @la_Biennale and 2025 @TheNYFF about the making of her feature documentary debut, Our Land. filmcomment.com/article/lucrec…

"I recently wrote to a colleague in Paris that I thought Radu Jude . . . might be the most important filmmaker in Europe today." Longtime mutual admirers J. Hoberman and Radu Jude discuss “bad” movies, Jude’s novel use of A.I. images in Dracula, and more. filmcomment.com/article/pen-pa…

Author and contributor to @reverse_shot, @ScreenSlate, @LWLies, and more @MarkAschParody discusses how @Festival_Cannes selections Fjord, The Beloved, and I'll Be Gone in June grapple with what’s lost—and gained—in translation. filmcomment.com/article/cannes…

"This year on the Croisette, it’s easy to lose count of the number of logos that precede a film’s opening credits, representing money patchworked together from across multiple countries, each contribution with its own strings attached."

Three weeks and counting! Milagros Mumenthaler’s compelling existential puzzle continues its acclaimed run at @FilmLinc in NYC and is now playing in theaters nationwide via @KinoLorber. Find a screening near you: kinolorber.com/film/the-curre…

@FilmLinc @nyknicks Let’s watch that game back at the Linc lol

🧡💙 We know it when we see it, and well, that was PURE CINEMA. We’re proud to share a borough with the 2025-2026 NBA champions…your @nyknicks! Congrats on an incredible season!

there's a storm brewing in new york that has nothing to do with rain, let's go knicks 💙🏀 @nyknicks

🦇 They want YOU to obtain your 🎟️ to It’s All a BIG Conspiracy, a 10-film program presented entirely on 70mm 🎞️ (July 1-9) featuring several rare prints that haven’t screened in New York in years (if not decades)! 🎟️: filmlinc.org/70

It was great having director Julian Schnabel join us to share his new film IN THE HAND OF DANTE at our special Patron screening, presented in partnership with @ROLEX, yesterday evening! The post-screening Q&A was moderated by FLC President Daniel Battsek. Having made its World Premiere at the 82nd Venice International Film Festival, IN THE HAND OF DANTE is currently in select theaters and will be available on @netflix beginning June 24. 📸: Sean DiSerio

Insane lineup. Can’t wait to see these in 70mm!