Dr. Maria Xanthou FHEA

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Dr. Maria Xanthou FHEA

Dr. Maria Xanthou FHEA

@MariaGXanthou

nil Graecum & Latinum alienum mihi | Harvard CHS | University of Bristol | Aristotle University of Thessaloniki

UK | USA | Greece 参加日 Eylül 2012
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Dr. Maria Xanthou FHEA
Dr. Maria Xanthou FHEA@MariaGXanthou·
Join our team for the EAA 2026 conference: you may send us your paper proposal.
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ビザンティン帝国同好会【SINCE 1999】
ことビザンツ史に関しては日本において比類ないラインナップを誇る神出版社、それが白水社。装丁も良い。 #私の白水社
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Antigone Journal
Antigone Journal@AntigoneJournal·
What lecture should we republish next on the website?
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Johnny
Johnny@j00ny369T·
How maps were made in the ‘60s.
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HerodotusWave
HerodotusWave@HerodotusWave·
These are ancient Greek gold earrings with a disk and boat-shaped pendant, dating back to approximately 300 BCE.
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Sarahh
Sarahh@Sarahhuniverse·
Amazing Craftsmanship - Bukhara 🇺🇿✨ © bukharawoodcarving
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MENA Visuals
MENA Visuals@menavisualss·
🇮🇶 Radio Drama, Baghdad, 1956
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Indonesia
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Woland
Woland@Stefftaving·
Natural element
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Cats with Aura 😺
Cats with Aura 😺@catwithaura·
Not even cats are safe from the Turkish vendors' tomfoolery.
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Following Hadrian
Following Hadrian@carolemadge·
Χριστός Ανέστη!
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Ελληνικά
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ὁ Κέφαλος | AGROS education
The Abduction of Persephone. Told in first declension and conjugation. Textbooks of this generation act as if vocab, case functions etc. are not an issue as long as every word stem ends in -a. 🙈 📖 Hrazky/Scheindler: Urbs Aeterna, 3. Aufl., Wien 1934.
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Dr. Murat Sav
Dr. Murat Sav@muratsav_ist·
Ayasofya ile ilgili geçmişte yapılmış cok sayıda gravur bulunur. Bunlardan bir kısmı da Cornelius Loos'a aittir. Özellikle iç mekan gravurleri önemli birer belgedir. Alttaki gravur 1710 yılından.
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Athanasius
Athanasius@Athanasius_45·
A somewhat impractical rhyton with a lion’s head as a base. 5th century BC. εἰώθει δὲ λέγειν ὅτι φοβερώτερόν ἐστιν ἐλάφων στρατόπεδον ἡγουμένου λέοντος ἢ λεόντων ἐλάφου. - It was his wont to say that an army of deer led by a lion inspires more fear than an army of lions led by a deer. Plutarch, Regum 47, Chabrias
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HerodotusWave
HerodotusWave@HerodotusWave·
The Byzantine garment button dating from the 6th century CE.
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βασιλεύς.
βασιλεύς.@ByzantineSpirit·
Χριστός Ανέστη!
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Dailymeow
Dailymeow@Dailymeoww1·
This incident in Türkiye is truly unbelievable 😂 A man forgets his key at home and ends up locked out, so he rings the bell… and his cat opens the door! 🐱 The cat first turns on the light, checks who it is through the camera, then jumps on the door handle and opens it. The man shared the video with this note: “He saved me from calling a locksmith and from a big expense.” In short, our cats are not just pets, they are also our heroes. 🐾🔥
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Ramin Nasibov
Ramin Nasibov@RaminNasibov·
My dog after eating my philosophy book
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Ancient History Hub
Ancient History Hub@AncientHistorry·
The Church of the Holy Apostles, also known as Holy Apostles of Solaki, is located in the Ancient Agora of Athens, Greece, next to the Stoa of Attalos, and can be dated to around the late 10th century. "Solakis" may be the family name of those who sponsored a renovation of the church in the Ottoman Period, or from "Solaki" for the densely populated area around the church in the 19th century. The church is particularly significant as the only monument in the Agora, other than the Temple of Hephaestus, to survive intact since its foundation, and for its architecture: it was the first significant church of the Middle Byzantine period in Athens, and marks the beginning of the so-called "Athenian type", successfully combining the simple four-pier with the cross-in-square forms. The church was built partly over a 2nd-century nymphaion, and was restored to its original form between 1954 and 1957. From evidence of various repairs and reconstructions, four distinct building phases can be distinguished. The original floorplan is a cross with apses on four sides and a narthex on the west side, with four columns supporting a dome. The altar and floor were originally of marble. Tiles on the outer walls have Kufic-like decorative patterns, a style of decoration common in Middle Byzantine churches. A few surviving wall paintings in the central aisle date to the 17th century, and paintings from nearby churches were also placed elsewhere within the church.
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Nature 🦜and Music 🎶
Cute miscommunication 😻 Cat headbutt: Love Goat headbutt: Play
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Chrysoloras
Chrysoloras@Alyunan00·
"What jealous and relentless avenging demons have made a riotous assault upon you in wild revel?"
Chrysoloras@Alyunan00

"What jealous and relentless avenging demons have made a riotous assault upon you in wild revel?" Niketas Choniates, eyewitness of the Fall of Constantinople by the Crusaders and Venetians, left us a compelling narration of the events before, during and after the devastating attack. Shocked from the events he doubts about his devotion to write the story of them: “…how then can I devote the very best thing and the most beautiful invention of the Hellenes - history - to the recounting of barbarian deeds against Hellenes? πῶς ἂν ἔγωγε εἴην τὸ βέλτιστον χρῆμα, τὴν ἱστορίαν, καὶ κάλλιστον εὕρημα τῶν Ἑλλήνων βαρβαρικαῖς καθ’ Ἑλλήνων πράξεσι χαριζόμενος” But his “Chronike Diegesis” became one of the masterpieces of byzantine Greek historiography, a piece of which below laments the fate of the Polis: “O City, City, eye of all cities, universal boast, supramundane wonder, wet nurse of churches, leader of the faith, guide of Orthodoxy, beloved topic of orations, the abode of every good thing! O City, that hast drunk at the hand of the Lord the cup of his fury! O City, consumed by a fire far more drastic than the fire which of old fell upon the Pentapolis!" "What shall I testify to thee? What shall I compare to thee? The cup of thy destruction is magnified," says Jeremias, who was given to tears as he lamented over ancient Sion. What malevolent powers have desired to have you and taken you to be sifted? What jealous and relentless avenging demons have made a riotous assault upon you in wild revel? If these implacable and crazed suitors neither fashioned a bridal chamber for thee, nor lit a nuptial torch for thee, did they not, however, ignite the coals of destruction? O prolific City, once garbed in royal silk and purple and now filthy and squalid and heir to many evils, having need of true children! O City, formerly enthroned on high, striding far and wide, magnificent in comeliness and more becoming in stature ; now thy luxurious garments and elegant royal veils are rent and torn; thy flashing eye has grown dark, and thou art like unto an aged furnace woman all covered with soot, and thy formerly glistening and delightful countenance is now furrowed by loose wrinkles. I shall forego describing those who set words to the music of the lyre and sang of thy calamities and, drunk with wine, turned thy tragedy into a comedy, making a profession out of the farcical recitation of thine afflictions: blows struck with the fist and the foot, bruises, moreover, and black eyes inflicted upon thee every hour of the day; for by God's will thou hast provoked to jealousy the foolish nations, or rather, those people who are not truly nations but obscure and scattered tribes, and if thou didst not give birth to the majority of them, thou didst, however, raise them up and provide them with the fat of wheat…” Drawing of the Fall of Constantinople by the "Franks", from Bodley Laud Misc. 587 La Conquête de Constantinople (check the 4Bs...)

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