Sarah parish

My Son was Diagnosed with Lymphoblastic Leukemia a few Years Ago and has fought the good fight without falter! He is in his Survivorship Clinic phase now but Over these years I have contacted Countless Charities for Help with bills to his Dr expenses.. Trip expenses...

Step 1. DM ME.. Step 2. Ask for Info Step 3. Have an Exciting Day! 💦

@brianwa98448596 Follow me

@Sarahrobertgu Dm me back.

Morning Motivation!! Cheers to HOT Coffee ☕️💋 Instead of worrying about what you cannot control, shift your energy to what you can create. DM... ME.... and Say INFO!!!! 📩#kodygettingstrong#cancer#warrior

@brianwa98448596 Dm

@Sarahrobertgu Can you speak with me

@brianwa98448596 ❤️

@Sarahrobertgu Your hot

@William65120565 Fine sweetie 😘

@Sarahrobertgu Wow you are a gorgeous woman

@PBailey28422 Dm sweetie

@Sarahrobertgu I’m praying for you buddy 🙏

My Son was Diagnosed with Lymphoblastic Leukemia a few Years Ago and has fought the good fight without falter! He is in his Survivorship Clinic phase now but Over these years I have contacted Countless Charities for Help with bills to his Dr expenses.. Trip expenses...

@Babaganoush80 How are you doing sweetie 😘

@Sarahrobertgu Good morning beautiful

GBGBGJ

Just a couple 🐐🐐 choppin' it up at spring ball. @MasonLMcCormick | @HolyNutmeg #GoJacks🐰

Van Gogh, low on supplies, high on invention 🔮 In Saint-Rémy (FR) he had little paint left and was out of canvas too, so he painted the garden of the psychiatric institution with thinned oil paint on cardboard. At first he wasn’t allowed outside the garden. Time has changed the work a bit: ink faded to brown, and the purple steps softened. (2) 🖼️ ‘Stairs in the Garden of the Asylum’, 1889 © Van Gogh Museum

Yellow can make some people feel overjoyed, and others feel almost sick. Van Gogh loved it: 'Sunshine, a light which [...] I can only call yellow [...]. How beautiful yellow is!' Our eyes work harder to process the colour yellow. Too bright can mean eye fatigue, irritation, even dizziness. What does yellow do to you? Come find out at the exhibition ‘Yellow. Beyond Van Gogh’s Colour’, on view until 17 May.

Starting in 1887, Van Gogh returned to the subject of blossoming trees every spring. And 1890 was no exception. Near Pontoise, he sketched a house almost hidden behind a chestnut tree, adding colour notes so he could later turn the drawing into a painting. Look for the strong path perspective and the tree set against a blue ‘halo’ of sky. 🌳✨ 1 ‘The House of Père Pilon', 1890 © Private collection 2 ‘Dead-End Street with Houses’, 1890 © Van Gogh Museum

Vincent enjoyed drinking absinthe, a spirit with an intense green colour. He used this specific colour to describe a painting. In a letter to his brother Theo, Vincent explained: 📝‘there’s a view of the Rhône, in which the sky and the water are the colour of absinthe, with a blue bridge and black figures of ruffians’. Does Vincent’s description change the way you see this painting? 🖼️ The Bridge at Trinquetaille, 1888 © Private Collection

In these two paintings, there’s a figure some think could be Vincent himself. Can you spot him? 1 ‘The Prisoners’ Courtyard (after Gustave Doré)’, 1890 © Pushkin Museum 2 ‘Country Road in Provence by Night’, 1890 © Kröller-Müller Museum

A portrait with a clue! 💡This is a portrait of Père Tanguy, the art dealer who Van Gogh frequented during his time in Paris. There are many details in the background that are easy to overlook. In the upper left corner, you can spot part of the painting ‘Quinces, Lemons, Pears and Grapes’. (2) If you compare the portrait to the still life, you’ll notice that the red inner edge of the frame is missing in the still life as we know it today. 🤯 Van Gogh probably chose that colour for the landscape that he initially painted on the canvas. He later painted the fruit still life over it. ‘Portrait of Père Tanguy’, 1887 © Private collection

Vincent’s little landscape makeover 👀 In ‘Farms near Auvers-sur-Oise’, he didn’t paint everything exactly as it was. Can you spot what he changed? (Guess first!) Next to the painting, you see an old photo of the same farm. (2) The houses on the right were really there, even the shrubbery creeping across the façade. But Vincent tweaks the background and adds extra houses on the left that weren’t actually there. And the slightly odd perspective is a clue: he’s inventing, not just observing. 🖼️ © Tate 📸 Farmyard in Cordeville, Auvers-sur-Oise, c. 1887 © Bibliothèque Nationale de France, Paris