Dávid Metelička
3.9K posts


A preview of what we are working on with RWA tokenization on @freehold_wallet . Launch date will be announced soon. Directly connecting issuers and investors, globally, in a fully p2p market infrastructure that removes middlemen instead of adding them.
…862563.fs1.hubspotusercontent-na1.net/hubfs/21862563…

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I've long suspected Bitcoin is a giant Ponzi scheme and now I'm hearing tales of woe that make me fear I'm right.
mol.im/a/15643681
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@GlenBarche For me Busquets in el clasico faking that is really hurts
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@JinnRunner @Jvnior you must know about the 7 country takeover plan. this was the next one on the list for the NWO
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@BGatesIsaPyscho @grok why Iran attack skyscrapers in Bahrain and Dubai?
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@4gamarra4 You fucking moron , why he covered his mouth… to say hermano ??? 😅😅 fucking shit
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@internaciultra @SLBenfica is this okay? Racists fans??????
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#Portugal - Benfica supporters are carrying out racist attacks against Vinícius Júnior during yesterday’s Real Madrid match.
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@aa9skillz Standing ovation to Prestianni afterwards dont help also :((
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The Shroud of Turin is one of the most compelling and scientifically baffling relics in human history. Far from being a medieval forgery, the Shroud presents a remarkable convergence of historical, forensic, anatomical, and textile evidence that strongly supports its authenticity as the burial cloth of Jesus Christ. The image on the linen is not the result of any known artistic technique—there are no pigments, no brush strokes, and no persuasive evidence of any applied paint medium. Instead, the image resides only on the outermost fibers of the cloth, created by an unknown process that affected only the top few microns of the fabric’s surface.
What makes the Shroud’s nature so extraordinary is that some of its most remarkable features could only be recognized after the invention of photography. In 1898, Italian photographer Secondo Pia took the first photographs of the Shroud and made a stunning discovery: the faint sepia image on the linen behaves like a photographic negative. When viewed on the photographic plate, the tones reverse to reveal a clear, lifelike positive image of a man who had been scourged and crucified. This is extraordinarily difficult to account for as an intentional medieval artwork, because no artist in history “painted negatives” centuries before photography existed. Later, advanced imaging analysis suggested that the Shroud also encodes three-dimensional spatial information, with brightness variations broadly corresponding to the body’s distance from the cloth—an effect no painter or craftsman could easily have produced, and certainly not with any known conventional technique.
The forensic detail is striking: anatomically coherent wounds consistent with scourging and crucifixion, bloodstains consistent with real human blood reported by multiple investigators, a herringbone linen weave compatible with ancient textile practice, and botanical traces—including pollen—reported by some studies as consistent with the Jerusalem region. The 1988 carbon-dating that suggested a medieval origin remains heavily contested: the tested sample came from a corner area that many researchers argue may include repairs, contamination, or non-representative material, meaning the dating result may not definitively settle the age of the whole cloth.
It is also important to understand that neither the Shroud of Turin nor the Sudarium of Oviedo—the smaller cloth believed to have covered Jesus’ face in the tomb (this was common as with Lazarus in John 11:44 “… and a cloth around his face”) —are “Catholic relics” in the strict denominational sense. They are ancient historical and scientific artifacts whose origins and significance predate later denominational associations. They now happen to be under the custodianship of the Catholic Church, but their importance belongs to all humanity and to the entire Christian faith, not to any single tradition.
Taken together, these two cloths are often presented as mutually reinforcing witnesses: separate burial textiles whose patterns of injury and staining have been argued to be consistent with the same crucified man. Whatever one ultimately concludes, the Shroud remains an object of extraordinary mystery—one that continues to resist simplistic explanations. And for many, everything about these cloths—their materials, their physical properties, and their haunting coherence with the Gospel crucifixion narrative—still points powerfully toward one conclusion: they are profound witnesses to the death and resurrection of Jesus Christ.
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@TouchlineX its not the ULTIMATE destination in football
PARIS SAINT GERMAIN IS
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🚨 🆕 🚨 Real Madrid manager Alvaro Arbeloa has sat down with Trent Alexander-Arnold and asked him to LEAVE the club for his own good.
Trent has been informed he is NOT part of the team's plans and his contributions on both the offensive and defensive sides are not good enough.
(@elnacionalcat)

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@Jollsyuki @itswpceo Lol they dont want to be US state why would they do it?
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BREAKING:
🇪🇺 EU Declares ECONOMIC WAR on America, prepares 93 billion in tariff to US & market restrictions on US companies in retaliation to Trump arrogance.
USA debt held by:
- 🇬🇧 UK: $888.5 billion
- 🇧🇪 Belgium: $481.0 billion
- 🇨🇦 Canada: $472.2 billion
- 🇱🇺 Luxembourg: $425.6 billion
- 🇫🇷 France: $376.1 billion
- 🇩🇪 Germany: $109.8 billion
- 🇩🇰 Denmark: $12 billion


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