Free Palestine 🇵🇸

So happy to be showcasing African and Asian films on the big screen again Àkòdì presents FINDING OUR WAY HOME Five stories that explore identity, belonging, and the many meanings of home Tickets live: eventbrite.co.uk/e/akodi-findin… Supported by @Film_London #FilmHubLDN

Arsenal drop points to wolves. They all said we were weak mentally and were bottle jobs. Man City drop points to 18th and 17th place clubs back to back with a 3-0 loss in the UCL in between and you all stay silent

Voir des femmes se vanter de leurs perruques Raw Hair de 26 pouces, alors que cette industrie repose sur la précarité et l’exploitation d’autres femmes contraintes par la pauvreté de vendre leurs cheveux, devrait quand même nous interroger.

Watch David willcock explaining how Evil entities such as Moloch and Baal is worshipped and the outcomes of worshipping such entities.

Chelsea and Man City fans should be proud of losing 5-2 and 3-0 respectively. They played good football to entertain everyone and that's the most important thing.

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I’m tweeting for the first time in many months to share a piece I’ve written about the problematic history of the Oscars recognizing Black directors. Please share this one far and wide—it’s an important convo that’s been absent from the Oscars discourse. rogerebert.com/festivals/why-…

David Irving on the REAL forensic findings at Auschwitz

This particular American war was a mistake in more ways than 3

The One Piece live-action actors and the original japanese voice actors recreated the barrel scene 😭

Forcing black people to evolve in environments where the Sun is scarce is ALSO spiritual warfare btw idc idc idc idc.

Ballaké Sissoko performing ‘Nan Sira Madi’ on COLORS is a reminder that music is mankind’s greatest discovery.

IDF spokesman admits live on TV that Israel's military command center is buried beneath civilian buildings in central Tel Aviv Greenwald: "They use their civilians as human shields. What they accuse everybody else of doing."

🚨 WHAT THE HELL ARE THEY PUSHING THROUGH WHILE EVERYONE WATCHES THE WAR? This woman just dropped a theory that’s sending people down a rabbit hole. She claims that while the world is glued to the war, something enormous is quietly moving in the background: The largest media merger in American history. And when it closes… one family will control: CNN. CBS. HBO. Warner Bros. Paramount. According to her breakdown, the entire system behind it could run on Oracle infrastructure. The same Oracle that just landed federal contracts tied to Medicare and Medicaid data for 150+ million Americans… and AI operations for the U.S. Air Force. Then she connects the dots in the video: Government contracts send billions into Oracle. That revenue supports Oracle’s stock. That stock is reportedly being used as collateral tied to the merger. And Oracle ends up as the infrastructure underneath the new media empire. Infrastructure. Collateral. Beneficiary. Every layer of the same machine. Then she points out the timing. The war timeline that just got mentioned by Trump About four weeks. The shareholder vote on this merger? March 20. Coincidence? Her argument: While everyone is staring at missiles and war coverage... something massive could be sliding through the system behind the curtain. Is the war the only story right now… or is something huge being pushed through while nobody’s looking?

Fairplay to this Liverpool fan defending Arsenal from the bullshit media

Mid term Essay due March 1st and I forgot February only has 28 days

Professor Jiang tells SNEAKO why Israel is currently going to WAR with Iran 🇮🇷🇮🇱 “The Jewish interpretation of the end times is that the Messiah will come and Israel will become the empire. Once you destroy Iran, Israel becomes the most powerful nation in the Middle East.”

go indie. be dirty. be diy. be lo-fi. make movies with your friends. self-publish. distribute at local venues. fuck with conventions. fuck with copyright.

In this brief, devastating exchange between a white mother and her son, we see the precise moment when the pedagogy of whiteness meets a child who has not yet learned to lie on its behalf. The boy begins in clarity: “The white killed him… He was a good man.” He grasps that the violence that murdered a Black man is not random but racial, that there were “a black and a white and they had different schools,” and that the division is not morally neutral but enforced by “the white.” His response is not confusion but moral alignment: if he sees “the white” again, he wants “payback on them,” which is to say, he understands that the proper object of his anger is the structure that kills good Black men, not the Black man who is killed. For an instant, whiteness appears to him not as an identity to be cherished, but as an enemy to be named. The mother’s interventions are a nearly perfect transcript of how white supremacy repairs this kind of rupture. She calls him back to racial identification—“you’re mostly white”—and then immediately individualizes and sanitizes the structure he has rightly condemned: “it wasn’t just the white,” “not nice white people killed him.” Faced with this summons, the boy draws a line that *race traitor* must draw: “I didn’t kill him… I’m not the white person who did it… I’m going to get to the other people… I wasn’t born then.” In that refusal, he separates his emerging self from the historical project of whiteness and aligns, however inchoately, with those whom whiteness targets. This is the kind of critical break that figures like John Brown and Benjamin Lay represent in mature, fully conscious form: a rejection of whiteness as a political identity and a decision to cast one’s lot with its victims rather than its beneficiaries.

Tie of the round? Can't beat this one 😉