Chris Ward

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Chris Ward

Chris Ward

@MasterWambo

Digitally savvy analog nativist

Texas, USA 가입일 Aralık 2010
696 팔로잉1.1K 팔로워
고정된 트윗
Chris Ward
Chris Ward@MasterWambo·
A fine way to die and a pleasant way to live. We should all be so lucky to find both.
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RoequavicPlanes
RoequavicPlanes@RoequavicPlanes·
@MAXIMUM_ODEN Looks cool but I'm guessing this is part of the typical cyberpunk military science fiction anime trend where what you see in the clip represents 0.1% of the runtime and 99% is the hero and his girlfriend looking at clouds and talking about existential philosophy?
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マキシマム ザ おでん
映画「虐殺器官」2017。伊藤計劃の小説デビュー作をアニメ化。伊藤計劃はデビューから僅か2年で病のため亡くなってしまう。制作していたマングローブは残念ながら倒産しジェノスタジオが引き継いだ。原作がかなり面白い+作画クオリティ高すぎ
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Chris Ward
Chris Ward@MasterWambo·
@Schmutz_8R Genetics. Your hair follicles just don't respond to DHT. Lucky boy.
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Schmμτż
Schmμτż@Schmutz_8R·
One year into having my DHT at double the top of the reference range and my bitch wife said my hair looks thicker. Mother-in-law said “woah, you get a hair transplant or something?” Balding is complicated science. You’d think my hair would’ve thinned out instead.
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Keego
Keego@Keego1013·
@TheHeroesForge She's paid off $70K of $160K in just over two years since graduating. She's been with the guy 6+ years, they were likely dating when she first took the loan out; making it about proving responsibility or a standard is absurd. youtube.com/shorts/mCitNVq…
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Chris Ward 리트윗함
Ryan
Ryan@2pac2furious·
Still working on tunes
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Chris Ward
Chris Ward@MasterWambo·
@blockhead4000 Libtards don't actually believe in mental illness because they think all behavior is a manifestation of a temporal material state, and not innate being. They also believe they're clinically mentally ill themselves, and take pills as proof, therefore they're "just like me" etc.
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Chris Ward
Chris Ward@MasterWambo·
@zuki_2024 The AIDS subplot is the worst and most stupid thing about it. It's totally unnecessary and ruins the actual point of the film. That much I'll agree with.
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Zuki
Zuki@zuki_2024·
The literal lesson from KIDS is that New York City is a multiracial cesspool where all these horny kids are spreading AIDS and giving themselves brain damage with drugs. What other take away is there from that movie? White suburbia is bad? It doesn’t depict that.
Paul@WomanDefiner

The movie Kids. This movie Basically pinned the AIDS epidemic on a bunch of out of control skater punks instead of the gay community. The film was so controversial Disney forced Weinstein to make an entirely new company to release the film.

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Zuki
Zuki@zuki_2024·
I’m sorry but these takes are so fucking wrong and I hate the moralfagging over a BASED film directed by Larry Clark who is a Vietnam Vet and beat the shit out of a lib Hollywood producer for saying America deserved 9/11 that got Clark blacklisted a bit.
Matt Forney@mattforney

KIDS was just one of a wave of godawful GenX 90s indie auteur films that had no deeper message than "the suburbs are bad and scary." GenXers have a pathological hatred of normal suburban life. Film companies handed them a budget in the 90s due to the VCR boom creating an entirely new market for limited release movies and home video rentals and their response was to make whiny, bathetic movies about the nonexistent Caligulan degeneracy of commuter town Republicans. GUMMO, directed by Harmony Korine (who wrote the script for KIDS), is another famous lowlight of the era. A recurring theme with GenX "suburban evil" movies is that they're almost always made by people who either have little direct experience with suburban life or have ethnic/sexual grievances that they never got over. Korine is a Jew from Marin County, one of the most liberal parts of California. AMERICAN BEAUTY, the most famous movie of this genre, was written by Alan Ball, a gay man from suburban Atlanta who never got over his evil hick Southern classmates calling him a queer. He later went on to direct TOWELHEAD, a movie about a 13-year-old Lebanese girl fucking and sucking her way through the Houston suburbs. Thanks, dude. GenXers are STILL obsessed with hating the suburbs. A few years back, Tim Heidecker was developing a TV show that would parody HOME IMPROVEMENT (a sitcom about a suburban dad). First, nobody cares, that show's been forgotten. Second, Heidecker is like 50. Grow up, dude. The only films from the indie auteur bilge era that hold up are comedies like THE HOUSE OF YES and pretty much anything that Todd Solondz has done. The "suburban evil" genre only works when you don't take it seriously and play it for laughs. Additionally, most of Solondz's work is about parodying his fellow Jews and not suburbia in general. The bit in STORYTELLING where the vegan Jewish kid tells his parents that "without Hitler, I would have never been born" only for them to freak out always makes me laugh.

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Chris Ward
Chris Ward@MasterWambo·
KIDS is about urban skaters in NYC and Gummo is about rural feral kids in the hollowed out rust belt. Gummo is more grotesque for its own sake, but KIDS is an honest depiction of those actual kids' lives. I grew up around archetypes from both films in my real life, whether a Jew was involved in the production or not.
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Chris Ward
Chris Ward@MasterWambo·
@GoldenAspen1492 He might be surprised to find that if he extrapolated the actual goings-on of a life behind bars, he could just as easily conclude with the same logic that it's also "not good" for us to give someone a life of rape, stabbings and beatings. A just society requires just violence.
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Son of the Right Hand
Son of the Right Hand@GoldenAspen1492·
It is literally the function of a just society to render to each his due, as well as the definition of a just man. This is a foundational principle of natural reason and the moral law. It is difficult to fathom a priest and professor straight-facedly arguing the contrary.
Fr Matthew P. Schneider, LC@FrMatthewLC

My take on the #deathpenalty. @fr.matthew.lc" target="_blank" rel="nofollow noopener">tiktok.com/@fr.matthew.lc

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Chris Ward
Chris Ward@MasterWambo·
@blockhead4000 What're you, fucking Dr. Ruth now? Don't be worrying about me, nephew. I can lift weights and still pet a kitty cat.
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big titty warlord
big titty warlord@retarded__woman·
1, 2, and 4 are allowed to have hobbies and women will find it hot 3,5,6,7, and 8 are gay or self-sterilized 9, 10, 11, and 12 are destined for the longhouse. Forced to take pleasure in doing the dishes and nothing else
big titty warlord tweet media
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Chris Ward
Chris Ward@MasterWambo·
10 was sculpted out of stone for thousands of years before steroids and SSRIs, so I'm sure the comments will reveal nearly every woman who isn't a teenager or eating hypno-castration pills to converge on that one out of blood memory.
big titty warlord@retarded__woman

1, 2, and 4 are allowed to have hobbies and women will find it hot 3,5,6,7, and 8 are gay or self-sterilized 9, 10, 11, and 12 are destined for the longhouse. Forced to take pleasure in doing the dishes and nothing else

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Chris Ward
Chris Ward@MasterWambo·
Being RW from the 00s and 10s means you're almost definitely white and you're more likely to have family cut from a similar political cloth. If it took the desolation of your country to figure out simple truths, you're probably not RW at heart. You just got mugged by reality.
🏖🦀BlockHead4000🏝🐠@blockhead4000

There used to be a much higher barrier to entry, and virtually no financial incentive. In fact, people used to get debanked, censored, demonitized, constantly, that was kinda the whole point. Thats how you knew you were right.

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Chris Ward
Chris Ward@MasterWambo·
Completely fucked up body? Debilitating endocrine problems from xenoestrogens in your food and water? Crippling unwarranted back pain from the crushing weight of sedentary nothingness? Well, I don't know about fixing all of that shit, but how about this fucking t-shirt, huh?
Mott & Bow@MottandBow

Exceptional comfort, luxurious softness, and the Mott & Bow guarantee that every stitch is handcrafted to perfection—these are the only tees you should be buying.

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Chris Ward 리트윗함
Daniel Franke
Daniel Franke@dfranke·
You buy a German anvil. It contains 83 moving parts and requires winding twice a day. It's forged from excellent steel, holds tolerances across all three striking faces to within three microns, includes a beautifully indexed horn-adjustment mechanism nobody asked for, and requires a proprietary 11-point spanner should you need to replace the rebound calibration bushing. It runs flawlessly for years, but one day it starts up in limp mode because the onboard anvil-management system detects that it's overdue for its 50,000-strike inspection. You search AliExpress for a Chinese anvil, and are presented with a multitude of offerings from such household-name brands as DUKXJYIBF, HDBTGMXI, AND UEJQIP. They're all priced to within a few pennies of each other, appear completely identical except for the nameplate, and obviously all came out of the same factory. You text your blacksmith friend to ask if they're legit. He tells you he got one like that from KIXJBU a few years ago, and that it's been great and a terrific deal. You thank him, but KIXJBU seems to have folded so you buy the one from UEJQIP. When it arrives, it feels suspiciously light. You scratch it and realize it's iron-plated aluminum. You buy an American anvil. It's five times the price of the competition, but it comes from a brand that your great-grandfather used to love. It comes boxed with a warranty registration postcard, twenty pages of safety instructions, assay certificate, and a regulatory slip which lists its FCC certification and ITAR registration. It looks just like your friend's KIXJBU. There's a "Made In China" sticker on the bottom. You buy a Russian anvil. It arrives coated in cosmoline, wrapped in newspaper from 1974, and weighing 40% more than advertised. The finish looks like it was machined with a shovel. The face is not flat, but somehow this does not matter. You drop it off a truck, accidentally leave it outside for six winters, and use it to straighten a bulldozer blade. It's fine. You buy a Swedish anvil. It comes flat-packed in a long cardboard box with cheerful Neo-Grotesk lettering and a line drawing of a smiling man assembling it with an Allen key. The instructions contain no words, only pictograms showing the anvil face, horn, waist, feet, and 112 identical-looking fasteners. Halfway through assembly, you discover that the pritchel hole was installed upside down, but only because you used peg B17 where you should have used peg B71. Once assembled, it is clean, stable, and works better than it has any right to. You immediately wonder whether you should have bought two. You buy a Japanese anvil. It arrives wrapped in rice paper inside a paulownia box, accompanied by a certificate bearing three generations of signatures and a photograph of the first production example being presented to the Emperor. The face has been hand-polished by a seventy-eight-year-old master whose family has made striking surfaces since the Muromachi period. You are given detailed instructions for oiling it with a cloth folded in a specific way. It is the most beautiful object you own. You never quite work up the nerve to strike it.
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