Old Jobobo
4.8K posts

Old Jobobo
@OldJobobo
Linux and Computer enthusiast, Builder/Creator of code/art/writing/woodworking, life long TTRPG enthusiast.
Washington, USA 가입일 Haziran 2008
830 팔로잉617 팔로워

@bramvera @hancore_linux new update getting pushed now that adds a .local/jobowalls/config.toml for personal setup options and some ui and performance tweaks.
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Check out this jobowalls on omarchy, repo on his tweet,
sweet! love it @OldJobobo
waybar theme modified for omarchy 3.8 by @hancore_linux
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@OldJobobo I want to add that you are amazing at finding wallpapers
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@OldJobobo Love that the selector is so subtle. What are you using to make it? Quickshell?
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If you like my themes, you should also follow and checkout @hancore21223 His themes are Peak!
HANCORE@hancore_linux
Loving this simple setup with my new theme, Kansō (簡素). #Omarchy Repo: github.com/HANCORE-linux/…
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@juliolzok it's not the lightest but it's reasonable on a decent system. It's using mpvpaper on the back-end for live wallpapers so performance on that end is outside my control.
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@OldJobobo Beautiful! I never get to see it thow because my apps will always use every pixel on screen. Especially with tiling window managers like Hyprland on Omarchy I do not understand all the focus on backgrounds.
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@OldJobobo Do you have a quota check script for Copilot too, like the ones you have for Claude and Codex?
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Watchmen: An Omarchy theme based on the original Watchmen graphic novel series, built from ink-dark panels, paper-warm text, cold blue focus, and the hard geometry of comic gutters. Its palette is derived from canonical references for the original Higgins 64 color palette used in the book, then mapped into a restrained desktop color system.
Install with:
omarchy-theme-install github.com/OldJobobo/omar…
Watchmen uses palette/watchmen64.yaml as its color provenance: a reconstructed Higgins 64 grid based on the original graphic novel palette references. The active theme files then distill that source into Omarchy tokens, terminal colors, app overrides, and wallpaper treatments.
The result is not a generic comic-book palette. It leans into the specific tension of the printed pages: blue focus, violet-black shadow, muted steel, parchment text, worn reds, and controlled amber.



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