고정된 트윗
I don't want you to want me only because I'm a female editor.
I want you to want me because I'm a kick-ass female editor. #postchat
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Editor Mae
2.6K posts
Editor Mae
@editingmae
I'm the video editor. This means I cut footage and swear at computer screens as my full time job.
Atlanta, GA 가입일 Ağustos 2016
581 팔로잉2.6K 팔로워
Friends, I’m not sure I can do Twitter anymore so I’ll be deactivating and moving over to BlueSky full time.
I really hope we can build an incredible post community there like the one we once had here.
Keep your head up and stay strong.
You all inspire me 🌟 #postchat
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IT WON BIG BREAK!
When Brandon first hired me to write on this irreverent holiday short, I knew I was going to have some fun with it. Now it WON Big Break! Absolutely thrilled that it's getting the traction that it is!
#screenwriting @finaldraftinc @coverfly #wga
Brandon Osterman@ostermanfilms
🚨HOLIDAY MAGIC ALERT🚨 The Naughty List has officially WON the Final Draft Big Break competition! 🏆🎉I'm over the moon and ready to spread some serious holiday magic!! 🎅✨ Huge thanks to everyone who’s cheered us on—this one’s for you! LET'S GO! #TheNaughtyList #screenwriting
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Brought in my October movies this year with Gerald’s Game on the 1st.
What scary/Halloween movie did you watch?
GIF
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Should we get a #postchat follow train going? Who's still rolling with Twitter in post production that we should all be following tag below and follow back. We need to stick together!
GIF
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Just preordered mine, go get yours!
I’ve been waiting on this baby for a while! It’s so so hard to pick a favorite Flanagan film, but this one might be it for me.
Dawn of The Discs@dawnofthediscs
Features for @flanaganfilm’s “HUSH” (2016) 4-Disc 4K UHD Collector’s Edition Street Date: 11/26 DISC ONE - 4K BLU-RAY: ORIGINAL VERSION •NEW 4K RESTORATION (2024) supervised and approved by Director Mike Flanagan •DOLBY VISION/HDR PRESENTATION OF THE FILM •NEW Audio Commentary with Mike Flanagan, Actor & Co-Writer Kate Siegel, and Actors Samantha Sloan, John Gallagher, Jr., and Michael Trucco. •Optional English subtitles for the main feature DISC TWO - 4K BLU-RAY: "SHUSH CUT" •NEW 4K RESTORATION (2024) B&W "SHUSH CUT" supervised and approved by Mike Flanagan •NEW Audio Commentary with Mike Flanagan and Kate Siegel. •NEW 2024 "Shush Cut" Audio Mix. •Optional English subtitles for the main feature DISC THREE - BLU-RAY: ORIGINAL VERSION & "SHUSH CUT" •NEW 4K RESTORATION (2024) supervised and approved by Director Mike Flanagan •NEW Audio Commentary with Mike Flanagan, Kate Siegel, Samantha Sloyan, John Gallagher, Jr., and Michael Trucco (Original Version). •NEW 2024 4K Restoration - B&W "Shush Cut" supervised and approved by Mike Flanagan •NEW Audio Commentary with Mike Flanagan and Kate Siegel ("Shush Cut") •NEW 2024 "Shush Cut" Audio Mix •Optional English subtitles for the main feature DISC FOUR - BLU-RAY: SPECIAL FEATURES •NEW Feature-Length Picture-In-Picture Video Commentary with Mike Flanagan, Kate Siegel, Samantha Sloyan, John Gallagher, Jr., and Michael Trucco (Original Version). •NEW Interview with Samantha Sloyan. •NEW Interview with Kate Siegel. •NEW Interview with John Gallagher, Jr. •NEW Interview with Michael Trucco. •NEW Interview with Mike Flanagan. •NEW Interview with Producer Trevor Macy. •NEW Interview with Composers The Newton Brothers. •NEW Interview with Director of Photography James Kniest. #FilmTwitter #4KUltraHD #4K #Bluray #PhysicalMedia #Horror #HorrorCommunity #Hush #MikeFlanagan
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@_VideoKevin This exactly. A few people say I should feel thankful that I have a job at all but being thankful and being taken advantage of apparently share some lines
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Editor Mae 리트윗함
The immersive, visceral, elegant, handcrafted and masterful film editing of THE BEAR. The ebb and flow of tension and release that editor Joanna Naugle creates is both hypnotic and magical. The static wide two shot of Richie and Carmy seething says everything.
S3.E9 - Apologies
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@nathandowning @editingmae I work mostly in commercials and generally have a lot of say who the music house/composer is. I always favor the people who actually present the track as they want it rather than send me a link of 30 tracks where they're just throwing stuff against the wall.
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Question - workflow with composers. I was expecting to receive one track with timed out compositions that go along with my cut that I could plug in, but instead got a ‘that’s not my job’ response and a number of music tracks I had to plug in/edit/mix myself. Is that right?
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@brianlevin83 Yeah I thought it was odd too. Creatively, I would’ve expected the composer to want more control over where things start and stop
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@editingmae That's super odd. I would have a conversation with the composer, preferably over video instead of email to make sure you are both on the same page. The only music cue I've ever ended on my own is fading out an end credits cue early. Cues in the show should be timed to the show.
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@brianlevin83 And it’s not me saying I can’t/don’t want to do this stuff on my end, I just figured creatively the composer would prefer to have control over things like that
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@editingmae The cue sheet may have time code that indicates the start of the file or it may indicate the start of the music waveforms, ran into this issue last year where we weren’t sure what the time codes referred to, but we got it sorted out with a quick conversation.
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@nathandowning It’s for a 12 minute short film with about 6 compositions. I don’t know, I figured if they have specific beats they want to hit - they’re the better person to mix their own stuff. The cue sheet I received was very vague
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