Memo Review

I wrote about meeting Sophia the robot at Melbourne’s new National Communication Museum, as well as data surveillance and exhibitions in the age of the selfie (with a little help from Byung-Chul Han) @memoreview memoreview.net/reviews/hypert…

The good folks at @memoreview have made my summer conversation with David Velasco available online. Seems like as timely a moment as ever to think about boycotts, solidarity and "protocol." memoreview.net/magazine/issue…

On Rennie, archiving and photography. Such an honour to write for @memoreview! memoreview.net/reviews/melbou…

brendan casey review of redepartures, at visual diary brunswick. in @memoreview show open today 11-2, and next thurs-sun 11-2. memoreview.net/reviews/re-dep…

Why would Melbourne’s coolest art magazine say I’m in my “POST-ZENITH” era????

When an art show review is so well written you want to get and see it before it ends memoreview.net/reviews/our-pl… @memoreview Where was this guy when my show was on?? Damn! #art #melbourneartists #johnbrack #hawthorntownhallgallery

TONIGHT Celebrate the Naarm/Melbourne launch of Memo’s first glossy annual magazine. Friday, 24 November, 6–8 PM Fitzroy Town Hall The Reading Room 201 Napier St, Fitzroy Naarm Melbourne Open Bar

Wrote about James Nguyen’s ‘Open Glossay’ at @ACCA_melbourne for @memoreview memoreview.net/reviews/james-…

@LouiseKlerks 🥰

Thanks Victoria Perin @memoreview, this was such a fun and energizing read. memoreview.net/reviews/edwin-…

🟢 0 DAYS LAST DAY ON THE MEMO FUNDRAISER We are holding a thank you drinks / Matildas screening tonight to celebrate (almost) meeting our goal of 20k Help us over the line tonight: Wednesday, 16 August, 6–8pm at The Alderman in Brunswick East. artists.australianculturalfund.org.au/s/project/a2E9…

SYD // JUNE MISKELL connects with ALI TAHAYORI's 'Impossible Desire' at Knulp 🤼‍♂️ The author approaches the artist in the gallery, sharing intimate information about the video work being screened out into the street. memoreview.net/reviews/imposs…

MELB // @gilesfielke wants to know who's running this shit? 🥂 Continuing the MeMO tradition of supporting artists while dragging the institution, GILES FIELKE looks at OLANA JANFA's 'What Is Your Gov'ment Name', and a photography showcase @Library_Vic memoreview.net/reviews/what-i…

MELB // SCOTT MCLATCHIE confirms the Incinerator Gallery as Naarm's premier site for goth art: "The gallery is a graveyard." READ their review 'In the Ruins I See the Future', curated by JAKE TREACY. memoreview.net/reviews/in-the…

I wrote about Amber Boardman’s DUDE for @memoreview feat. bowling balls, Buffy & the poor image

SYD // Feel TOYAH WEBB getting hooked on AMBER BOARDMAN's exhibition 'Dude', full of knuckle dusters and engagement rings. memoreview.net/reviews/amber-…

NGV kids implies the existence of NGV adults

MELB// EMILY KOSTOS writes about the growing fascination with dance artist and "mythical Miranda figure", PHILIPPA CULLEN (1950-1975) What made this short life so extraordinary? memoreview.net/reviews/dancin…

Memo goes brrrr 🟢 Did you read @_DeclanFry's gorgeous review on 'Octopus 23: The Field'? Memo Editor @tristenharwood commissions First Nations writers to review 10 exhibitions each year Make a tax deductible donation to us to keep our critical reviews INDEPENDENT Link in bio

Memo goes brrrr 🟢 Where do you see reviews like Rex Butler and Paris Lettau's on Michael Zavros, 'Pistol grip (Ben Roberts-Smith VC)', 2014? Only on Memo! Make a tax deductible donation to us to keep our critical reviews INDEPENDENT. artists.australianculturalfund.org.au/s/project/a2E9…