imani

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imani

@sensitive_bore

가입일 Şubat 2011
611 팔로잉797 팔로워
고정된 트윗
imani
imani@sensitive_bore·
@anvyrd “the artichoke is really a composite” from freud’s “dream of the botanical mongraph,” which reminded him of a childhood experience of “blissfully” tearing a book to pieces “like an artichoke, leaf by leaf” the interpretation of dreams, 1899. trans a.a. brill
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imani 리트윗함
imani
imani@sensitive_bore·
another philoctetes in woman’s form william carlos williams, 1935.
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imani
imani@sensitive_bore·
round 3: 1. paula modersohn-becker 2. paula modersohn-becker 3. paula modersohn-becker
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imani
imani@sensitive_bore·
round 2: 1. alice neel 2. elizabeth catlett 3. horace pippin 4. john byrne
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imani@sensitive_bore·
artists i would want to paint my portrait (in no particular order) 1. kees van dongen 2. romaine brooks 3. william h. johnson 4. sargent 5. the fayum portrait painters that did the mummies
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imani
imani@sensitive_bore·
gloucester the featherless biped becomes the fledgling (and he lays an egg, so to speak, but fate keeps it from cracking…) king lear, act iv
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imani
imani@sensitive_bore·
“last night another big one fell…” “but have i fall’n or no?” humpty dumpty: “why, if ever I did fall off—which there's no chance of—but if I did—” lewis carroll, through the looking glass, 1871. (note humpty beaming with pride before he fell off…)
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imani
imani@sensitive_bore·
1. galileo, “the starry messenger,” 1610 2 stilllman drake, intro to the discoveries and opinions of galileo, 1957 3 and 4. mary ruefle, “on secrets,” from madness, rack, and honey, 2012
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imani
imani@sensitive_bore·
re: coats of elemental brown (“the sunrise glazed the barnyard mud with red”) elizabeth bishop, “the prodigal,” 1955.
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imani
imani@sensitive_bore·
something incantatory about the trochaic adjective… “elemental” “thamaturgic” “unembroidered” from gwendolyn brooks’s “the anniad,” 1949.
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imani
imani@sensitive_bore·
“elemental brown” dickinson
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imani
imani@sensitive_bore·
book of mark ch. 14 see t.s. eliot in “portrait of a lady”: “but our beginnings never know our ends!”
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imani
imani@sensitive_bore·
bishop: “i wanted to keep ‘to see the end’ in quotes because, although it may not be generally recognized, I have always felt that expression used of peter in the bible to be extremely poignant.” 1 & 2. book of matthew ch. 26 3. letter from bishop to marianne moore
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imani
imani@sensitive_bore·
the second half of elizabeth bishop’s “roosters,” 1946.
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imani
imani@sensitive_bore·
book of mark ch. 14 see t.s. eliot in “portrait of a lady”: “but our beginnings never know our ends!”
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imani
imani@sensitive_bore·
now this was a moment… s/o to ann allen shockley (who is fast approaching 100 years old) especially
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imani
imani@sensitive_bore·
no idea if she’s still on here, but this year i want to shout out @HelenaWhitbread. what a biography, and what a tremendous contribution she has made to c19 studies.
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imani
imani@sensitive_bore·
“I though of its being my birthday, but let it pass without notice”
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imani
imani@sensitive_bore·
anne lister, diary entries, 1819. m= her lover marianne anatomists used to believe that the vena amoris flows to the heart from the so-called “ring” finger. lister’s diary has me wondering if there really is a vein of love but it’s just a little further down than they thought
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imani
imani@sensitive_bore·
@nonchalantly_ bruno bettelheim’s the empty fortress
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Pyres@nonchalantly_·
is there a book on autism that talks about in an erving goffman sociology type of way?
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imani
imani@sensitive_bore·
1. r.m. rilke, “aus einem april,” 1900. 2. “in april,” trans. jessie lemont, 1918.
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imani
imani@sensitive_bore·
“aus einem april,” after rilke (nach rilke? idk) frank o’hara, 1954.
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imani
imani@sensitive_bore·
@synthjunta me with “delivert” ever since andrew caldwell brought it into my life
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imani@sensitive_bore·
one of my favorite parts of being a teacher is (finally?) getting to be class clown
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imani
imani@sensitive_bore·
june jordan, “the beirut jokebook,” 1985
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imani
imani@sensitive_bore·
“if we persist in it, we shall be eaten bit by bit like an artichoke.” 1 + 2. letter from george bernard shaw to william morris, 22 november 1887. 3. morris’s artichoke design, embroidered by ada phoebe goodman, 1877 4. freud’s botanical monograph dream (see above)
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imani
imani@sensitive_bore·
sandra gilbert’s annotation of the first lines of her norton edition of jane eyre “why this opening”
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imani@sensitive_bore·
elizabeth bishop, “the end of march,” 1976. the difference between the beginning of jane eyre and the beginning of this poem = the difference between november and march, so to speak. that and a good coat.
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