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blue exo ๐บ๐ฆ | zerth0n.bsky.social
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blue exo ๐บ๐ฆ | zerth0n.bsky.social
@zerth0n
3D artist. passion in lighting and render
Ukraine ๊ฐ์
์ผ Ekim 2018
801 ํ๋ก์537 ํ๋ก์

@stu_pidly @TheMG3D LOL. man, you not understood what im talking.
i dont care how "technically" this neural networks is cool
doing with this what you want, just dont try "to enhance/expand" movies
no one asked it for it, especially original directors/cinematographers
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@RainbowSteed And hi to me, author of the pic ๐
x.com/zerth0n/statusโฆ
blue exo ๐บ๐ฆ | zerth0n.bsky.social@zerth0n
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blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ
blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ
blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ

ok it's been like 20 years I think we can say it
you cannot do this with digital cinematography sorry
a few filmmakers can wrestle an aesthetic out of digital that comes close but you cannot do *this*
I know the numbers, resolution dynamic range blabla
you cannot do this
Oliver Dahl@OliverWDahl
Kodachrome photos my great grandparents took in Alaska in the 1950s
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blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ
blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ
blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ

๏ฟฝฬธฬฬฬออ ๏ฟฝฬทอฬฟฬ๏ฟฝฬธออฬ๏ฟฝฬตฬฬฬฝ๏ฟฝฬทฬฝฬอ๏ฟฝฬธฬฟฬพฬ๏ฟฝฬตอฬฬฬ๏ฟฝฬทฬฬฟฬ๏ฟฝฬธฬฬฬอ๏ฟฝฬทอฬฟฬ
SฬธฬอUฬทฬฟอ MฬธฬพฬฬMฬทฬฝฬฟOฬธฬอNฬตอฬ
TฬทฬอHฬธฬฟฬฬEฬตอฬ
Fฬธฬพฬฟฬ
Rฬทอฬฬฝ
Eฬธฬออ
Eฬตฬฬฟฬฬ
Mฬทฬฝอฬ
Aฬธอฬพฬ
Nฬตฬออ
๏ฟฝฬธฬฬฬออ ๏ฟฝฬทอฬฟฬ๏ฟฝฬธออฬ๏ฟฝฬตฬฬฬฝ๏ฟฝฬทฬฝฬอ๏ฟฝฬธฬฟฬพฬ๏ฟฝฬตอฬฬฬ๏ฟฝฬทฬฬฟฬ๏ฟฝฬธฬฬฬอ๏ฟฝฬทอฬฟฬ
KreekCraft@KreekCraft
WHERE IS HALF LIFE 3 WHERE IS IT WHERE!??!?!??
blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ

Piotrย Szulkinโsย Apocalypse Tetralogyย
Science fiction was originally devised as a kind of disguiseย โ aย medium used to warn us about emerging technologies and future worldsย โ or to critique contemporary civilization.ย Theseย SFย works, born in Poland under the socialist regime before democratization, are neither space operas nor fantasies. Instead, their introspective โcriesโ of the time are embeddedย within inย layered, polyphonic form.ย Now is the moment to rediscover the authentic dystopianย SFย films made over 40 years ago byย director Piotrย Szulkin. What awaits us is the same excitement and sense of discovery as opening a time capsule fromย theย past โera.โ And for people living in todayโs increasinglyย occludedย Japan, those โcriesโ will surely resonate powerfully across time.ย Watch them.ย This is the โcryโ of science fiction.




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blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ

@Dexerto What isn't mentioned is that Artemis was actually killed by a neighbor shooting him because he went off the owner's property :(
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blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ
blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ
blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ
blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ
blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ
blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ
blue exo ๐บ๐ฆ | zerth0n.bsky.social ๋ฆฌํธ์ํจ

I finally did what I imagined. Post-processing material that the player will see when they enter the field of the mystical swarm. I love glitch effects, but I wanted to do something strange, a combination between underwater and electronic
Alien ๐ฝ Max | ๐บ๐ฆ game developer@delaigrodela
I finally learned something in the image editor, and created a test texture for which I created a material in Unreal Engine, and this is what came out of it. I hope there will be many reposts and I will show the code. Because M - motivation #UnrealEngine #UE5 #gamedev #uetips
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