Aaron W. Brown

In 1995, Martin Scorsese and Francis Ford Coppola helped restore and re-release I Am Cuba (1964). Considered a masterpiece, this continuous shot shows why.

Jean Brooks, The Seventh Victim (1943). 🎬

Fellow BUSTER KEATON fans will enjoy Jim Jarmusch telling the story of how if it hadn’t been for JAMES MASON buying Keaton’s old house in Los Angeles in the 1980’s almost every film Buster made would’ve been lost to us forever. Incredible stuff.

RESERVOIR DOGS screens in 35mm this coming Friday, April 17th, at midnight. Tickets: buff.ly/Hvybwff

Perfect Halloween movie setup 👌 🎃

BULLITT (1968) Director: Peter Yates DoP: William A. Fraker Eddie: #BOTD Justin Tarr Frank Bullitt: Steve McQueen

Lynch horror

28 Years Later (2025) dir. Danny Boyle

"I'd like to smack that guy right in the kisser." Carole Lombard. The Princess Comes Across (1936). 🎬

Psycho (1960) director: Alfred Hitchcock

FULL METAL JACKET (1987). #Kubrick

Remembering the great American actor, Rod Steiger, on his 101st birthday! Rod Steiger on the role that gave him the greatest satisfaction & and unforgettable moment from that occurred during the filming: "I think my best work is in Sidney Lumet's 'The Pawnbroker' (1964). The last scene, where I find the boy de@d on the street. I think that’s the highest moment, whatever it may be, with my talent, whatever it may be. I'll tell you again. This is very interesting. An actor must know a little bit about everything, and only be a master of acting if he’s lucky. By that I... Well, I'll tell you a story. It wasn’t too difficult, as you can see, for me to get emotional, right? There was the dead boy in the street. OK, that’s my beloved... That’s my daughter Anna. [crying] De@d. So I had that. And I’m waiting. And they say ‘ACTION’ and I come in and I kneel down. And this was done right outside with four hundred people watching all around. And I put my hand in the chocolate syrup. ‘Cos they didn’t have blood then. It was black and white. But because I’m an actor and that is my daughter it becomes blood to me. Then I really started to go to pieces. And it said in the script he puts his head back, and he screams. I started to put my head back and open my mouth to scream, and in that one millionth of a second, my mind became Picasso’s painting of Guernica — the destruction of the town of Guernica. Right? This is happening in a millionth, in a millionth, in a millionth of a... no computer goes as fast as your brain... of a second. My intellect said, ‘Jesus, that’s good.’ My instincts were right. It was my daughter. And my creative ability said, ‘Don’t make a sound.’ [utters slowly] Because when I saw the painting of Picasso those figures he had with the painted tongues were some of the loudest screams I ever heard in my life and obviously a painting can’t scream. And that moment to me, was a moment I'll never forget. Don’t ask me why." (Rod Steiger's interview to 'The Guardian', 1992)

Friday the 13th Part III 1982 🩸👁🔪

Casablanca (1942 dir. Michael Curtiz) (Cinematography by Arthur Edeson)

Happy 86th, Julie Christie Julie Christie photographed by Paul Schutzer on the set of Farhenheit 451 for LIFE magazine, 1966.

Messiah of Evil This zombie movie has a distinct quality that sets it apart from many of the vampire and zombie films of the 1970s. The zombie phenomenon in this small town, on the surface, seems to be a curse of cannibals on a night of a red moon, but in fact, it stems from a fable of wilderness survival. Several memorable scenes include villagers fighting over frozen meat in a supermarket, the female lead pricking her arm with a needle to lift the skin, and the father's face smeared with blue paint after his transformation. The film has a unique artistic style, and the dubbing and acting are truly excellent. The ending scene of the female protagonist surviving in the wilderness left a deep impression. If you are interested, you can watch it! #blood #cult #HorrorMovies #horror #horrorfilms #horrorfamily #Bmovie #slasher #Demon #vamp

Soledad Miranda in Vampyros Lesbos (1971) dir. Jess Franco

Fellini’s 8½... a masterpiece by cinema’s ultimate dreamer

After "Supervixens" (1975) premiered at the Rotterdam Film Festival— where, according to Russ Meyer, Europeans were distressed by the film’s vi0lence —'Supervixens' had its official U.S. premiere in Dallas on April 2, 1975. The film was a smash hit, eventually earning $17 million worldwide on an investment of $221,000. Meyer certainly knew he had a hit after a college campus screening in Austin, Texas. He said, “When it was over, a hysterical woman ran up and told me I ought to have a stick of dynamite up my a$s. Any time I generate that much of a reaction I know I’m really doing something right.” According to Russ Meyer, the funniest response to the film came from Shari Eubank’s father, who— sitting next to his daughter—attended a showing packed with her friends and family in Milwaukee, Wisconsin, not far from Shari’s hometown. The unbelievable shot of Eubank completely n*de atop the mountain pinnacle appeared on the screen. “Mah God, Shari,” the father gasped. “Dad, I told you not to come,” shushed his daughter. The rest of the audience cracked up. ("Big B0s0ms & Square Jaws", Jimmy McDonough, 2005)

Dracula A.D. 1972