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@ARCAngelTweety
Techie (DevSecOps), poet (chatbook incoming), @LimenitisFund founder, crosstabs diver. This is my personal account & I tweet about all the things.
Katılım Mart 2022
2.4K Takip Edilen2.6K Takipçiler
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I just blocked an artist for a DM. I again state that I do not want DMs, and especially ones trying to coerce me to buy artwork because you need the money saying you're 'awaiting my response.' I DO NOT owe a response to anyone and those types of DMs are inappropriate. I don't care what anyone else thinks about this. To me, it's wrong to do this to people just because you saw them buy someone else's artwork. I'm livid when I probably shouldn't be, but today wasn't the day for this.
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🔥 Edition Sold 🔥
The First edition grabbed by dear Peeky, thanks so much for your support ✨️💜
I can't find your X 🫂🫂
~~~~~~~
11 editions ~ 0.02 $eth
4FS4N 💜@4FS4N
GEvening Fam Half-Dead 0.02 Ξ Available on @TransientLabs Who wants to be the first collector!? Link🔻
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New announcements coming today for @skulls_of_abel holders.
The collection was created to be gifted to those who supported my journey in the space over the years. There were a few who decided to acquire it themselves.
appreciate you all.
A whole new world is about to be born


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The Goldfinch
Carel Fabritius, 1654
Pupil of Rembrandt and a major influence on Vermeer, Fabritius painted one of his most extraordinary pictures: a lifelike goldfinch perched against a bright whitewashed wall.
His innovative light backgrounds and masterful use of light helped inspire the luminous white interiors that define Vermeer’s greatest works, such as The Milkmaid and Woman with a Pearl Necklace.
With loose, visible brushstrokes and clever lighting, the bird looks wonderfully soft — a perfect trompe-l'œil that makes it almost pop off the wall. #Mauritshuis

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⚠️ WARNING!
@sheasmith1 is a SCAMMER and is NOT the original account holder.
I suggest that you REPORT and BLOCK this scumbag.
Share this with your friends.
And STOP clicking on stupid links.

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Did you know this painting wasn’t always this size?
When conservators examined the work more closely, they discovered that Van Gogh had added a small wooden strip on top of the canvas. (2) The paint continues seamlessly onto this added piece. This means the adjustment must have been done by Vincent himself.
Why? Probably to create more space above the bouquet. The extra height gives the flowers more ‘breathing space’ and changes the balance of the composition. What may seem like a small addition subtly transforms how the bouquet sits within the frame.
Does knowing this change how you see the painting?


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