Animefan2022
41.8K posts
morro que isso é o único orgulho dos sasusakuKKKKKK
KKKKKKKKK o casal de vcs eh tao merda q a arte oficial mais famosa e ele dando um peteleco na cabeca dela e vcs literalmente so vivem de fanart btw
OMG SASUSAKU FANDOM 😭 A physical issue of Shonen Jump. The side annotation next to the Sasusaku moonlit farewell scene in Chapter 181 reads: “It is precisely because this bond is irreplaceable that Sasuke must cast it aside!” かけがえ無き“繋がり”…だからこそ捨てた！
Entendi que o kishimoto diz que os narusasu representa ele e o irmão, mas sabe o engraçado? Pq tem três cenas desses irmãos se beijando (mesmo que sem querer)e um ficando CORADO quando lembra do beijo,acho que o kishimoto deve ter algum tive de fetiche se for por essa lógica 🤣
no final do dia o unico beijo canon do sasuke foi com o naruto e é isso beijo 😘 se a sakura engravidou ou foi com o dedo ou foi com esperma doado do sasuke
It was stated that this chart only covers up to Volume 5. However, interestingly, the images chosen for Sarada and Sumire actually come from Volume 7. Sarada’s panel is taken from Chapter 25, while Sumire’s comes from Chapter 27. The selection of these panels feels very intentional, as both carry completely different emotional nuances. The panel chosen for Sarada is the moment where she says: “Those are my new feelings.” What stands out here is the use of the word “Those” instead of “This.” The focus is not on one single emotion, but on multiple feelings merging into a new realization within herself. These feelings seem connected to many things at once: her dream of becoming Hokage, her conflict surrounding protecting and being protected, her emotional connection with Boruto, and even her own search for identity. Because of that, Sarada’s line feels complex, reflective, and not yet fully defined. If we look even deeper, the nuance of “those feelings” does not necessarily come across as a single, clearly romantic emotion. Instead, it feels more like a collection of emotions born from their long history as childhood friends and teammates. There is trust, comfort, emotional attachment, a desire to protect, and the realization that Boruto holds an important place in her life. Because of this, Sarada’s feelings here still feel introspective and largely platonic in nature, rather than a clearly directed romantic love. In contrast, the panel chosen for Sumire feels extremely personal and focused. She is holding Boruto’s sword close to her chest while carrying the future research scroll Boruto entrusted to her, and she says: "No more ‘Class Rep.’ You need to call me ‘Sumire.’" Unlike Sarada, whose emotions are layered and multifaceted, Sumire’s panel conveys one consistent emotional focus. The scene never directly states love, yet the entire visual composition and context strongly suggest emotional intimacy. The way Sumire embraces Boruto’s sword against her chest, along with her wish to be called by her personal name rather than “Class Rep,” creates the feeling that she wants Boruto to see her not as a role or title, but as herself. That is why the emotional atmosphere between the two panels feels fundamentally different. Sarada still appears to be in the process of understanding and defining her many emotions, while Sumire already seems fully aware of where her heart is directed. There is only one emotional center in Sumire’s panel, and everything in it points toward Boruto. #BoruSumi
