jonCates

¡We're live! on @objktcom > So proud to share this collab alongside my dear friend and MAESTRO @joncates la cantera

@Julian_cano_ @imagineart_creo @ImagineArt_X ~neverLeft 🖥️💾✨

Bringing it back

@ALCrego_ whats a "full time artist"?

Better to reign in hell than serve in heaven.✊

@SciFiArchives ~forever

Blade Runner (1982)

@MagdaGangsta no

In the NFT world, the greatest threat to an artist’s career isn’t bad art. It’s a bad tweet. One misplaced sentence, one unorthodox thought, one opinion that doesn’t align with the collective mood and suddenly collectors scatter like pigeons startled in a public square. Not because the work changed, of course. Only the artist did, and that is apparently far more dangerous. The irony is delicious. Web3 promised liberation: decentralization, freedom of expression, a world where creativity could finally outrun institutions. Instead, we built a marketplace where the most fragile asset isn’t the token, it’s the temperament of the crowd. A collector’s wallet has become a public diary of their moral affiliations, and nobody wants to be caught holding the JPEG of someone who thinks differently than they do. In the age of the blockchain, dissent is bad for the floor price. But this is hardly a new phenomenon. History is a long, repetitive loop of artists punished not for what they created, but for who they were. The Nazis didn’t dislike the brushstrokes of “degenerate art”; they disliked the people behind them. Stalinist Russia didn’t imprison poets for imperfect meter. And even in the supposedly enlightened West, we’ve spent decades debating whether Picasso’s misogyny or Dalí’s fascist flirtations should retroactively stain their canvases. Spoiler: the canvases survived, but the conversations never stopped. NFT culture simply compressed this centuries‑old reflex into real time. What once took decades of moral re‑evaluation now unfolds in the span of a Discord argument. The blockchain remembers everything, but the community forgives nothing. And so artists learn to self‑edit, to soften, to stay on‑brand, not for the sake of art, but for the sake of the people who might one day decide to sell it. Perhaps that’s the real tragedy. Not that artists are judged for their opinions, but that collectors believe owning art requires ideological alignment with its creator. As if a painting were a political endorsement. As if a token were a loyalty oath. As if art, the most unruly, disobedient, disloyal human invention, should behave better than the people who make it. In the end, the NFT space didn’t invent the fear of the artist’s voice. It just put it on-chain, sped it up, and gave it a price chart…

@RemikzT ~love this one 🤍❕1/1💀💻

Sold TYSM @joncates 🙏❤️

5 × 5 == 25

@xai specific @elonmusk

Conceptual AI Art / AI Conceptual Art

@hopionee ask @elonmusk

Imagine being the only person on the planet with access to all advanced AI tools. What would you do?

@kikanicolela @objktcom 🙏✨ ～thankYa!

@objktcom @joncates Jon is such a positive force and a great mind in this space 👏🏼

✦ Collector of the Week #38 | @joncates ✦ "jump in && dive deep" Today we chat with jonCates, collector on objkt, Digital Art teacher, founder of glitch.school and Glitch Art Gallery. 〰 Full interview ↓ P.S.: we’ve preserved his original glitchy writing style :)

@uczine ～ S P R I N G

🥀

@objktcom @joncates jump in && dive deep and welcome to the rabbit hole!

@Cassi_Moghan @objktcom 🙏✨

@objktcom @joncates Always great to know more about people in this community!

@solisolsoli C3P0 looks good in Japan && she's actually made of magic ✨

METROPOLIS poster from Japan, 1929

@objktcom ～thankYa for keep`NN it Glitch ;)

@RaquelGaudard ～thankYou! @RaquelGaudard && @objk

Thank you, @joncates 💜

suddenly summer 🌞

morn'NN 🌞