Larry Fong ASC

Tomorrow. Or tonight. 9pm PST.

#MIKEANDNICKANDNICKANDALICE: the new film from @bdgrabinski fucking rules. Balanced a tight rope of tones and genres to deliver the goods on action, comedy, and its full of heart. So many awesome needle drops, a fantastic ensemble with Vince Vaughn (X 2), James Marsden, Eiza González, Stephen Root, Jimmy Tatro, and more! The set pieces kick ass and man this was a blast with a @BeyondFest audience. 20th Studios continues to let filmmakers make dope films and when this one drops on @hulu on Friday, don’t miss it. Really fun time!

@KaosSverige @steusmotus 🥰

@steusmotus I am biased for Vince Vaughn. If he is in a movie I just watch. @larryfong is cinematographer so just take my money already.

Yeah this looks good

Time travel is a killer Mike & Nick & Nick & Alice is streaming only on @Hulu and #HuluOnDisneyPlus March 27th.

This was a blast to shoot! Can't wait for you all to see it!

Behind the scenes photo of Henry Cavill's Superman in the capitol hearing scene from Batman v Superman shared by @larryfong on Instagram.

"Standing in the freezing rain in Detroit with Ben Affleck as we brought Gotham to life for Batman v Superman: Dawn of Justice." 📸 Zack Snyder (IG)

@bdgrabinski LOTS of zooms! We had the zoomies for sure, meow (not to mention our 'secret' lenses) @Panavision

Larry killed it. Panavision Anamorphic. And zooms!

@CBliss6 Sorry Cole, but the entire funeral sequence was shot on IMAX film, for both Kansas and Metropolis. Zack and the entire crew can confirm this. The difference in the image is pretty obvious, especially when seen on the big screen.

@larryfong It’s a trap! Though some sequences from Batman Vs Superman were shot on 70mm imax, this shot of Lois was on 35mm film. I think it might be Predator badlands 🙌🏾 Look at Larry Fong pulling a bamboozle on all of us

Guess which one was shot on IMAX? 🙂

@CBliss6 BvS was shot on 35mm film (anamorphic format), IMAX (film), and 70mm film (technically 65mm). And a bit on GoPro (I'll let you guess which shots) and 16mm film (deleted scene).

@larryfong Wait, I’m wrong again… the shot of Lois was shot digitally not on film. But the Arri cameras looks so good I just assumed 😅 Fact check @larryfong?

@JeremyS68214565 @TheCurlyRay @NoGoliath For practicality, it was a composite.

@larryfong @TheCurlyRay @NoGoliath Suspended with cables or juste on en construction crane like magneto in days of futur past?

Fun fact: it was an overcast day, but we got the tallest crane possible and put the brightest light available on it. That way we got the flare, the backlight, AND an eyeline for the actor!

First look: MIKE & NICK & NICK & ALICE, with Vince Vaughn, James Marsden, & Eiza González premieres at @SXSW . Streaming on @Hulu and #HuluOnDisneyPlus 3/27. The film follows two gangsters and the woman they love on the most dangerous night of their lives. Also: a time machine.

Eiza Gonzalez’s upcoming projects 🌟 - ASH (March 21, 2025) - In The Grey - Fountain of Youth - Mike & Nick & Nick & Alice - I Love Boosters - Maria Felix’s Biopic

Eiza Gonzalez as Alice 🆕 🎬 | BenDavid Grabinski ‘Mike & Nick & Nick & Alice’ writer and director, shared this instagram storie about the film! 💥 👀

@NoGoliath That was Henry.

@larryfong Was that actually Henry for this take or a stunt double? Do they just flex the whole time to look cool? 😂 #SnyderVerseOnNetflix #ZSJLonNetflix

Fun interview, thanks guys!

A little excerpt from our interview with the fantastic @larryfong @I_Minutemen #Iminutemen

Good times. Hilarious. #Lost