Paul

@JIMMYEDGAR We must learn to walk before we can run.

zero interested in music nfts until there is a platform that has on-chain stems/samples and the function to mint new creations using those elements (on-chain royalties)

@Gigamesh @whatdotcd @LauraTJD Agree. "So far..." is the key prefix.

@whatdotcd @LauraTJD The full interview is a great read. He sounds like he’s one conversation or blog post from going deep down the rabbit hole.

@thattallguy ausgezeichnet

Whats the German word for the feeling you get when you hop into your discord and see a community call happening that you have nothing to do with and never even heard about? It's a good feeling.

@mnmlssgs consider it considered

No end of year lists from me, just a suggestion about one album you should consider listening to: ssgspace.substack.com/p/come-in

@7Surfer7Silver7 ⚫️>⬛️

svg > png

@sulemain UX will continue to get better in time, no doubt. But even then, mass-market adoption will probably still take years. 3-5 perhaps?

@paulclement I'm curious, given how arduous it is currently for the average consumer to get into NFTs, what do you envision for onboarding?

Over the past year or so, I spent some time talking to people and thinking about how the application of blockchain/web3 principles could apply to music ownership. The following is one approach. A thread…

@fascinated no words. well, many words, just no good ones.

let me get this right, kickstarter, a platform for funding projects, should not experiment with programmable money (that people have been recently using to fund projects)? what

@DeanMuhsin would love a beer sometime though ; )

@DeanMuhsin lol.... when directs go indirect

@JoeShabadu good m

good reead twitter.com/paulclement/st…

@seaninsound It only takes a few major artists to say; my new album is exclusively here, limited to X million copies. To start a meaningful shift.

@seaninsound There is definitely potential in the interconnected long tail of sample clearance and royalty splits, and it being on-chain, but this seems to be further down the road in terms of phasing for the adoption of this technology. And it gets very, very weedy.

@seaninsound If you imagine the @discogs marketplace of music fans being applied to a format with no need for condition ratings or physical postage, applied to instantly verified ownership of "limited" digital assets. It's not if, it's when.

@seaninsound However, most people don't (nor should they) need to be part of publishing ownership, or involved in sample clearance etc. And the one-of-one model doesn't make a lot of sense from a consumer perspective.

@seaninsound I agree. A lot of this is pretty obvious. The most important, and step with the biggest opportunity seems to be the most obvious: music ownership (at the consumer level).

@huerco_s The ultimate end of days zombie killer ride.

Virgil Abloh, Maybach EV concept. 🕊

@muratpak Contextual.

Relative.

@awrigh01 ...so not just fancy jpegs then?

The best teams in Web 3 are combining outstanding system (smart contract) design with community building. When those two things are nailed, magic happens.

@joonian ngmi

the death knell: "you will have to contact Home Office for that"

@DannyDaze sounds fun

@paulclement I’m not much into the NFT world as I’ve put more focus on the interoperability side of things, but thankfully minted a few in 2017 which lead me down the NFT use case. It’s a game changer. Very soon, bedroom music producers will be able to get paid per club play.