RED Digital Cinema

ON THE ROAM is a cinematic docuseries following Jason Momoa as he travels the country chasing art, adventure, and friendship through the lens of craftsmanship. Cinematography by Damien Bray on the RED V-RAPTOR [X] and KOMODO-X, with select scenes shot on Nikon ZR. #OnTheRoam Now streaming on @HBOMax, with episodes releasing weekly. youtube.com/watch?v=fDGgRI…

From hands-on REDUCATION workshops to industry events around the world, the RED Events page is the best place to stay up to date on where we’ll be next. See upcoming trainings, expos, and opportunities to connect with the RED team throughout the year RED.com/events

DP Armando Salas, ASC breaks down how the hardware-store fight in Normal was designed to avoid action fatigue, from practical rain and programmed strobes to his choice of the RED V-RAPTOR XL for its global shutter performance in snow and flashing light. Full article ► theasc.com/article/normal…

Marion Le Corroller’s Sanguine premiered in the Cannes Midnight Screenings with a visceral take on body horror and burnout. Shot on the RED V-RAPTOR, the film embraces an intimate visual approach through extreme close-ups and striking physical detail. As Le Corroller shared with Cannes: “That’s why I use extreme close-up shots of her. It’s not just for the sake of it. Every shot is justified.” #ShotonRED festival-cannes.com/en/2026/interv…

Bringing REDUCATION beyond the classroom. Join @wildmotiondocs June 23–24 for a virtual, hands-on course designed to connect shooters everywhere with practical RED workflows and production training. From camera fundamentals through post-production, the course covers the full RED ecosystem in a live online environment. Save your seat ► eventbrite.com/e/reducation-o…

Inside the look of Normal. Cinematographer Armando Salas, ASC breaks down the creative and technical approach behind the film on The Making Of, from shaping its visual tone to building the workflow around the RED V-RAPTOR [X]. themakingof.substack.com/p/normal-cinem…

Streaming on PBS, Legendary Tigers of India follows the story of the iconic tigers of Ranthambhore Fort through the eyes of the man dedicated to protecting them. #ShotonRED by George Woodcock. youtube.com/watch?v=fEqoOa…

Armando Salas joins The Making Of show to discuss the visual language, collaboration, and workflow behind Normal, shot on the RED V-RAPTOR [X]. themakingof.substack.com/p/normal-cinem…

Selected for Special Screenings at the Cannes Film Festival, Les Matins Merveilleux follows Charlie as she drives the Mediterranean coast, old disco records in the boot of her Twingo, carrying the weight of her grandmother’s death. Along the way, a series of encounters unfold through memory, movement, and longing. Directed by Avril Besson and #ShotonRED by cinematographer Julia Mingo.

CBS Sports delivers one of the largest broadcasts of the year to the PGA Championship, deploying 150+ cameras across the course and redefining the scale of live production. Sports Video goes behind the scenes, including how CBS integrates RED V-RAPTOR [X] into its workflow. READ MORE ► sportsvideo.org/2026/05/14/cbs…

Go behind the scenes with Jeff Goodman (RED Digital Cinema) and Takashi Aihara (Nikon Imaging Business Unit) as they discuss what RED and Nikon have built together across the Z CINEMA lineup, including Nikon ZR, R3D NE, and V-RAPTOR XE, blending RED’s cinema heritage and Nikon’s imaging technology in new ways for filmmakers and evolving production workflows.

Premiering at the 2026 Cannes Film Festival, La Troisième Nuit directed by Daniel Auteuil joins the Cannes Premiere selection with a story set in August 1942, following those working to save Jewish families under the Vichy regime. Shot on RED by AFC president and cinematographer Jean-François Hensgens AFC on V-RAPTOR.

Attending Cine Gear in LA? Continue the week with REDUCATION, hosted by Wildmotion June 8–10. A 3-day, hands-on training course focused on real-world production workflows across the RED ecosystem. Work directly with KOMODO-X and V-RAPTOR XE, exploring exposure, color science, compression, and end-to-end post workflows in Resolve, Premiere, and REDCINE-X. eventbrite.com/e/reducation-l…

In competition for the Palme d'Or at the Cannes Film Festival, Soudain marks Ryûsuke Hamaguchi’s first feature shot outside Japan. The film follows a care home director whose outlook is changed by an unexpected friendship. #ShotonRED by DP Alan Guichaoua using RED’s RED V-RAPTOR.

Now playing in theaters across France, Mi Amor follows a French DJ touring the Canary Islands whose search for a missing friend leads her deeper into a strange and unsettling world. #ShotonRED by DP Romain Fisson-Edeline using RED's #MONSTRO8K. Watch the trailer ► youtube.com/watch?v=shW1OD…

Join AV8 June 9–11 in Singapore for a 3-day, hands-on REDUCATION course focused on real-world shooting across the RED ecosystem. Get hands-on with V-RAPTOR [X] and KOMODO-X while covering exposure, color science, compression, and post workflows in Resolve, Premiere, and REDCINE-X. Reserve your seat ► form.jotform.com/232779059821466

Congratulations to all of the nominees and winners recognized at the 2026 ACS National Awards. An incredible celebration of cinematography and storytelling across the industry. See the full list of winners ► cinematographer.org.au/national-award…

Morgan Maassen follows Freddie Meadows through the frozen coastlines of Sweden’s Baltic Sea and into the Arctic Circle in Rán: A Scandinavian Surfing Saga. Battling snowstorms, icy waters, and fleeting swells, the film captures a relentless search for surf in some of the harshest conditions imaginable. Shot over several years on V-RAPTOR by Morgan Maassen. #ShotonRED #VRAPTOR #R3D Watch the full film now ► youtube.com/watch?v=-gvwj3…

Small town. Big secret. From director Ben Wheatley and DP Armando Salas, ASC - NORMAL is now playing in theaters everywhere. DP | Armando Salas, ASC (@cinesalas) Serviced By | #KeslowCameraToronto Thank you to Magnolia Pictures for the photos! (Image #1: Armando Salas, ASC, between takes on the set of NORMAL. Photo credit: Allen Fraser, SMPSP. Image #2: Armando Salas, ASC, poses for a selfie in the relfection of the Keslow Camera proprietary "Kes-LOW Angle Mirror" on the set of NORMAL Image #3: Bob Odenkirk as Ulysses Richardson in NORMAL - shot accomplished with the "Kes-LOW Angle Mirror" Image #4: A still from NORMAL, highlighting the Tribe7 Blackwing7 T-Tuned Cinema Primes) #NormalMovie #ShotOnRED @RED_Cinema @magnoliapics

RED returns to @mpts_london. Visit Stand B45 to see our Cine-Broadcast workflows in action and explore our latest lineup. Highlights include the Cine-Broadcast Module with EVS integration, for 4x super-slow-motion at 4K, and the MPTS debut of the V-RAPTOR XE, bringing RED’s large format global shutter sensor, low-light performance, and R3D recording to a more accessible platform. 13–14 May | MPTS 2026 | Olympia London #MPTS #MPTS2026 #MPTS10Years