Russet🇻🇪

Kinger tadc

I did that last month 🏃 #warriorcats

Part of why I like this scene so much is because the more you read into it the more it seems like V's words werent only a threat, but also a projection born out her own situation that she's applying to uzi V thinks distance is safety. V is telling uzi to stay distant so everyone

watching Internecion cube for the first time and this shit got me ctfu LMAOAOAOA

sfawtde if it was woke averythemayo d3rlord3 the king in RAINBOW

When you destroy a world that doesn't exist

getting tired #slimeknight #sfawtde #dawtde

retouching #slimeknight #minecraftarg #sfawtde #d3rlord3 #averythemayo

"support indie animation" unless of course it becomes popular or it succeeds and becomes mainstream, then it's the spawn of satan. Genuinely fuck you.

Fans gringos y europeos de TADC cuando les dices que contacten con sus cines locales civilizadamente y organizados en lugar de acosar a la producción de series indie que les está pidiendo ayuda en primer lugar

I was there for Homestuck. I was there in the Tumblr days of Seven Universe and Gravity Falls. I was there for the formative years of online fandoms all across the internet. The TADC fandom is one of the most unruly, childish fandoms I've ever had the displeasure of interacting with. Instead of being happy that a small indie studio get's a chance at a theatrical release, y'all want to boycott it because you want it to "stay niche" and don't want the medium to mature and grow, and push bigger studios like Disney and Pixar out of the spotlight for once. Despite what it might seem like on the internet, Glitch is small peanuts compared to those giants. The rest of the world outside of the internet bubble has NO IDEA what TADC even is, so these theatres need to be convinced that showing it will be worth it for them. On top of that, despite GLITCH being an Australian company; TADC is an American production. Of COURSE they're going to focus on where the show originated and where it's most popular for their initial theatrical release; but if you want to see it closer to you, YOU NEED TO REACH OUT AND ASK FOR IT. GLITCH can't do it all, THEY'RE INDIE. IT'S US. WE'RE THE DISTRIBUTORS. It's just like Iron Lung all over again, but GLITCH is getting shit on instead of supported like Iron Lung was. I grew up in a time where I had to dodge spoilers for limited releases, and I managed to do it. Avoiding spoilers is surprisingly easy, you're just too entitled. We should absolutely be supporting an indie studio when they make moves like this. It's unheard of for something like this to be happening, and these projects are backed by real people with real passions. GLITCH doesn't make their money from YouTube views, they make it on merch and MAYBE, JUST MAYBE, they'll make a LITTLE revenue from these movie releases, but we have to support them if we want to see more projects like Iron Lung and TADC moving into the big screens.

I need every single person who ends up going to this movie to channel their inner @GooseworxMusic. LIE. Lie about every spoiler you can think of. make it plausible. make it implausible. Make art of things that don't happen. you can't spoil it if you can't trust any of it.

#sfawtde #slimeknight

alright bro

#slimeknight a bit late ig

Whatever you do at the crossroads, #sfawtde #dawtde #averythemayo

We want to watch what Kinger's watching ngl