The Wire Magazine

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The Wire Magazine

The Wire Magazine

@thewiremagazine

“The most essential music magazine of the contemporary era.” (Forced Exposure)

London Katılım Şubat 2009
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The Wire Magazine
The Wire Magazine@thewiremagazine·
The Wire 507 is out now! Featuring Sunn O))) on the cover in special Savage Pencil black and white editions, plus Delphine Dora, The Sleeves, Jair-Rohm Parker Wells, Brion Gysin, Irmin Schmidt’s Invisible Jukebox, and much more. Pick up your copy here: thewire.co.uk/shop/
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Inside The Wire 507: Brion Gysin The Beat-adjacent conceptualist's collaborator Ramuntcho Matta discusses Gysin's immense impact on literature, music, cut-ups and collages, as revealed in a Paris exhibition. By Daniel Spicer thewire.co.uk/issues/507
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In his latest Secret History Of Film Music column, Philip Brophy considers the sound of masculine sensitivity through the scores of Bryce Dessner. Films discussed: C’mon C’mon (2021), We Live In Time (2024), Bardo, A False Chronicle Of A Handful Of Truths (2022), Train Dreams (2025), and more. thewire.co.uk/in-writing/col…
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The story of Yoko Ono’s life and work provides a lens for examining the catalytic avant garde art movements of the mid-20th century, writes Mark Webber in The Wire 507 thewire.co.uk/in-writing/ess…
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In October 2025, The Arcade Orchestra formed to play a tribute concert for New Zealand musician Dean Roberts, who died in 2024. This is the recording of that performance. thewire.co.uk/audio/tracks/p…
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Inside The Wire 507: Delphine Dora ”I have a deep love for words, but I'm equally fascinated by what exists beyond them. That's probably why poetry attracts me so much - it sits precisely at that threshold between language and something more elusive." Often singing in an invented language, the French composer channels poetry, spiritual writings and folk traditions in a search for a deeper experience of inner life By Miloš Hroch. Photography by Adrien Tisserand. thewire.co.uk/issues/507
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Inside The Wire 507: The Sleeves "In that world [of improvising] it can be so exciting, but there can be a little bit of a fear around repeating anything. That stream of consciousness thing: you can be there with it, and it can be exciting to watch, but I almost feel like there's a ceiling sometimes. And it's so nice to sit on something, especially if you lock in with someone, and we have a lot of shared references." The guitar duo's spare, lo-fi songs emerge from playful improvisation. Read the full article in The Wire 507 - available to buy at the links in the bio. Read the full article in The Wire 507. thewire.co.uk/shop/
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Against The Grain: London’s last jukeboxes The few remaining jukeboxes in London’s pubs and bars salvage a mode of music consumption from the junkyards of history, argues Deborah Nash in The Wire 507. Read the article in full here: thewire.co.uk/in-writing/col…
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Below The Radar 50! Print and digital subscribers of The Wire can now stream and download the latest bumper edition of Below The Radar - our regular subscriber only compilation of experimental underground music. Volume 50 of Below The Radar is a bumper edition featuring a record 27 tracks - by ans m, E The Artist, Isabelle Duthoite, Girl Pusher, Jay Mitta, Kareem Samara, Only Now and many more. thewire.co.uk/audio/btr/belo…
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Tonight on @ResonanceFM & @ResonanceEXTRA, Chris Bohn hosts Adventures In Sound And Music, playing tracks by Albert Ayler Quintet, Black Nile, and Lucy Liyou (pictured) + a special tribute to Mania D/Malaria!’s singer/saxophonist, Bettina Koester. Tune in from 9pm BST extra.resonance.fm/schedule 📷 Experimental Sound Studio
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The Wire Magazine
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In his latest Secret History of Film Music column, Philip Brophy considers Daniel Lopatin's score for Uncut Gems (2019) and its context within an aesthetic of ‘bling’ thewire.co.uk/in-writing/col…
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