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𝓈 𝑜 𝓁 𝑒 ୭̥⋆*。🧚🏻♀️
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𝓈 𝑜 𝓁 𝑒 ୭̥⋆*。🧚🏻♀️
@augussolv
27┊🪸 * · . ✧ . · • 𝘈 𝘱𝘢𝘵𝘩𝘰𝘭𝘰𝘨𝘪𝘤𝘢𝘭 𝘱𝘦𝘰𝘱𝘭𝘦 𝘱𝘭𝘦𝘢𝘴𝘦𝘳 ୭̥⋆*。
🕊🌊🏳️🌈 Katılım Nisan 2020
201 Takip Edilen174 Takipçiler
𝓈 𝑜 𝓁 𝑒 ୭̥⋆*。🧚🏻♀️ retweetledi
𝓈 𝑜 𝓁 𝑒 ୭̥⋆*。🧚🏻♀️ retweetledi

"Si alguien de la talla de Taylor Swift presentara una petición para establecer un límite de precio, entonces las personas que están en la cima sentirían cierta culpa por cobrar lo que cobran. Los artistas tienen que ser menos pretenciosos por un segundo. En algún punto, en los conciertos solo va a haber gente con mucha plata, y de eso no se trata la música. No se puede impedir que la gente asuma el costo de la música. Yo estoy en una situación en la que la que no tengo que perseguir las ganancias con tanta insistencia." - Louis sobre algunos artistas que se suben demasiado al caballo y cobran cifras imposibles para Hunger Magazine 🫶

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𝓈 𝑜 𝓁 𝑒 ୭̥⋆*。🧚🏻♀️ retweetledi
𝓈 𝑜 𝓁 𝑒 ୭̥⋆*。🧚🏻♀️ retweetledi
𝓈 𝑜 𝓁 𝑒 ୭̥⋆*。🧚🏻♀️ retweetledi
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And now here we our about to start the third tour. I’ve got a really really good feeling about this. That’s not some bullshit marketing ploy to make you come to the show, I genuinely haven’t ever felt this assured about the show we’re about to put on. If you’re reading this and you’re a fan, don’t underestimate your importance in how I feel professionally. Now if I’m real with myself I’m sure there will be a few moments where I get in my own head but after all these years I feel so protected by you all in those spaces. I literally can’t fucking wait for these shows.
Will it be a performance worthy of a vocal Olympian? No
Will it be the best selling show of the year? No
Will it be a show with numerous lyric sheets on stage like we’re in the stone age before autocue? Maybe
What it will be though is a moment for all of us to celebrate how far we’ve all come. Diary entries over. Just wanted to update you on what was going on in my head.
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The 2nd tour had a different energy about it. I felt much more assured in the music in an album that was literally designed for the live show but I’d be lying if I said I didn’t have some nights where I questioned myself. About midway through that tour I remember metaphorically looking in the mirror and saying to myself that I needed to allow myself the success and the idea of being capable on my own. Gratitude is an incredible feeling but also comes with its own pressure, I wanted so much to deliver for you all every night and wasn’t allowing myself room for error. That momentum shift was really important for me. The last show of that tour absolutely blew my fucking mind, it gave me room to reflect on how far I’d come. Never did I imagine WE’D be able to achieve this
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𝓈 𝑜 𝓁 𝑒 ୭̥⋆*。🧚🏻♀️ retweetledi

My first tour was so fucking terrifying to me and maybe because I was pretty hard on myself, weird little paradox every night of feelings the adrenaline and the love of the crowd all the while scolding myself in my head. I had some incredible shows that tour and proved a lot to myself but still it was a tough one mentally
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𝓈 𝑜 𝓁 𝑒 ୭̥⋆*。🧚🏻♀️ retweetledi
𝓈 𝑜 𝓁 𝑒 ୭̥⋆*。🧚🏻♀️ retweetledi
𝓈 𝑜 𝓁 𝑒 ୭̥⋆*。🧚🏻♀️ retweetledi
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i’m so happy and excited to tell you my new single ‘dinner party‘ is coming out march 20. presave it now at niallhoran.com
this song is about a really happy and big moment in my life. an evening at a simple dinner party that changed the course of my life. after writing the song , the words ‘dinner party‘ became the nucleus for the rest of the record. that once in a lifetime moment that i am grateful for and for everything that came after that night.

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I never want to forget a single detail of this hysterical shoot, and now I don’t have to! Excited to share more of the Opalite Music Video with two extended versions full of dance lessoning, our phenomenal cameos, camcorder footage, gigantic scrunchies & fanny pack angles! Parts 1 & 2 are out now at taylor.lnk.to/OpaliteExtende…




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My favorite part about writing is that first spark of an idea. It can happen at any time, for any reason. The idea for the Opalite music video crash landed into my imagination when I was doing promo for The Life of a Showgirl. I was a guest on one of my favorite shows, @TheGNShow. For those of you who aren’t familiar, it’s a UK late night show where Graham Norton (the insanely charismatic and lovable host) invites a random group of actors, entertainers, musicians, etc to be on his show and we all sit there and chat like it’s a dinner party. They even serve wine. Anyway. I remember thinking I got ridiculously lucky with the group I was paired with. Cillian Murphy, Domhnall Gleeson, Greta Lee, Jodie Turner-Smith, and @LewisCapaldi. All people whose work I’ve admired from afar. When we were all talking during the broadcast, Domhnall made a light hearted joke about wanting to be in one of my music videos. He’s Irish! He was joking! Except that in that moment during the interview, I was instantly struck with an *idea*. And so a week later he received an email script I’d written for the Opalite video, where he was playing the starring role. I had this thought that it would be wild if all of our fellow guests on the Graham Norton show that night, including Graham himself, could be a part of it too. Like a school group project but for adults and it isn’t mandatory. To my delight, everyone from the show made the effort to time travel back to the 90’s with us and help with this video. You might even recognize some friendly faces from The Eras Tour. I got to work with one of my favorite people in the world, Rodrigo Prieto, again! I had more fun than I ever imagined - Made new friends, metaphors, and fashion choices. It was an absolute thrill to create this story and these characters. Shot on film. The Opalite video is out now on Spotify & Apple Music.
taylor.lnk.to/OpaliteMusicVi…




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𝓈 𝑜 𝓁 𝑒 ୭̥⋆*。🧚🏻♀️ retweetledi
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