ayie

Heechul focus-In my dream Sing wholeheartedly 🥹 Yeongwonhi idaero jamdeulgil baraedo Yeojeonhi geunyeoro ggaeeonado (I wish I would fall asleep forever like this I wake up with her presence still) Cr: lys.ttt #HEECHUL #SUPERJUNIOR #SS10inHCM

2026.01.10 - SUPER SHOW 10 in MACAU #희철 #HEECHUL #슈퍼주니어 #SUPERJUNIOR

slick back & 🕶️ 🫶🏻🌸🍒 20260110 SUPER SHOW 10 in Macau Day 2 @SJofficial #SuperJunior #슈퍼주니어 #HEECHUL #희철 #希澈 #김희철 #金希澈 #ヒチョル #SuperShow #SuperShow10 #20th_Anniversity_TOUR #SS10inMacau_Day2 #SS10inMacau

[260111 SUPER JUNIOR SUPER SHOW 10 IN MACAU - SORRY SORRY (DRUM PERFORMANCE)] 𝒚𝒐𝒖 𝒈𝒐𝒕 𝒎𝒚 𝒇𝒊𝒓𝒆! #superjunior #슈퍼주니어 #희철 #HEECHUL #希澈 #金希澈 #김희철 #ヒチョル #supershow10 #ss10 #슈퍼쇼10 #직캠 #fancam #ss10inmacau

Gosh I really love singer heechul it's too bad he didn't release many songs so I need to dig every single video of him singing to enjoy his sweet voice

The disrespect to SB19 and also to Coach Jay and W3 is something I won't let these insufferable vermins get away with. Don't you ever reduce them to "mere backup dancers" of SB19 only. The boys have never treated them that way. They're collaborators, artists, teammates, an extension of the group. Same training. Same body conditioning. Same discipline. Same grind. They are 1Z artists too. They are part of 1Z Team. They treat each other as equals. W3 even have their own in-ear monitors when they perform. They move as one because that's how real professionals work. And let's be very clear: SB19 does not do mediocrity or bare minimum. Never did. They build big concepts because they can, even with limited resources. They go big because that's the kind of artists they are. They're self-produced, hands-on with their music, concepts, creative direction, and choreography. Everything you see on that stage is intentional. When SB19 said P-Pop Rise and advocated for it, they meant raising the standard of Filipino performances as a whole, showing the world what Filipino excellence looks like on a global stage. And visions like that don't materialize with just five people. They take a team. Some companies, kapag gusto magmukhang "world-class," mag-ooutsource agad yan ng foreign producers, writers, choreographers, maghihire ng foreign trainers, para may maipagmalaki at mavalidate yung "world class" agenda. Well, iba ang SB19. Korean company yung unang bumuo sa kanila pero they did their best to remove the "kpop wannabe" stereotype that people who don't know them accuse them of. They poured their blood, sweat, and tears to build themselves up from scratch and promote themselves as Filipino artists. Glad they're their own bosses now and finally got their creative freedom. Unlike some, you can clearly say na hindi performative ang SB19 and 1Z when they advocated for Ppop rise. They put their money where their mouth is. Collaborating with Filipino producers, Filipino musicians, Filipino choreographers and dancers, Filipino designers and stylists. Hiring Filipino directors and Filipino creatives. World-class, pero Filipino. Yun ang difference. Tapos sasabihin n'yo "pang-kinder" yung dance break nila kasi hindi n'yo gets ang dance style ng SB19 at dance language ni Coach Jay? That's a YOU problem, not a performance issue. Not all choreography looks like the mainstream, template routines you're used to. His work is about musicality, texture, groove, and storytelling, not just flashy moves for instant validation. If you can't read that, that's on you. Calling it "pang-kinder" doesn't make you edgy. It just makes it obvious you don't understand what you're watching. Also, what's wrong with having dancers to elevate a performance? Since when did having a full ensemble mean the main artists are weak? Leading a group actually requires more control, more stamina, and stronger stage command. You can't hide anything in a 20-minute live set. If SB19 was weak, it would've shown. Instead, it went viral and got praised by locals, casuals, and non-fans. You don't hide lack of talent with dancers. You expose it. Are you sure we watched the same performance for you to even come up with that narrative? lol. If you think good dancing only means everyone looks the same, that just shows how shallow your understanding of performance is. Controlled individuality while staying in sync is a skill. SB19 has it. You don't have to like SB19. But mocking what you clearly don't understand and calling it "pang-kinder" at "pucho pucho" doesn't make you superior, it just exposes your ignorance. And SB19's world-class talent and excellence doesn't disappear just because you refuse to accept it.

“I remember” is more romantic than “I love you”

✨Heechul's vow✨ I hereby ✨pledge✨ that I, without fail, will go anywhere members go and even though I can no longer move, I will still come even if I have to ride a wheelchair. #SUPERSHOW10inBKK #SS10inBKK #SS10inBKK_Day2

[#2025MAMA] Super Junior, Assemble 📷 🎙️SUPER JUNIOR HEAR MY ROAR, UH-HEUNG 2025 MAMA AWARDS #MAMAAWARDS #2025MAMAAWARDS

HEY, MR. SIMPLE! 🕺🏼 LOOK: Super Junior lit up the 2025 MAMA Awards stage with their popular hits ‘Mr. Simple’ and ‘Sorry, Sorry’ on Friday, November 28. | 🎥: MNet Plus READ RELATED STORY: inqnews.net/MAMAAwards2025

suju's mics are on ON, because not only you can hear their panting, u can also hear their clothes

251128 MAMA AWARDS IN HONGKONG ㅁㅊ…….아ㅏㅏㅏㅏㅏㅏㅏㅏ #희철 #김희철 #HEECHUL #SUPERJUINIOR #슈퍼주니어

Josh’s message during QUIT sounded general for others but it was directly meant for Ken too 🥺🥺 Thank you for capturing Ken during this beautiful message from Josh 🥺🥺 Josh you are such a Warrior too. You’ve got the Bravest Heart.. Thank you for making us feel validated❤️

251115 SUPER SHOW 10 in TAIPEI heenim😍 #SUPERJUNIOR #슈퍼주니어 #SUPERSHOW10 #희철 #김희철 #HEECHUL #希澈

Phone in question (Kat Domingo): "Totoo po bang binasag ng Sierra Madre ang mata ng bagyo?" @arielrojasPH explains how the Cordillera Mountain Range affects the typhoon (with hand gestures) **and tama yun slinky yung spring na laruan na pang bata. Lols! Thank you for this Ariel! #UwanPH

섹시 양아치미 있으심

Pagod ako pero paisa lang. 1Z Entertainment - the event organizer and content owner. They're responsible for the concert itself, the production, schedule, performers, and ensuring a proper show feed is provided. iWant (ABS-CBN) - the broadcast and livestreaming service provider. They handle the actual streaming infrastructure, the encoding, transmission, and delivery of the video feed to paying online viewers. They also manage the ticketing (digital access), player, and viewer experience on their platform. 1Z Entertainment hired iWant by ABS-CBN to handle the official livestream of SB19's anniversary concert Fast Zone. That means they were the service provider, not just the "receiver" of the feed. Their own crew was at the venue, managing the broadcast. So what actually happened that day was a few minutes before the concert was supposed to start, all paying viewers suddenly got logged out of the site. It took a long time before the issue was fixed. Then when people finally got back in, iWant started playing ads during the downtime, and not even event-related ones, just promos of their own shows and artists (like, seriously?) Anyway, the concert eventually started, but some parts of the stream were blurry, and no, it wasn’t because of our internet connection. Then came Pablo's solo stage, and out of nowhere, the audio went completely mute. It stayed that way until the SB19 x Sarah G collab stage. Now, the fact that only certain parts of the concert were muted shows this wasn't a venue or feed problem. That kind of issue points to a platform-side malfunction, something must have gone wrong with iWant's live encoder or ingest system. If it were from the venue, the on-site engineers would've noticed and fixed it immediately. So tell me, how is that 1Z's fault again? The concert itself went perfectly fine onsite. Everyone there saw and heard everything clearly. Ang gaganda at ang lilinaw nga ng mga fancams eh. The problems happened only on the livestream, not the stage. And what's weird is that the audio cut exactly during two of the most anticipated moments of the night. And why did it stay muted for two full performances before coming back? If it was just a "technical glitch," it would've been fixed in seconds. Either someone wasn't monitoring properly, or something more deliberate happened. Even if it wasn't intentional, it was gross incompetence that had the same effect as sabotage because it ruined key moments that were supposed to showcase SB19's artistry and 1Z's production milestone. What's worse is how the narrative is being twisted. Fans are demanding accountability from iWant, and suddenly 1Z is being blamed and A'TIN are being called "toxic" for speaking up? Sorry, but asking for basic accountability isn't toxicity. It's consumer rights. We paid for a proper viewing experience. Stop gaslighting the fandom. We're not complaining just for the sake of it, we're disappointed, because what was supposed to be a celebration turned into a technical disaster we didn't deserve.

💙Eng-sub💙 Leeteuk: We have to keep doing this. Is there any reason for us to stop? We’re too popular and have too many fans to stop🤭 Leeteuk expressing his gratitude to ELF in a playful way☺️ #SUPERJUNIOR #슈퍼주니어 #이특 #Leeteuk

Nobody does it like @SB19Official! Look at the stage for #SB19xFRANCISLIBIRAN's FAST ZONE at Araneta Coliseum.

Last night, we stepped into the Fast Zone as two worlds collide. Concert and fashion, pulse and pattern being one. As we celebrate our seventh year, we continue to evolve together with all the people who’s been with us— making it possible for our art to reach more audiences. Thank you for being with us, witnessing us break the boundaries along the way. This has been FAST ZONE 💙 #SB19 #FrancisLibiran #FastZone